Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
Two brothers, survivors of family tragedy, take different life paths: one falls for a high-spirited waitress and dreams of success, the other follows a life of petty crime. Their lives reconnect in shattering fashion.
Jada Pinkett Smith,
This action film, directed by the Hughes brothers, depicts a heist of old bills, retired from circulation and destined by the government to be "money to burn." However, more broadly, it addresses the issues of Black Americans' involvement in the Vietnam War and their subsequent disillusionment with progress in social issues and civil rights back home in the United States, during the 1960's.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Both Larenz Tate & Chris Tucker's characters are hail from The Bronx and end up fighting in the Vietnam war. In Apocalypse Now (1979) Laurence Fishburne's character was also from The Bronx, there's even an Apocalypse Now moment as the sun is shinning behind a flying chopper. See more »
At the bank doors on the dock.
The soundtrack implies metal doors being unlocked and opened/closed.
The door opens and you can see that there are no bolts. It has a deadbolt but nothing on the door edge suggesting an opening.
At the top edge of the door it looks almost wood like.
The door did not even lock or have a doorknob channel. See more »
[at the table, dividing up a huge stack of bills after the big score]
Man, one thing I can't figure out. People be out of work everywhere and the government just be throwing money away!
That's Uncle Sam for you, son. Money to burn.
See more »
Criterion laserdisc version includes additional scenes originally deleted before the theatrical release. See more »
This movie jumps from one movie-cliché to another. Even a half-hearted movie buff can't avoid wincing at the amount of 'déja-vu' moments the Hughes Bros. chuck at you... There's Scorsese 'moments' galore (even DeNiro film-debut re-makes), and ideas from Lynch's "Wild at Heart" are randomly (and stupidly) used here and there. Oliver Stone is ransacked in the Vietnam sequences, as is Coppola (in sloppy "Apocalypse Now" re-creations). In fact all is told in such a heavy-handed,un-intelligent way, that the viewer is 'turned off' pretty quickly. No one likes to be treated like a moron, least of all a movie-buff... So who was this movie made for? Audiences who have never seen the seminal movies of the last 25 years? Oh! It was a surprise to see the excellent Martin Sheen in the un-billed role of a heartless war-vet judge. At least he managed to avoid being hit by a flying chair. I sat through this and wished I had avoided this graceless BOMB!
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