Disturbing, dark, low-budget independent film about teen-agers in New York City. The story focuses on Telly (Leo Fitzpatrick), a teen who has a goal to de-flower as many virgins as he can. When one of his old encounters discovers that she is H.I.V.-positive, after only one encounter with a guy, Telly remains undaunted.Written by
Allison L. Venezio <YankeeSNL01@aol.com>
Justin Pierce who portrayed Casper, broke his wrist in a fight with a club bouncer during production. During the night pool scene he is seen holding his broken, wrist above his head to limit the pain as he could not get a cast put on it until after filming. See more »
When the crowd is attacking the man, Harold has his shirt on in one shot, but not in the next. See more »
How did she smell? Did her puss stink?
Take a whiff.
[Telly holds up his fingers and Casper smells them]
Mmmmm. Butterscotch, yo. That's the best.
See more »
At the end of the credits it says: "The book 'KIDS' is available from Grove Press and contains photographs from the film, production stills and the original screenplay." and "A portion of the proceeds from this film will be donated to teen crisis organizations." See more »
For the UK cinema version 59 secs was cut by the BBFC to remove shots of young Nick's chest being kissed by an equally young girl and images of a sleeping child during the sex scene between Casper and Jennie, as this footage contravenes the Protection Of Children Act. In August '99 the British Board of Film Classification awarded the film an 18 certificate for video distribution, but with 51 seconds of cuts. The same footage was removed and the scenes re-edited to avoid shots of the child, and this same version was later issued on DVD. See more »
This is not a super super film, but it stays with you, which was sort of the point - especially if you saw it at the time it was released, before the onslaught of "dark" teen movies over the decade following. This was the granddaddy of the genre and remains one of the darkest and grittiest of them all, in both subject and style. Perhaps in part because the subjects were an urban group of kids, rather than the angsty suburban set we've grown accustomed to seeing, there is a rare and truthful ferocity to the characterizations. The emotive mechanism isn't their redemption as mere children, but their total fallibility as young adults. Though obviously this represents a small sample of teenagers in the united states, it will make you think twice about how much earlier we seem to lose our childhood these days. Great ensemble cast with very believable performances. Its attempt to approximate the reality of a documentary is a unique success. In addition to stong dialogue and direction, credit should be given to the cast for that; obviously, chloe sevigny was a standout here. A really important subject for its time and a very credible portrayal.
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