Dick Steele, Agent WD-40 is assigned by his Director, to stop the evil General Rancor from destroying the world. WD-40 believed Rancor was dead and he teams up with the hot K.G.B. Agent Veronique Ukrinsky to find Rancor and save the world.
A psychiatrist with intense acrophobia (fear of heights) goes to work for a mental institution run by doctors who appear to be crazier than their patients, and have secrets that they are willing to commit murder to keep.
Another spoof from the mind of Mel Brooks. This time he's out to poke fun at the Dracula myth. Basically, he took "Bram Stoker's Dracula," gave it a new cast and a new script and made a big joke out of it. The usual, rich English are attacked by Dracula and Dr. Van Helsing is brought in to save the day.Written by
Jason Ihle <firstname.lastname@example.org>
For the scene in which Harker puts a stake in Lucy's heart, Mel Brooks did not tell Steven Weber that he would be subsequently covered in two hundred gallons of blood, so that his reaction would appear natural. This led him to ad-lib "She's dead enough." See more »
When Sykes hears Lucy's voice begging to be let out of her coffin, he accidentally moves the "stone" lid, showing it to have no weight. See more »
[as the vampire women are seducing Renfield]
"Wrong me! Wrong me! Wrong me!"
See more »
After the end credits have rolled, you can hear Dracula get the very last "last" word in -- "Chervania!". See more »
While this skewering of the Dracula mythology and the various cinematic interpretations of the story never achieves the kind of crazy heights of "Blazing Saddles" or "Young Frankenstein", it still shows that Brooks still had it in him to come up with some great, gut busting scenes. Being a genuine horror fan as well as a comedy legend, he and his team of collaborators do go to great lengths to give this film the proper look, and it's a colourful, stylish looking movie, going with the idea that the composer wasn't in on the joke and featuring a score by Hummie Mann that's full of foreboding. Leslie Nielsen is the pratfalling prince of darkness who is set up quite well early on when he comments on the "Children of the Night" and "the mess they make" - and then promptly slips in such a mess. He's a delight as always, with wonderful support by a bunch of actors who mug for all they're worth, especially Peter MacNicol as the loony, bug munching Renfield and veteran Brooks colleague Harvey Korman, who in his performance as Dr. Seward, does an amusing impression of the actor Nigel Bruce. Brooks himself, in fine hammy form, plays the part of the intrepid Van Helsing. Lysette Anthony and Amy Yasbeck are both quite ravishing as Lucy and Mina respectively, with Steven Weber as a prudish and uptight Jonathan Harker, and Mark Blankfield, Megan Cavanagh, and Clive Revill doing well in smaller roles. Cameos include Avery Schreiber, Chuck McCann, co-screenwriter Rudy De Luca, Charlie Callas, and the wonderful Anne Bancroft paying tribute to Maria Ouspenskaya in her brief bit. Standout scenes include the staking of Lucy (Van Helsing stays well out of the way for good reason), the breakfast sequence with MacNicol and Korman, which is particularly priceless, and the scene where Dracula is trying to manipulate both Mina and Essie and not having much success. A snappily paced movie leading to a fairly big finish, "Dracula: Dead and Loving It" is good entertainment as Brooks comedies go, and even gives its principal cast members the kind of "curtain call" at the end that we don't see in movies that often. Seven out of 10.
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