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Title: Four Rooms (1995)
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1 win & 1 nomination.
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Cast
| Cast overview, first billed only: | |||
| Sammi Davis | ... | Jezebel (segment "The Missing Ingredient") | |
| Amanda De Cadenet | ... | Diana (segment "The Missing Ingredient") (as Amanda deCadenet) | |
| Valeria Golino | ... | Athena (segment "The Missing Ingredient") | |
| Madonna | ... | Elspeth (segment "The Missing Ingredient") | |
| Ione Skye | ... | Eva (segment "The Missing Ingredient") | |
| Lili Taylor | ... | Raven (segment "The Missing Ingredient") | |
| Alicia Witt | ... | Kiva (segment "The Missing Ingredient") | |
| Jennifer Beals | ... | Angela (segments "The Wrong Man", "The Man from Hollywood") | |
| David Proval | ... | Sigfried (segment "The Wrong Man") | |
| Antonio Banderas | ... | Man (segment "The Misbehavers") | |
| Lana McKissack | ... | Sarah (segment "The Misbehavers") | |
| Patricia Vonne | ... | Corpse (segment "The Misbehavers") (as Patricia Vonne Rodriguez) | |
| Tamlyn Tomita | ... | Wife (segment "The Misbehavers") | |
 |
Danny Verduzco | ... | Juancho (segment "The Misbehavers") |
| Salma Hayek | ... | TV Dancing Girl (segment "The Misbehavers") | |
Edit
Plot Summary
|
Plot Synopsis
Storyline
This movie features the collaborative directorial efforts of four new filmmakers, each of whom directs a segment of this comedy. It's New Year's Eve at the Mon Signor Hotel, a former grand old Hollywood hotel, now fallen upon hard times. Often using physical comedy and sight gags, this movie chronicles the slapstick misadventures of Ted, the Bellhop. He's on his first night on the job, when he's asked to help out a coven of witches in the Honeymoon Suite. Things only get worse when he delivers ice to the wrong room and ends up in a domestic argument at a really bad time. Next, he foolishly agrees to watch a gangster's kids for him while he's away. Finally, he finishes off the night refereeing a ghastly wager. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Taglines:
A new comedy compliments of the house. See more »Genres:
ComedyMotion Picture Rating (MPAA)
Rated R for pervasive strong language, sexuality and some drug use | See all certifications »Parents Guide:
View content advisory »
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See more on IMDbPro »
See full technical specs »
Details
Country:
USALanguage:
EnglishRelease Date:
25 December 1995 (USA) See more »Also Known As:
Four Rooms and a Hotel See more »Edit
Box Office
Budget:
$4,000,000 (estimated)Opening Weekend USA:
$427,733, 25 December 1995Gross USA:
$4,257,354Cumulative Worldwide Gross:
$4,257,354Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
| (workprint)Color:
ColorAspect Ratio:
1.85 : 1
Edit
Sam the Bellhop: We used to have Fifty on staff here. Fifty! I'm the only one left. It all comes down to one schmuck, me. The night shift bellhop. What the hell is that, a bellhop? Huh, what is that? You know where the name comes from? Huh? From someone stupid! Some schmuck rings and bell and ya hop, you hop front and center.
See more »
Did You Know?
Trivia
Robert Rodriguez and Antonio Banderas shot their segment one week after wrapping up the filming of Desperado (1995). See more »Goofs
The hotel's vintage telephone switchboard adds an element of comic chaos, but it is not consistently used. Ted answers calls to the front desk by pushing cables into jacks, but Sarah (the little girl in "The Misbehavers") is able to dial another room directly. Also, when the partying guys call and don't know what room they are in, Ted should be able to get the room number right off the switchboard. See more »Quotes
[first lines]Sam the Bellhop: We used to have Fifty on staff here. Fifty! I'm the only one left. It all comes down to one schmuck, me. The night shift bellhop. What the hell is that, a bellhop? Huh, what is that? You know where the name comes from? Huh? From someone stupid! Some schmuck rings and bell and ya hop, you hop front and center.
See more »
Crazy Credits
The film continues until the credits are halfway over. See more »Contribute to This Page
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Quite different, with an unexpected story made up between four consecutive narratives. An incredible welcome of the new year with absolutely no predictable ending. Persons which appear on the screen surprise us one after another with their reputation and professionalism.
Starting from the topic of the flesh immediately grabs our interest by asking us to assume more vulgar development. Then stuns with a familiar image in an atypical role and carries us into the world of children garnished with a dead hooker. And the end is even more unexpected, especially if you do not know anything about the movie. The action takes us to the top floor of the hotel room where we find him. This time, there is almost no blood, though the focus again is on death and pain.
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