A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
When a deadly satellite weapon system falls into the wrong hands, only Agent 007 can save the world from certain disaster. Armed with his license to kill, Bond races to Russia in search of the stolen access codes for "Goldeneye," an awesome space weapon that can fire a devastating electromagnetic pulse toward Earth. But 007 is up against an enemy who anticipates his every move: a mastermind motivated by years of simmering hatred. Bond also squares off against Xenia Onatopp, an assassin who uses pleasure as her ultimate weapon.Written by
Robert Lynch <email@example.com>
The World Premiere of this movie was held on November 13, 1995, at New York City's famed Radio City Music Hall. This was the first for any Bond film to be held in New York City, and the second in the U.S. for an official franchise Bond movie, after A View to a Kill (1985), and third overall for any Bond movie, after that movie, and Never Say Never Again (1983). The after-premiere party was held at New York City's Museum of Modern Art. The British and European Royal Premiere was held on November 21, 1995, at London's Leicester Square Odeon Theatre in the presence of Prince Charles. The post-premiere party was held at the Imperial War Museum. Pierce Brosnan boycotted the French Premiere, in support of Greenpeace, and in protest of that country's nuclear testing in the South Pacific. The premiere was then cancelled. The French military had supplied the frigate F.S. La Fayette, and a Eurocopter Tiger helicopter, for use in this movie. See more »
Bond leans against a stone wall in the weapons factory, and it flexes. See more »
[Russian in toilet cubicle looks around his newspaper to see Bond hanging from the ceiling]
Beg your pardon, forgot to knock.
See more »
After a 6 year hiatus due to protracted legal wranglings as to WHO owned the BOND film rights, GOLDENEYE was finally made! It was worth the wait! With the almost impossible assignment of both retaining the quintessential METHOD of the Connery period and the need to drag Bond screaming into the new millennium and its new technology, Martin Campbell actually pulled it off.
Brosnan, though not my personal favorite I have to say, did a damn near remarkable job, by not only bringing elements of Connery, Dalton and Moore to the role, but by stamping it with his own identity (he WAS actually first choice ahead of Dalton but was contractually tied to REMINGTON STEELE and could not gain a release!)
Wishing to link back with the earlier mega successful Bonds, the very title of GOLDENEYE was inspirational, immediately bringing to mind the latent image of GOLDFINGER. Not one half bad title song either compared to some recent efforts.
With Bernard Lee's sad demise, Judy Dench made a brilliant replacement as M, all balls and bravado. Similarly, Moneypenny is now a strictly new-age secretary admonishing 007 for his sexual harassment of her good self! Dearest of all, Desmond Llewelyn still shines as "Q" berating 007 for his behaviour and telling him to "grow up."
Famke Janssen is a throw-back to the good old days of Bond badgirls as the aptly named Xenia Onatopp. Izabella Scorupco however must be the most beautiful of all the "good" Bond girls. Feminine to the core and everything the average man would want to love and protect she is is simply yummy.....no more so than when she chides 007's cold-war repartee with his Russian counterpart as "Boys with Toys" Soo cute!
Action was at a premium from the rip-snorting bungee-jump (pre-credits) to the climactic battle atop the communications tower. Everything gelled in this movie to elevate it to amongst the top 5 Bond films...no question! Top dialog, state of the art fx, innuendos on tap and a really first rate villain. Shame none of the later Brosnan outings have come close to this one!
8.8 out of 10!
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