It is 1948 in LA and Ezikeal "Easy" Rawlins, an African-American World War II veteran, is looking for work. At his friend's bar, he is introduced to a white man, DeWitt Albright, who is looking for someone to help him find a missing white woman assumed to be hiding somewhere in LA's Black community. This woman, Daphne Monet, happens to be the fiancée of a wealthy "blue blood," Todd Carter, who is currently the favorite in the city's mayoralty race. Daphne Monet is known to frequent the Black jazz clubs in LA. Easy, innocently, accepts Albright's offer; however, he quickly finds himself amidst murder, crooked cops, ruthless politicians, and brutalizing hoodlums. This is a Chandler-esque "who-done-it" with an African-American theme.Written by
Joel Schesser <email@example.com>
The scene after Easy and Daphne are in McGee's house (where they find his body), Easy pulls into his driveway and gets out of the car. He looks left to see a gray convertible on the street. When he comes to his front door, the view changes and you see the same car with a (hard) top, over Easy's left shoulder. After the people in the house leave, the car is once again a convertible. Clearly they used two identical cars in this scene. One convertible, one not. See more »
It was summer 1948, and I needed money. After goin' door-to-door all day long, I was back again at Joppy's bar trying to figure out where I was gonna go looking for work the next day. The newspapers was goin' on and on about the city elections - like they was really gonna change somebody's life. But my life had already changed when I lost my job three weeks before.
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Written and Performed by Duke Ellington
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing See more »
Dazzling atmosphere, Washington make this a winner
Denzel Washington plays Easy Rawlins, a down-on-his-luck sometime machinist, sometime detective in late-1940's L.A. Seems someone wants him to find a mysterious white lady in a blue dress (Jennifer Beals)who's thought to have been seen in a blacks-only club. Enter Easy, who with his connections can get into the club and find the girl. But, of course, there's more to this plot than just that, or else it'd be a mighty short film.
The atmosphere is a major asset here; director Carl Franklin has done a magnificent job not only of recreating the Los Angeles of the late forties but also of showing the story from the black perspective, a rarity in film. All the sights and sounds are there, and if you concentrate real hard you can even detect the smells, too. Washington's aces, of course, as usual; makes you wonder if he'll do any more adaptations of Walter Mosley books starring Easy Rawlins. He's aided by a very good supporting cast, including Beals and Tom Sizemore (playing a heavy, surprise surprise!). Fans of Washington should watch this, but really anyone who likes film noir will approve.
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