In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
In the near future, Major Mira Killian is the first of her kind: A human saved from a terrible crash, who is cyber-enhanced to be a perfect soldier devoted to stopping the world's most dangerous criminals.
On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
A.D. 2034. It has been two years since Motoko Kusanagi left Section 9. Togusa is now the new leader of the team, that has considerably increased its appointed personnel. The expanded new ... See full summary »
A high-school girl named Makoto acquires the power to travel back in time, and decides to use it for her own personal benefits. Little does she know that she is affecting the lives of others just as much as she is her own.
It is the year 2029. Technology has advanced so far that cyborgs are commonplace. In addition, human brains can connect to the internet directly. Major Motoko Kasunagi is an officer in Section 9, an elite, secretive police division that deals with special operations, including counter terrorism and cyber crime. She is currently on the trail of the Puppet Master, a cyber criminal who hacks into the brains of cyborgs in order to obtain information and to commit other crimes.Written by
Mamoru Oshii: [gun] The usage of guns and Togusa preferring to use a revolver over a semi-automatic pistol. See more »
During the chase against the ghost hacked man in the first act of the film, it's never shown nor explained where Kusanagi got her headgear from before fighting the man hand to hand. She appears to not have been carrying it at all, so it's safe to assume it's a continuity error. See more »
In the near future: Corporate networks reach out to the stars, electrons and light flow throughout the universe. - The advance of computerisation, however, has not yet wiped out nations and ethnic groups.
To all units: Code 2-0-8 in district C-13, Newport City. Air space is closed. I repeat...
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The original Japanese version has the song "Reincarnation" played over the ending credits. This song was replaced with "One Minute Warning" by Passengers (a collaboration between U2 and Brian Eno) for the English version. See more »
"Ghost in the Shell" is an intricate masterpiece of cyber-punk fiction and storytelling, successfully melding intriguing philosophical ideas with a coherent, well thought-out (albeit) confusing plot.
Even more, it's a nightmarish vision of a society that's dominated by cyberspace and looking back now, is eerily prescient of today's computerized times. Many of the characters in the film are enhanced, someway or another by machines, to help them get the advantage in a vastly changing society.
I'll avoid going real deep into the plot simply because there's a whole lot to grasp and even I got more than a little confused trying to follow it. The story is that a team of high-level government operatives are hot on the trail of a notorious computer hacker called the "Puppet Master," who is wanted for various crimes in cyberspace and has taken a particularly fond interest in the team's tough, female cyborg leader.
Not surprisingly, as with the stigmas surrounding Anime', "Ghost in the Shell" is not short of nudity and graphic violence. But it's far from being gratuitous, and does not slow down the movie at all.
"Ghost in the Shell" was one of the first Anime' films to skillfully blend traditional drawn animation with computerized imagery. This helps to give the film a surreal, yet beautiful look. And the dialogue helps sometimes too, with helping to sort out the confusing plot and many of its mythical ideas about personal identity and human evolution.
This film is also even more revered today, in 2004, since some of this film's core themes helped to develop the plot basis of the insanely popular "Matrix" films, and some scenes from "Ghost in the Shell" were even homaged to in the first "Matrix" movie. The Wachowski Brothers certainly do owe a lot to this movie for the success of their work in America.
I think that to understand "Ghost in the Shell," it would help to accept that Anime' is much more complex and daring than traditional American animation. Most Japanese animation films, like this one, "Akira," or Mayazaki's "Spirited Away," are on a level of sophistication that will never be matched in America.
It has been said that the majority of American audiences would be afraid of Anime' because of the many stereotypes surrounding it, but that's why it's boundless - it's been given free reign to use those stigmas to its advantage in developing truly remarkable pieces of art that have gone largely ignored here in the U.S. "Ghost in the Shell" could very well be a mere reflection or a parable of a doomed society that's probably already accepted its dark fate. Most American animation would never touch up on this sort of subject matter.
"Ghost in the Shell" is my #3 choice Anime' film (behind "Spirited Away" and "Akira") because it's so full of ideas and is masterful in telling a dark story about our times.
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