La Haine (1995)

24 hours in the lives of three young men in the French suburbs the day after a violent riot.

Director:

Mathieu Kassovitz

Writer:

Mathieu Kassovitz

Stars:

Vincent Cassel, Hubert Koundé, Saïd Taghmaoui

Top Rated Movies #231 | 8 wins & 13 nominations.

Cast

Cast overview, first billed only:
Vincent Cassel	...	Vinz
Hubert Koundé	...	Hubert
Saïd Taghmaoui	...	Saïd
Abdel Ahmed Ghili	...	Abdel
Solo	...	Santo
Joseph Momo	...	Ordinary Guy
Héloïse Rauth	...	Sarah
Rywka Wajsbrot	...	Vinz's Grandmother
Olga Abrego	...	Vinz's Aunt
Laurent Labasse	...	Cook
Choukri Gabteni	...	Saïd's Brother
Nabil Ben Mhamed	...	Boy Blague
Benoît Magimel	...	Benoît
Médard Niang	...	Médard
Arash Mansour	...	Arash

Storyline

The film follows three young men and their time spent in the French suburban "ghetto," over a span of twenty-four hours. Vinz, a Jew, Saïd, an Arab, and Hubert, a black boxer, have grown up in these French suburbs where high levels of diversity coupled with the racist and oppressive police force have raised tensions to a critical breaking point. During the riots that took place a night before, a police officer lost his handgun in the ensuing madness, only to leave it for Vinz to find. Now, with a newfound means to gain the respect he deserves, Vinz vows to kill a cop if his friend Abdel dies in the hospital, due the beating he received while in police custody.

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Plot Keywords:

police | arab | gun | ghetto | friend | 

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Taglines:

So far, so good

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Genres:

Crime | Drama

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Certificate:

Not Rated

Details

Official Sites:

Official Facebook

Country:

France

Language:

French

Release Date:

23 February 1996 (USA)

Also Known As:

La Haine

Filming Locations:

Chanteloup-les-Vignes, Yvelines, France

Box Office

Budget:

€2,590,000 (estimated)

Gross USA:

$309,811

Company Credits

Production Co:

Canal+, Cofinergie 6, Egg Pictures

Technical Specs

Runtime:

98 min

Sound Mix:

Dolby SR

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

In some English-language versions, such as the 2007 Criterion Collection DVD, the name Astérix was changed to Snoopy in the subtitles, as the film traveled further than the Astérix books did. However, the character is still credited under the name of Astérix in Criterion's booklet and on their website.

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Goofs

The trip across Paris is strange : the three characters should arrive at the Saint-Lazare station(north-west of Paris), coming from ChanteloupLesVignes. Yet, when they arrive, they are in front of the Montparnasse station(south of Paris), on the Rennes street. Then, they go to Asterix place, on the boulevard Pierre Ier of Serbia, close to Iena Place (west of Paris), and when they try to catch the last train, this time they are at the Saint-Lazare station, the right one to go back. But then, when they are on the roof, they see the Eiffel Tower and the Trocadero from the south-east, being probably close to Montparnasse station. Then, they come across a sculpture, L'Ecoute, in the Halles Garden(center of Paris), before going back. Hence, their trip goes : south, west, north-west, south and center of Paris.

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Quotes

Astérix: Sniff of coke?
Saïd: Uh, no, no.
Astérix: You sure?
Saïd: Absolutely.
Astérix: [psychotically, to the others; starts rapidly practicing with nunchaku] A little coke? A little line of coke? Nobody for coke? That's it for coke? How's your brother, how's he doin?
Saïd: He's alright.
Astérix: [still practicing with nunchaku] Mean fuckin bastard. Still a maniac?
Saïd: Are you?
Astérix: [still practicing] Well shit, look! VWA-VWA-VWA-VWA!

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Connections

Referenced in Stomp the Yard (2007)

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Soundtracks

Eugene's Lament
Written by Mike D (as M. Diamond), Adam Yauch (as A. Yauch), Adam Horovitz (as A. Horovitz), Mark Nishita (as M. Nishita)
Performed by The Beastie Boys
Brooklyn Dust Music / Polygram International Publishing
avec l'aimable autorisation de Polygram Projets Speciaux
© 1994 Capitol Records Inc.

User Reviews

Great achievement. One of the most unforgettable Euro movies of the 90's.

La Haine aka Hate is a story about three friends living near Paris in France (one Jew, one Arab and one black) who have nothing special in their lives and try to live a day at a time by drinking and having a good time and also working (at least the black character, who owns a boxing hall). Their friend, however, is captured by a police which tortures and maltreats him so badly that he is sent to a hospital in a critical condition. This makes the youth gangs in city including the three protagonists start a war against the police and authorities for the horrible wrongs they and their friend have suffered, and suddenly they notice the whole society is collapsing, and all there is is hate and need to revenge...Violence and mayhem is almost everywhere, including authorities which should do nothing but fight against it..

This film is powerful and grim. Totally unforgettable is the last scene which at my first viewing time blew me away. It comes very suddenly and there are no warnings what will happen at the end of this film. The message is so important and these marks of the "apocalypse" can be found in our everyday life everywhere. The society is falling and it is "spinning" as the voice over says just before the end credits..The film brings into question such horrific facts as racism which should have passed away long times ago, but no. Racism is such a primitive, stupid and despisable cancer among people, that there is no hope of better future if individuals don't understand the real facts of life and right ways to live with each other. Hate feeds hate as the character Hubert says, and that is something that our stupid race has not learned.

There is one very powerful scene just before the end scene and it deals with a skinhead and these three characters who could kill him right away and pay something back. It is very challenging scene and even Vinz, the most revenge seeking character, starts to see things different way after that. The whole point of La Haine is violence in all its forms. Why there is violence and why the hell it is used so often everywhere in every form? Don't we ever learn? These kind of films are important and so powerful that unfortunately people who should see them don't want to or they can't bacause it would be as a mirror for them..

The film is also a comment on power used by police as they are pretty tough and hard in this film. Police think that they can use any methods in order to get some answers, or in order to have some fun..It certainly doesn't judge police as "pigs" or violent sadists in general, but it is a warning example of what must NOT happen anywhere ever, by police or by others. One has to see through the film and to its core in order to understand what it says. Otherwise there is no point in watching these kind of films. La Haine is that kind of a film that it should be seen by police and youths as well, because there are still possibilities to prevent things to go too far in our life and world we live in.

The camera techniques used in this film are magnificent. Director/screenwriter Mathieu Kassovitz uses camera so smoothly and passionately and there are many similarities in techniques between this film and his more recent, Assassin(s). I am very happy for this young talent to have won the director's award at Cannes. These kind of talents deserve their prizes because there are so many stupid and worthless films which don't have nothing artistic in them and have nothing to say, and are just mindless and greedy entertainment. The black and white is very great element and the film strikes greatly without colors. The same case is with the Belgian classic Man Bites Dog, by Remy Belvaux, Benoit Poelvoorde and Andre Bonzel.

A great masterpiece in French modern cinema and recommended for the fans of intelligent and important cinema so seldom found from big studios or Hollywood (there are exceptions, of course) nowadays.

10/10