Omri (Hal Scardino), a young boy growing up in Brooklyn, receives an odd variety of presents for his birthday: a wooden cabinet from his older brother, a set of antique keys from his mother Jane (Linsday Crouse), and a tiny plastic model of an Indian from his best friend Patrick (Rishi Bhat). Putting them all together, Omri locks the Indian inside the cabinet, only to be awoken by a strange sound in the middle of the night. Omri opens the cabinet to discover that the tiny Indian has come to life; it seems that he's called Little Bear (Litefoot), and he claims to have learned English from settlers in 1761. Omri hides this remarkable discovery from his mother but shares it with Patrick; as an experiment, Patrick locks a toy cowboy into the cupboard, and soon Little Bear has a companion, Boone (David Keith), though predictably, the cowboy and the Indian don't get along well at first. Omri comes to the realizations that his living and breathing playthings are also people with lives of ...
Writer and producers of E.T all collaborated on this project. See more »
In the scene right before Little Bear and Boone are sent back, Little Bear is sitting in front of a tiny fire, and he hands some fuel to Omri. Omri reaches over the fire for it, and we clearly see his fingers go through the flame. And yet, he doesn't flinch at all. Of course, the fire may be too small to do any damage. See more »
Are we always a great people?
You are always a great people, but it's not always so good.
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The American theatrical and international video releases show the Paramount logo, but the international theatrical and American video releases show the Columbia logo. See more »
Forget reviews saying this is not as good as the book. No films are are a good as the book! Watch this movie with an 8 year old child and you will see how good the film is.
Thank you Frank Oz for a wonderful film. The acting from the young children is above average and the tearful ending just right for a young audience. Interesting to note Steve Coogan plays a miniature model come to life - something he repeats later in his career in A Night At The Museum. Typecasting?
The effects are also very good. Remember this is 1995 when CGI was in it's infancy - but the miniaturisation of the cast is flawless.
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