Well-respected psychiatrist Dr. Jack Mickler is only 10 days away from his retirement. A week before he is due to leave, he encounters a young man who attempts suicide--would be a pretty straightforward case except the young man claims to be Don Juan, the fabled Spanish nobleman and world renowned seducer/lover of woman. Despite original hostility from his co-workers, Jack manages to persuade his associates to put the youth in his care for 10 days after which the youth will undergo an evaluation to be either released from psychiatric care or sent to a mental institution. However, as the 10 days progresses, Dr. Mickler and the other staff become gradually drawn into to the young man's exotic world of love, passion and pleasure as he recounts his story to them. Whilst doing so the man's philosophies and zeal for life and love begins to revive Dr. Mickler's somewhat passionless relationship with his wife, Marilyn as well as challenging his own views and ethics to the point where both he ...Written by
According to Johnny Depp, on the Turner Classic Movies documentary on Marlon Brando, in the scene where he and Brando are sitting at the table talking about the inconsistencies in DeMarco's (Depp) character, when DeMarco admits his father was from New York, Depp's lines were re-written just before shooting the scene, so he had no time to prepare and memorize the lines. So, Marlon Brando talked to the director and cinematographer to find out where the cameras angles were. He then worked out a way in which he cut up Depp's lines in the script and pasted them to the cup of coffee in his hand and then held the cup in his hand in such a way that the camera would not pick up the pasted lines, and Depp could read them. See more »
When the Micklers are out to dinner, the waiter pops the cork on the champagne, and then instantly, they are toasting with full glasses. See more »
Dr. Jack Michler:
Sadly, I must report that the last patient I ever treated, the great lover Don Juan DeMarco, suffered from a romanticism which was completely incurable, and even worse, highly contagious.
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Wholly different the usual fare Hollyood dished up in the nineties, DON JUAN DEMARCO is charming and disarming. The screenplay seems lovingly crafted around the two stars, Marlon Brando and Johnny Depp. They share scenes of relating, discovery and moving, personal respect. Mr. Brando shows easily, why he is still one of America's leading thespians. Faye Dunaway as his wife, is marvellous beyond words. The interplay between these three characters is a spirit lifting tour de force, that will leave you holding hands long after the screen has gone dark.
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