Al Fountain, a middle-aged electrical engineer, is on the verge of a mid-life crisis, when he decides to take his time coming home from a business trip, rents a car, and heads out looking ... See full summary »
Joe and Mary have been living together in Manhattan for six years. Joe is an actor, who has no agent and no thesping credits, but whose ambitions are very high. He works as a waiter at a ... See full summary »
Director Tom DiCillo didn't want to beg people for money to make this film, so he asked his actors if they would work for free. All of them agreed and most of them even put up money themselves. Eventually anybody who contributed a few dollars got a part in the movie. See more »
The first few times the AC slates, what is written on the slate does not reflect what he calls off. See more »
Hey! That's my eye patch and I don't want anyone else wearing it. It's insanitary.
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statement after the end credits: The characters and incidents portrayed and the names herein are sort of fictitious, and any similarity to the name, character or history of any person is sort of coincidental and unintentional. See more »
Indie director Tom DiCillo has produced a small (as yet) body of work, but has shown consistent flair for making movies which exude great affection for his characters. This affection is contagious; the actors seem to relish their roles and in turn many viewers will share the enjoyment.
Indie stalwarts Steve Buscemi and Catherine Keener (who's graced four DiCillo movies) shine as director and actress on a trouble laden indie shoot. Keener does a virtuoso turn in a scene calling for her to perform the same take over and over, each time with less and less conviction.
"A Box of Moonlight" and "Real Blonde" while having comic sides to them, also have much depth. "Living in Oblivion" is an outright comedy; it's lightweight, but very funny.
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