Die Hard with a Vengeance

Die Hard With A Vengence is a near-perfect summer movie. This franchise effort is a gleeful no-brainer with nonstop action. It gives some additional perverse pleasure, as we get to watch smartypants Bruce Willis get smacked around for 112 minutes. In this third outing with John McClane, we are faced with yet another mad bomber on the loose. Jeremy Irons plays Simon, a nasty piece of Eurotrash who has a score to settle with Detective McClane. Simon's bombing game comes complete with crafty riddles, which must be solved in a specified time or everything goes boom. McClane has no choice but to play. Along the way, he picks up an unlikely accomplice named Zeus (Samuel L. Jackson), a Harlem shopkeeper. Together they tear all over New York trying to head off disaster. Sure, it's all perfectly preposterous, but DIE HARD 3 has been directed with breathless intensity by John McTiernan, who certainly has a way with wrecking things. Was he very destructive as a child? Loved the spectacular subway crash, John. That hair-raising taxi ride through Central Park wasn't bad, either. Don't forget to fasten your seat belts for this ride.

Someone calling himself Simon detonates several bombs in the centre of New York City. He then sets a series of dangerous tasks for Officer John McClane to achieve or he will detonate more. McClane sets out to meet the demands of the terrorists with bystander Zeus Carver in tow.

This is the third in the Die Hard series and it makes an immediate improvement on the second by bringing back the original director John McTiernan. Here the film doesn't try to repeat the formula of the first film (terrorists/wife/rescue) but instead takes on a whole new plot while still tying it into the first film. The second movie tried to repeat the first film's plot but set in an airport, here the different angle makes this feel a lot fresher and feel like a movie in itself. The tie-in to the first film is clever and not too much of a stretch of the imagination - happily this is not the reason for the action itself - instead the terrorist's main aim is the gold held in vaults in the Federal Reserve on Wall Street, but the game with McClane is a special treat.

McTiernan was great in the first film, making everything feel tense and claustrophobic. Here he has the whole of NYC to run across and the camera shows this new found freedom. In action scenes the camera swings wildly round and zooms into focus on the action. During scenes set in offices etc containing a lot of dialogue the camera slowly prowls round like it's dieing to rush off to the next action scene. It's the opposite to the style in the first film and again makes this feels different enough to be a film in it's own right.

Usually film series can get a lot of baggage (watch Lethal Weapon 4 for proof), but here all the repeat characters are dropped, even McClane's wife only features as a voice on the phone. And that works well here and the only characters that are brought back here are McClane (of course) and Hans Gruber (in a flashback). This frees the film up to basically go where it wants without having to squeeze in old characters the way the second film did. However it links the films by having Simon Gruber taking supposed revenge for the death of his brother. The fresh active feel to this movie really gives it life and lifts the series out of the hole that the second film had threatened to put it.

The chemistry between Willis and Jackson is great and lends a lot of comedy to the film, there's lot of racial humour between the two and Jackson is more than the "black sidekick" that exists in many films. Irons continues the fine tradition of English actors playing Hollywood villains and is good for the most. His ticks and stutters stop him being anywhere near as good as Rickman was in the original role but he's still good. Willis gets good support from the likes of Graham Greene, Larry Bryggman and Colleen Camp as fellow cops but really him and Jackson carry the show.

Some of the scenes are a little forced and the plot doesn't always join together easily (a scene where Willis is fired out of a water pipe just as Jackson happens to drive by is a little too convenient) but many iffy bits can be overlooked if you focus on the action. The most effective thing that returns from the first film is the musical score. In the first film the score used variations on Christmas music to dramatic effect, here the score uses music well to add tension and comedy in a different way. It's difficult to put into words but this effect was missing from the second film.

The film has a hatful of nice twists towards the end and the only problem is that the conclusion in Canada doesn't feel like it fits in (the original ending was changed following the Okalahoma bombing) but this is a minor problem in a film that is a great addition to the action packed Die Hard series.

Regardless of what you might think of Bruce Willis, he really does excel in this series of films and John McClane, the all action policeman is the perfect role for him.

This time his sidekick is the guru of the action film, Samuel L. Jackson, the owner of an electrical store, as he goes up against the ever excellent Jeremy irons, who can play a bad guy like few others.

Irons is executing the greatest heist ever, and the shots throughout the film are spectacular. The lack of any half decent script is completely masked by explosions, but what else would you expect?

The movie starts off by re-introducing John McClane, and immediately takes off with non-stop action. Samuel L Jackson has great chemistry with Willis, and they really work with each other. Even thought the movie was made almost 20 years ago, due to the dependence on mainly practical effects, it still looks good.

The one major downfall of the movie was the ending. It is too bad, since that is what the viewer will remember. It could have been easily re- mediated if they went with a less typical Hollywood-type ending, and that would also have been in line with everything else in the movie. Also, the water riddle was solved way too easily by John, and the editing of it didn't even show how he randomly arrived at the answer.

*** 1/2 out of ****

When one thinks of buddy action pictures, Lethal Weapon is immediately the first film to pop into your mind, since it virtually birthed the genre. Another choice would probably be Midnight Run or Rush Hour, the latter of which somehow took pop culture by storm (I recall my friends going around, shouting "My daddy once caught a bullet..."). So often left in the dust, probably because it was the third film of a trilogy and strayed quite a bit from its predecessors, is none other than Die Hard: With a Vengeance which, off the top of my head, is the best buddy action film I've ever seen.

How can this be? Better than Lethal Weapon 1 and 2? Better than Rush Hour? Hell, I'll even say it's better than Die Hard and Die Harder. Here is a film that wisely knows, as a second sequel, not to simply repeat the same material over again. This has partially to do with the numerous Die Hard rip-offs (namely Under Siege and Speed), so those hooks were gone, and I absolutely thank God John Mctiernan and company didn't suddenly decide "we'll do Die Hard on a plane!," which would eventually be done three times (Executive Decision, Air Force One, and Con Air). But what the filmmakers have done here is ingenious, they've widened the setting to include all of New York City.

They do this and still manage to retain the intense claustrophobia that permeated the previous entries, doing so by displaying just how frantic morning traffic is and just how BIG New York is. As nonsensical as that last statement may sound, imagine trying to get from point A to point B in the middle of a traffic jam. Mctiernan really knows how to let the tension ratchet up from just the sound of honking horns.

Then there's the case of John McClane himself. This time around, he's at the whim of a madman named Simon who requires him to perform certain tasks or New York buildings will be demolished by explosives. In the first two films, McClane was an everyman, which added much appeal, but he also acted a bit too much like a superhero to work consistently as an everyman, so what the filmmakers have done here is turn him into a jaded cop. He's seen this stuff before, so he's not as scared as he was before. Willis is great at this role, too, seeing as he's done it before in The Last Boy Scout, but takes it to perfection here.

Rather, who we now have as the everyman is Samuel L. Jackson as Zeus, and he's a brilliant addition. Not only is Jackson simply awesome in his role, he's likeable, tough, and hilarious, but he's also easy to sympathize with because he's not an action hero. He doesn't know how to use a gun, he has no combat training, and he's never had to take on terrorists before. What makes him so effective is his street-wise nature, and this quality of his works perfectly with McClane's own street smarts AND action heroics, which they combine in their day-long adventure. These two have a chemistry that at least equals Riggs and Murtaugh and if there's a Die Hard sequel, Jackson needs to come back.

Too many action movies give us poor villains who aren't menacing, vile, or charismatic enough to make for effective antagonists. Jeremy Irons' Simon Gruber is an exception. He is the best Die Hard villain, oozing charm and snaky intelligence. This was one of the last few roles of Irons' career I could take seriously. He's done what since then, Dungeons and Dragons? Pity how his career has taken such a downward spiral.

And last, there's the story and action. The plot's a lot of fun, with McClane and Zeus having to use both their brains and brawn to save the day. The contrivances in the finale (the scene with the handcuffs, the aspirin bottle) aren't enough to bring the climax down, though it's true the conclusion isn't as exciting as the rest of the film. That's understandable though, since the rest of the action is magnificent, particularly a car "chase" through the streets of New York which is as unstaged as a car chase can possibly look. The film moves at a lightning pace that grips you from the opening scene to the very last. Die Hard: With a Vengeance is an action flick that has it all.