James Bond teams up with the lone survivor of a destroyed Russian research center to stop the hijacking of a nuclear space weapon by a fellow Agent formerly believed to be dead.
James Bond is sent to investigate the connection between a North Korean terrorist and a diamond mogul, who is funding the development of an international space weapon.
James Bond goes rogue and sets off to unleash vengeance on a drug lord who tortured his best friend, a C.I.A. Agent, and left him for dead and murdered his bride after he helped capture him.
James Bond is living on the edge to stop an evil arms dealer from starting another world war. Bond crosses all seven continents in order to stop the evil Whitaker and General Koskov.
James Bond investigates the hijacking of British and Russian submarines carrying nuclear warheads, with the help of a K.G.B. Agent, whose lover he killed.
A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
An investigation of a horse-racing scam leads 007 to a mad industrialist who plans to create a worldwide microchip monopoly by destroying California's Silicon Valley.
Director:
John Glen
Stars:
Roger Moore,
Christopher Walken,
Tanya Roberts
James Bond is led to believe that he is targeted by the world's most expensive assassin while he attempts to recover sensitive solar cell technology that is being sold to the highest bidder.
When a deadly satellite weapon system falls into the wrong hands, only Agent 007 can save the world from certain disaster. Armed with his license to kill, Bond races to Russia in search of the stolen access codes for "Goldeneye," an awesome space weapon that can fire a devastating electromagnetic pulse toward Earth. But 007 is up against an enemy who anticipates his every move: a mastermind motivated by years of simmering hatred. Bond also squares off against Xenia Onatopp, an assassin who uses pleasure as her ultimate weapon.Written by
Robert Lynch <docrlynch@yahoo.com>
The film is credited with having the largest amount of model and miniature work ever utilized in a James Bond movie. See more »
Goofs
Minister Mishkin brings Bond's Walther with him while interrogating Bond and Natalya and just sets it on the table within both Bond and Natalya's reach. Yet he did not unload it first, it makes no sense for him to set a loaded gun on a table within reach of one person he suspects is a terrorist and another person he suspects of being a traitor. See more »
Quotes
[first lines]
[Russian in toilet cubicle looks around his newspaper to see Bond hanging from the ceiling]
James Bond:
Beg your pardon, forgot to knock.
See more »
German theatrical version omits the scene when Alec is crushed by the dish and the scene when Bond says about Onatopp: "She always liked a good squeeze." to secure a "Not under 12" rating. This version was also released on VHS and DVD (first editions only). In 2001 the film was re-released on DVD (special edition) and VHS, this time uncut with a "Not under 16" rating. See more »
GOLDENEYE, the long-delayed debut of Pierce Brosnan as James Bond, was a film mired in MGM's convoluted legal problems for six years, problems which had nothing to do with the 007 franchise, but which happened to fall at the worst possible time; after Timothy Dalton's 'Serious Bond' experiment, LICENCE TO KILL, failed to break even in U.S. markets. Despite international grosses that made the film a profitable venture, many American critics, long grumbling that the Bond series had outlasted it's welcome, heaped abuse on the newer, leaner direction for 'Bond', and it's taciturn, less light-hearted star...and, with MGM's decision to put the expensive series 'on hold' until their own legal and financial issues could be resolved, LICENCE TO KILL became the unfair 'scapegoat' for the delay.
Much happened during the six-year hiatus; with the collapse of the Soviet Union, the Communist undercurrent of many Bond films (and the subject of most of Ian Fleming's novels) was lost; Richard Maibaum, the series' most prolific screenwriter, passed away, and ill health forced legendary producer Albert ('Cubby') Broccoli to turn over his duties to his daughter Barbara, and stepson, Michael G. Wilson (thus ending the other 'prime' 007 screenwriter's script contributions); many other key production figures would retire, die, or move on; and finally, as the delay continued, Timothy Dalton, nearing 50, announced that he was no longer interested in playing James Bond (sparking rumors that Eon Productions, no longer honor-bound by the senior Broccoli's choices, had given him 'the boot').
While all this opened the door for Pierce Brosnan's long-awaited debut as 007 (after his aborted first attempt, in THE LIVING DAYLIGHTS), with a new 'look' and style for the franchise, whether audiences would even accept a new 'James Bond' adventure was in doubt.
Fortunately, everything 'worked'. Brosnan, now 42, was more ruggedly believable as 007 than he would have been, at 34, and Dame Judi Dench, as the first woman 'M' (referring to Bond as a "sexist, misogynist dinosaur"), proved a perfect successor to the late Bernard Lee. While the plot of the film, involving the master plan of a renegade Russian General (Gottfried John) and an assumed dead 006 (Sean Bean) to use an electronic warfare system (GoldenEye) against England was nothing new, Brosnan's daring-do and one-liners (with humor restored to the franchise), as he proved his value in the new world 'order', found an audience 'primed' for James Bond's return...and the welcome cameo of the series' last original 'regular', "Q" (Desmond Llewelyn, 81, and as cranky as ever), cemented 007's links to both the past and the future.
James Bond's greatest crisis, whether he still had 'Box Office', had been overcome, and with audience favorite Pierce Brosnan in place, his emergence into the 21st century was assured.
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GOLDENEYE, the long-delayed debut of Pierce Brosnan as James Bond, was a film mired in MGM's convoluted legal problems for six years, problems which had nothing to do with the 007 franchise, but which happened to fall at the worst possible time; after Timothy Dalton's 'Serious Bond' experiment, LICENCE TO KILL, failed to break even in U.S. markets. Despite international grosses that made the film a profitable venture, many American critics, long grumbling that the Bond series had outlasted it's welcome, heaped abuse on the newer, leaner direction for 'Bond', and it's taciturn, less light-hearted star...and, with MGM's decision to put the expensive series 'on hold' until their own legal and financial issues could be resolved, LICENCE TO KILL became the unfair 'scapegoat' for the delay.
Much happened during the six-year hiatus; with the collapse of the Soviet Union, the Communist undercurrent of many Bond films (and the subject of most of Ian Fleming's novels) was lost; Richard Maibaum, the series' most prolific screenwriter, passed away, and ill health forced legendary producer Albert ('Cubby') Broccoli to turn over his duties to his daughter Barbara, and stepson, Michael G. Wilson (thus ending the other 'prime' 007 screenwriter's script contributions); many other key production figures would retire, die, or move on; and finally, as the delay continued, Timothy Dalton, nearing 50, announced that he was no longer interested in playing James Bond (sparking rumors that Eon Productions, no longer honor-bound by the senior Broccoli's choices, had given him 'the boot').
While all this opened the door for Pierce Brosnan's long-awaited debut as 007 (after his aborted first attempt, in THE LIVING DAYLIGHTS), with a new 'look' and style for the franchise, whether audiences would even accept a new 'James Bond' adventure was in doubt.
Fortunately, everything 'worked'. Brosnan, now 42, was more ruggedly believable as 007 than he would have been, at 34, and Dame Judi Dench, as the first woman 'M' (referring to Bond as a "sexist, misogynist dinosaur"), proved a perfect successor to the late Bernard Lee. While the plot of the film, involving the master plan of a renegade Russian General (Gottfried John) and an assumed dead 006 (Sean Bean) to use an electronic warfare system (GoldenEye) against England was nothing new, Brosnan's daring-do and one-liners (with humor restored to the franchise), as he proved his value in the new world 'order', found an audience 'primed' for James Bond's return...and the welcome cameo of the series' last original 'regular', "Q" (Desmond Llewelyn, 81, and as cranky as ever), cemented 007's links to both the past and the future.
James Bond's greatest crisis, whether he still had 'Box Office', had been overcome, and with audience favorite Pierce Brosnan in place, his emergence into the 21st century was assured.