7.5/10
84,649
206 user 80 critic

Dead Man Walking (1995)

A nun, while comforting a convicted killer on death row, empathizes with both the killer and his victim's families.

Director:

Tim Robbins

Writers:

Helen Prejean (book) (as Sister Helen Prejean C.S.J.), Tim Robbins
Won 1 Oscar. Another 22 wins & 22 nominations. See more awards »

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Cast

Cast overview, first billed only:
Susan Sarandon ... Sister Helen Prejean
Sean Penn ... Matthew Poncelet
Robert Prosky ... Hilton Barber
Raymond J. Barry ... Earl Delacroix
R. Lee Ermey ... Clyde Percy
Celia Weston ... Mary Beth Percy
Lois Smith ... Helen's Mother
Scott Wilson ... Chaplain Farley
Roberta Maxwell ... Lucille Poncelet
Margo Martindale ... Sister Colleen
Barton Heyman ... Captain Beliveau
Steve Boles Steve Boles ... Sgt. Neal Trapp
Nesbitt Blaisdell ... Warden Hartman
Ray Aranha Ray Aranha ... Luis Montoya
Larry Pine ... Guy Gilardi
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Storyline

A convicted murderer on Death Row and the nun who befriends him. Through the portrayal of finely drawn characters and their interactions as the days, hours, and minutes tick down to the condemned man's execution, powerful emotions are unleashed. While Matthew Poncelet and Sister Prejean desperately try to gain a stay of execution from the governor or the courts, scenes are intercut from the brutal crime, gradually revealing the truth about the events that transpired. In addition to her temporal help, the nun also tries to reach out spiritually and assist as a guide to salvation. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for a depiction of a rape and murder | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

2 February 1996 (USA) See more »

Also Known As:

Dead Man Walking See more »

Filming Locations:

Angola, Louisiana, USA See more »

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$118,266, 1 January 1996

Gross USA:

$39,363,635

Cumulative Worldwide Gross:

$39,363,635
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

DIRECTOR TRADEMARK (Tim Robbins): (family): Cast includes the director's common law wife Susan Sarandon, common law step-daughter Eva Amurri Martino, father Gil Robbins (Bishop Norwich), mother Mary Robbins (aide to the governor), sister Adele Robbins (nurse), and son Jack Henry Robbins (opossum kid) and Miles Robbins (boy in church). His brother, David Robbins, composed the soundtrack. See more »

Goofs

When Sister Helen and Mr. Delacroix are first speaking in his living room, a crew member wanders into the background outside the window and then quickly runs out. See more »

Quotes

Matthew Poncelet: I like rebels. Some blacks is ok. Martin Luther King, he led his people all the way to DC and kicked the white man's butt.
Sister Helen Prejean: You respect Martin Luther King?
Matthew Poncelet: He put up a fight. He wasn't lazy.
Sister Helen Prejean: What about lazy whites?
Matthew Poncelet: Don't like 'em.
Sister Helen Prejean: So it's lazy people you don't like?
See more »

Crazy Credits

In the heart-shaped symbol at the end of the credits, the initials EMLA, JHR, MGR, and SS stand for Tim Robbins' family with Susan Sarandon (SS) -- Jack Henry Robbins and Miles Guthrie Robbins (their two sons together) and Eva Maria Livia Amurri (Sarandon's daughter with Franco Amurri). See more »

Connections

Featured in The 10 Commandments of Creativity (2001) See more »

Soundtracks

The Long Road
Performed by Eddie Vedder with Nusrat Fateh Ali Khan
Written by Eddie Vedder
Eddie Vedder courtesy of Epic Records
Nusrat Fateh Ali Khan courtesy of Real World Records Ltd.
See more »

Frequently Asked Questions

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User Reviews

Watershed
26 March 2000 | by VibianaSee all my reviews

I haven't seen many films that really, truly made me rethink a long-held position or opinion on a thorny issue, but "Dead Man Walking" is one of them.

I read Sr. Helen Prejean's book, upon which this film was based, when it first came out in 1993. At that time I was utterly supportive of capital punishment -- to quote the script, I felt anyone who committed crimes horrible enough to land them on Death Row was an "expendable human being, suckin' up tax dollars." I also had personal experience with the issue when an entire family whom I knew in my childhood were slaughtered by a man who is now on Death Row for his crimes.

As you might imagine, I was disgusted with Sr. Helen's book. I thought that trotting to death row and holding the hand of some scumbag who'd killed innocent people was about the lowest thing anyone could do, and as a Catholic I was offended by the seeming hypocrisy of it.

Because I had disliked the book, I never saw the film until about two weeks ago, when I bought a remaindered copy of it in a video store. I have watched it four times since then, mostly because I am trying to work out my feelings on it. I am still a supporter of capital punishment, but it's going to be less easy for me to ignore the fact that (to quote again), "There's nobody with money on Death Row" -- and quite a few more blacks, now that I think of it, AND the fact that, like Matthew Poncelet's character, the men who are being executed are human beings who have feelings and fears. It's easy to jeer at Matthew on the day before his execution, fretting nervously about whether the lethal injection will "hurt," like a little boy at the doctor's office for a penicillin shot, since his victims' last moments certainly "hurt." What isn't easy is to realize that while the victims of these inmates didn't know they were about to die until it was too late, the inmates themselves have what seems like a blessing at first, but upon deeper examination is the greatest curse: knowing the exact hour and day they will die, and having to face it day by day, hour by hour, minute by minute.

I'm sorry if this review offends people who are sincere death penalty supporters. I still consider myself to be one, but my thinking has been reformed somewhat and I'm more ready to listen to the opponents and try to make compromises; maybe that's what this issue needs more than anything. I will say finally that ONE part of this film did offend me as a Catholic: the symbolic "crucifixion" of Poncelet during the "last words" scene. That was the one place where Robbins strayed from his even-handed approach to the issue -- the only one I could find.

In all, this was a fine film that made me rethink an explosive issue, and I recommend it highly to anyone debating the pros and cons.


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