A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
When a deadly satellite weapon system falls into the wrong hands, only Agent 007 can save the world from certain disaster. Armed with his license to kill, Bond races to Russia in search of the stolen access codes for "Goldeneye," an awesome space weapon that can fire a devastating electromagnetic pulse toward Earth. But 007 is up against an enemy who anticipates his every move: a mastermind motivated by years of simmering hatred. Bond also squares off against Xenia Onatopp, an assassin who uses pleasure as her ultimate weapon.Written by
Robert Lynch <firstname.lastname@example.org>
The film had some cuts to qualify for a PG-13 rating in the US. To name a few:
In the scene when 006 is shot, one originally clearly saw the impact of the bullet to the head.
When Xenia shoots the workers at the Severnya station, there were originally several more shots of the people being killed.
Xenia's death was trimmed. The shot of her choking was longer.
The rabbit punch by Bond on Xenia is missing, but this was because of the BBFC, not the MPAA. The BBFC objected to it and Martin Campbell saw no need in making two versions of the scene for the US and UK, so it was cut from both.
The return of James Bond after a six-year hiatus - not vintage Bond, but good fun.
The James Bond franchise, in cinematic terms, began in 1962 with Dr No. There followed a Bond movie every couple of years or so (the longest gap between two 007 films was the three-year-hiatus separating The Man With The Golden Gun - 1974 - and The Spy Who Loved Me - 1977). Then, in 1989, with the release of Licence To Kill the series seemed to die. The box office returns of that film were disappointing; the then-Bond actor Timothy Dalton was axed; the film itself was presented in a grittier, more adult style than fans were accustomed to; and various legal wranglings put the Bond character into limbo. Six long years went by without a Bond movie and many insiders predicted an end for the British super-spy and his outrageous screen adventures. Too much time had gone by, they said, no-one was interested any longer in the character or the stories. But then Goldeneye came along, with Pierce Brosnan as Bond - it went on to become a commercial hit, propelling its star into the A-list and reinvigorating the entire series.
James Bond (Pierce Brosnan) and his secret agent colleague Alec Trevelyan (Sean Bean) infiltrate a Russian military installation on a sabotage mission. During the mission, Alec is apparently killed by the enemy forces but Bond manages a miraculous escape. Several years later, a state-of-the-art helicopter is stolen from the West by some Russian spies and used to destroy a Siberian satellite station. When Bond investigates, he discovers to his surprise that the plot involves his old colleague Alec - who is very much alive, having faked his death in the earlier exchange. Trevelyan's plan is to get control of a powerful satellite called the Goldeneye and to use it to destroy a designated target on Earth - in this case, London. It emerges that his parents were Liensk Cossacks, brutally killed by the British when he was a boy, and he has long plotted a way to have his revenge. Bond teams up with a Russian computer programmer, Natalya Semyonova (Isabella Scorupco) and pursues Trevelyan around the globe in an effort to stop his sinister scheme. The trail leads to Cuba, where Trevelyan has a secret lair from which he is on the very brink of unleashing chaos upon the world.... unless 007 can find a way to thwart him.
Goldeneye begins with a truly outrageous stunt involving Bond freefalling in pursuit of an unpiloted, plummeting airplane. This dumb but enjoyable scene sets the tone for the rest of the film - very much a tongue-in-cheek, improbable, action-orientated romp. Brosnan is OK as Bond, though I still feel Sean Connery and Roger Moore were slightly better suited to the role. Tina Turner's powerful theme song is very good, but the incidental scoring by Eric Serra has a tinny, tacky feel to it that makes one long for John Barry! As the bad guy, Sean Bean is effective enough even if he never quite matches the memorableness of the all-time great Bond villains (eg Dr No, Oddjob, Blofeld, Francisco Scaramanga). The Bond girls are very good in this one - Scorupco is gorgeous and plays a pleasingly resourceful character, while Famke Janssen has great fun as a female baddie who crushes victims between her thighs (what a way to go!) Goldeneye is by no means the best of the Bond series, but one has to be thankful to it for getting the dormant series up and running once more. And, in its pacy, breakneck way, it is undeniably a lot of fun.
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