The Comte de Gonzague schemes against his cousin, the Duc de Nevers, even though he is the Duke's heir and will inherit his estates. The Count has kept secret the existence of the Duke's ... See full summary »
Philippe de Broca
At the age of 20, Martin leaves his home town and comes to Paris, where he fortunately becomes a model by chance. He meets Alice, his brother's friend, and falls in love with her. They ... See full summary »
In the countryside near Normandy's beaches lives Marie, unhappy. It's 1944, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his ... See full summary »
Caracas, Venezuela. Just after her engagement with Vittorio, Nelly runs away from him. As he pursued her, she looks for help to Martin, a French middle-aged man she met by accident. He ... See full summary »
Having been fired from her old job as a real estate agent, 40 years old Constance faces severe pecuniary issues : she cannot rent a flat anymore and she doesn't find another job in Paris. ... See full summary »
In 1832, cholera ravages Provence (South of France). After several misadventures, Angelo, young Italian officer hunted by the Austrian secret police, meets Pauline de Theus, a young lady. After a second accidental meeting, both will start the search of Pauline's husband in a chaotic country.Written by
Remy Amouroux <Remy.Amouroux@imag.fr>
Le Hussard sur le Toit presents its audience with the grim reality of cholera-stricken rural France in 1832 and its effect on a journey of escape by two anxious visitors. The frequent images of corpses and mass burial are refreshed by the breathtaking and beautifully shot scenery, itself brought to life by characters who dilute the presence of death with an oxymoronic mix of comedy and despair. Carrion crows regularly appear, mercilessly flying around in sinister anticipation, their cawing beaks wide open with hunger.
Juliette Binoche enters only in the second half, her laconic period style beautifully portrayed, and preparing the way for her appearance as George Sand in Les Enfants du Siecle (1999). Le Hussard's plot is simple, its screenplay uncomplicated. But the action is fast and Bond-like and the innocence of Martinez' military-dominated character is uncanny. But it is its simplicity that makes this movie a work of exceptional visual satisfaction, for romantics or action-lovers alike.
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