Innocent Lies (1995)
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- TV-MA
- 1h 28min
- Drama, Mystery
- 30 Jun 1995 (UK)
- Movie
In September 1938 a British detective comes to a small French coastal town in order to investigate the death of a colleague. Prime suspects are the members of English aristocratic family...
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Cast verified as complete
| Adrian Dunbar | ... |
Alan Cross
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Florence Hoath | ... |
Angela Cross
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Sophie Aubry | ... |
Solange Montfort
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| Joanna Lumley | ... |
Lady Helena Graves
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| Gabrielle Anwar | ... |
Celia Graves
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| Alexis Denisof | ... |
Christopher Wood
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| Stephen Dorff | ... |
Jeremy Graves
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| Marianne Denicourt | ... |
Maud Graves
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| Melvil Poupaud | ... |
Louis Bernard
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| Bernard Haller | ... |
Georges Montfort
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Rosalind Bennett | ... |
Janet Blain
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| Keira Knightley | ... |
Young Celia
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Tobias Saunders | ... |
Celia's Brother #1
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Robin Saunders | ... |
Celia's Brother #2
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Charles Duron | ... |
Beach Boy
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Michel Winogradoff | ... |
Albert
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| Yvon Back | ... |
Inspector Talmi
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Alexandra Monvoisin | ... |
Zaza
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Marianne Segol | ... |
Gigi
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Tatjana Verdonik | ... |
Maud's Mother
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Oskar Freitag | ... |
Maud's Father
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Alan Ross | ... |
Station Clerk
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| Rest of cast listed alphabetically: | |||
| Donal McCann | ... |
Joe Green (uncredited)
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Directed by
| Patrick Dewolf | ||
Written by
| Agatha Christie | ... | (novel "Towards Zero") (uncredited) |
| Kerry Crabbe | ... | () |
| Patrick Dewolf | ... | () |
Produced by
| Philippe Carcassonne | ... | associate producer |
| Daniel Delume | ... | line producer |
| Philippe Guez | ... | producer |
| Simon Perry | ... | producer |
Music by
| Alexandre Desplat | ||
Cinematography by
| Patrick Blossier | ... | director of photography |
Film Editing by
| Joëlle Hache | ||
| Chris Wimble | ||
Editorial Department
| Paul Ensby | ... | film color grader |
| Mike Fraser | ... | negative cutter |
| Tony Tromp | ... | assistant editor |
Casting By
| Swan Pham | ||
Production Design by
| Bernd Lepel | ||
Costume Design by
| Tom Rand | ||
Makeup Department
| Clarisse Domine | ... | key makeup artist |
| Peter King | ... | makeup artist |
Production Management
| Sylvain Bouladoux | ... | assistant unit manager |
| Richard Lalonde | ... | production manager |
| Antoine Vierny | ... | assistant unit manager |
Second Unit Director or Assistant Director
| Vincent Canaple | ... | first assistant director |
| Peter Heslop | ... | assistant director |
Art Department
| Graham Ellis | ... | assistant art director |
| Amanda Grenville | ... | set dresser |
| Jonathan Hurst | ... | props |
| Boris Piot | ... | swing gang |
Sound Department
| Don Banks | ... | boom operator |
| Harry Barnes | ... | dialogue editor |
| John Hayward | ... | re-recording mixer |
| Kevin Jacobs | ... | assistant sound engineer |
| Colin Ritchie | ... | supervising sound editor |
| Ivan Sharrock | ... | production sound mixer |
| Alan Snelling | ... | foley recordist |
| Michael Stevens | ... | assistant sound engineer |
| Richard Pryke | ... | assistant re-recording mixer (uncredited) |
Visual Effects by
| Pete Hanson | ... | studio manager: CFC (as Peter Hanson) |
| Wolfgang Lempp | ... | software development: CFC |
| Jim Machin | ... | model maker |
| Mark Nelmes | ... | digital special effects designer: CFC |
| Alison O'Brien | ... | digital special effects producer: CFC |
Stunts
| Rémi Canaple | ... | stunts |
| Patrick Cauderlier | ... | stunt coordinator / stunts |
| Roland Neunreuther | ... | stunts |
Camera and Electrical Department
| Pascal Ridao | ... | camera operator |
Costume and Wardrobe Department
| Sally Turner | ... | assistant costume designer |
Music Department
| Mark Berrow | ... | musician: violin |
| William Boulton | ... | orchestra leader |
| Antoine Cambourakis | ... | synthesizer recording |
| Simon Chamberlain | ... | musician: piano duet / musician: stride piano |
| Alexandre Desplat | ... | musician: piano duet / musician: stride piano / orchestrations |
| Leonore Hall | ... | musician: solo piano |
| John Harle | ... | musician: soprano saxophone solo |
| Matt Howe | ... | additional score mixing engineer |
| Paul Talkington | ... | orchestral manager |
| John Timperley | ... | music sound engineer |
| Allan Wilson | ... | conductor |
Other crew
| Dennis Davidson | ... | public relations |
| Marie McFerran | ... | production coordinator |
| Charlie Raedle | ... | craft service |
| Claudine Raedle | ... | craft service |
| Deryn Stafford | ... | production coordinator |
| Mark Warrick | ... | assistant: Ray Williams |
Production Companies
- Polygram Filmed Entertainment (presents)
- Red Umbrella Productions
- Septième Production
- Cinéa (in co-production with)
- PolyGram Audiovisuel (in co-production with)
- Sofica Investimage 4 (in co-production with)
- Canal+ (with the participation of)
Distributors
- Gramercy Pictures (I) (1995) (United States) (theatrical)
- Independent Productions (Belgium) (theatrical)
- Pan Européenne Distribution (1995) (France) (theatrical)
- PolyGram Filmed Entertainment (1995) (United Kingdom) (theatrical)
- Sogepaq Distribución (1995) (Spain) (theatrical)
- BMG Video (1996) (Germany) (VHS)
- Home Video Hellas (HVH) (1997) (Greece) (VHS)
- Pidax Film (2015) (Germany) (DVD)
- PolyGram Video (United States) (VHS)
- Top Tape (Brazil) (VHS)
- Transeuropa Video Entertainment (TVE) (1996) (Argentina) (VHS)
Special Effects
- The Computer Film Company (CFC) (digital special effects)
- Asylum VFX (with thanks to)
- Peerless Camera Company (with thanks to)
Other Companies
- Berliner Bank (banking services)
- Barclays Bank (banking services)
- Union Industrielle de Credit (banking services)
- Film Finances (completion guarantor)
- RHH/Albert G. Ruben Insurance Services (insurance services)
- S.G.A.C. Bellan (insurance services)
- Jacques and Lewis (legal services)
- Georges Dahan & Associés (legal services)
- DDA Public Relations (public relations)
- Samalga (camera equipment)
- Transpalux (lighting equipment)
- Beams Lighting (lighting equipment)
- B.B.R.K. (set construction)
- Cosprop (costumers)
- Car Grip (transport services)
- J.D. Transport (transport services)
- Société Germain Location (period cars)
- Studio Phil (trailers)
- Capital Skylink (artists' cars)
- Europcar InterRent (rental cars)
- Claudine & Charlie Raedle (craft services)
- Paradox Voyages (travel agent)
- Network Travel (travel agent)
- Konica (other equipment)
- Xotis (other equipment)
- Hopital Yves Lancot (other equipment)
- Twickenham Studios (filmed in and around)
- Kodak Eastmancolor (originated on)
- Technicolor (processed at)
- General Screen Enterprises (titles and opticals)
- Snaptrax (sound post-production)
- Anvil Studios (soundtrack re-recorded at)
- Pinewood Studios (soundtrack re-recorded at)
- Twickenham Studios (soundtrack re-recorded at)
- Munich Symphony Orchestra (original music performed by)
- Arco Studios (orchestral music recorded at)
- Metropolis Studios (music mixed at)
- Motion Picture Association of America (MPAA) (acknowledgement)
- Sapex Scripts (post-production script services)
Storyline
| Plot Summary |
In September 1938 a British detective comes to a small French coastal town in order to investigate the death of a colleague. Prime suspects are the members of English aristocratic family with plenty of skeletons in the closet.
Written by Dragan Antulov |
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| Parents Guide | View content advisory » |
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Did You Know?
| Trivia | The original script was based on "Towards Zero", a novel by Agatha Christie. When Christie's daughter, Rosalind Hicks, reviewed the screenplay, she demanded that her mother should remain uncredited, and the character names changed. This was because of the inclusion of incest. See more » |
| Soundtracks | Que Reste-t-il de nos Amours ? See more » |