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Ghost in the Shell (1995)

Kôkaku Kidôtai (original title)
Not Rated | | Animation, Action, Crime | 29 March 1996 (USA)
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A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.

Director:

Mamoru Oshii

Writers:

Shirow Masamune (based on the manga by) (as Masamune Shirow), Kazunori Itô (screenplay)
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Popularity
2,240 ( 233)
5 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Atsuko Tanaka ... Motoko Kusanagi (voice)
Akio Ôtsuka ... Batou (voice)
Kôichi Yamadera ... Togusa (voice)
Yutaka Nakano Yutaka Nakano ... Ishikawa (voice)
Tamio Ohki Tamio Ohki ... Aramaki (voice)
Tesshô Genda ... Director Nakamura (voice)
Namaki Masakazu Namaki Masakazu ... Dr. Willis (voice)
Masato Yamanouchi Masato Yamanouchi ... Minister of Foreign Affairs (voice)
Shinji Ogawa Shinji Ogawa ... Diplomat (voice)
Mitsuru Miyamoto Mitsuru Miyamoto ... Mizuho Daita (voice)
Kazuhiro Yamaji Kazuhiro Yamaji ... Garbage Collector A (voice)
Shigeru Chiba ... Garbage Collector B (voice)
Hiroshi Yanaka Hiroshi Yanaka ... Coroner (voice)
Ginzô Matsuo Ginzô Matsuo ... Old Man (voice)
Takashi Matsuyama Takashi Matsuyama ... Terrorist (voice)
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Storyline

It is the year 2029. Technology has advanced so far that cyborgs are commonplace. In addition, human brains can connect to the internet directly. Major Motoko Kasunagi is an officer in Section 9, an elite, secretive police division that deals with special operations, including counter terrorism and cyber crime. She is currently on the trail of the Puppet Master, a cyber criminal who hacks into the brains of cyborgs in order to obtain information and to commit other crimes. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

It found a voice... now it needs a body. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Japan | UK

Language:

Japanese

Release Date:

29 March 1996 (USA) See more »

Also Known As:

Armored Riot Police See more »

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Box Office

Budget:

JPY 600,000,000 (estimated)

Opening Weekend:

£7,493 (United Kingdom), 14 December 1995, Limited Release

Opening Weekend USA:

$2,736, 4 February 1996, Limited Release

Gross USA:

$515,905

Cumulative Worldwide Gross:

$583,393, 21 December 1995
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo (Original Japanese)| Dolby Digital (5.1 surround) (English Dub)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

While in the boat speaking with Motoko after she is done with her swimming, Batou drinks beer from a can; the logo is that of the Philippine beer San Miguel. See more »

Goofs

As the ghost hacked man is running across some wooden planks, the dirt/grime from the planks disappears. See more »

Quotes

[first lines]
Title Card: In the near future: Corporate networks reach out to the stars, electrons and light flow throughout the universe. - The advance of computerisation, however, has not yet wiped out nations and ethnic groups.
Dispatcher: [on radio] To all units: Code 2-0-8 in district C-13, Newport City. Air space is closed. I repeat...
See more »

Alternate Versions

The movie was released in Germany on VHS by Manga Video. The version was uncut, though it was rated 16. There was a second release by Ascot, the movie, the package design and everything was exactly the same, except that this version was rated 18, but the disclaimer at the beginning still showed the 16 rating. Further more Ascot replaced the Manga Entertainment logo at the beginning of the movie and the credits scroll down to their full length where Manga cut them a bit. It seams like the Ascot-Video was intended for rental-use only. See more »

Connections

Referenced in Dorks & Damsels (2007) See more »

Soundtracks

One Minute Warning
Passengers (Brian Eno and U2)
Featuring vocals by Holi
Engineering by Dave Danton Supple
Assisted by Rob Kinwan
Published by Blue Mountain Music (UK), Mother music (Rep. of Ireland), Taiyo Music (Japan)
Polygram Music International Music Publishing B.V.
(R.O.W)/Opel Music except in North America by Upala Music Inc./BMI
P 1995 Polygram International Music B.B.
Holi appears courtesy of Resurgence and Funhouse Inc., Japan
Licenced courtesy of Records Ltd.
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Frequently Asked Questions

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User Reviews

 
It found a voice... and a following
5 August 2004 | by dee.reidSee all my reviews

"Ghost in the Shell" is an intricate masterpiece of cyber-punk fiction and storytelling, successfully melding intriguing philosophical ideas with a coherent, well thought-out (albeit) confusing plot.

Even more, it's a nightmarish vision of a society that's dominated by cyberspace and looking back now, is eerily prescient of today's computerized times. Many of the characters in the film are enhanced, someway or another by machines, to help them get the advantage in a vastly changing society.

I'll avoid going real deep into the plot simply because there's a whole lot to grasp and even I got more than a little confused trying to follow it. The story is that a team of high-level government operatives are hot on the trail of a notorious computer hacker called the "Puppet Master," who is wanted for various crimes in cyberspace and has taken a particularly fond interest in the team's tough, female cyborg leader.

Not surprisingly, as with the stigmas surrounding Anime', "Ghost in the Shell" is not short of nudity and graphic violence. But it's far from being gratuitous, and does not slow down the movie at all.

"Ghost in the Shell" was one of the first Anime' films to skillfully blend traditional drawn animation with computerized imagery. This helps to give the film a surreal, yet beautiful look. And the dialogue helps sometimes too, with helping to sort out the confusing plot and many of its mythical ideas about personal identity and human evolution.

This film is also even more revered today, in 2004, since some of this film's core themes helped to develop the plot basis of the insanely popular "Matrix" films, and some scenes from "Ghost in the Shell" were even homaged to in the first "Matrix" movie. The Wachowski Brothers certainly do owe a lot to this movie for the success of their work in America.

I think that to understand "Ghost in the Shell," it would help to accept that Anime' is much more complex and daring than traditional American animation. Most Japanese animation films, like this one, "Akira," or Mayazaki's "Spirited Away," are on a level of sophistication that will never be matched in America.

It has been said that the majority of American audiences would be afraid of Anime' because of the many stereotypes surrounding it, but that's why it's boundless - it's been given free reign to use those stigmas to its advantage in developing truly remarkable pieces of art that have gone largely ignored here in the U.S. "Ghost in the Shell" could very well be a mere reflection or a parable of a doomed society that's probably already accepted its dark fate. Most American animation would never touch up on this sort of subject matter.

"Ghost in the Shell" is my #3 choice Anime' film (behind "Spirited Away" and "Akira") because it's so full of ideas and is masterful in telling a dark story about our times.

10/10


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