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On the run after murdering a man, accountant William Blake encounters a strange North American man named Nobody who prepares him for his journey into the spiritual world.

Director:

Jim Jarmusch

Writer:

Jim Jarmusch
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5 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Johnny Depp ... William Blake
Gary Farmer ... Nobody
Crispin Glover ... Train Fireman
Lance Henriksen ... Cole Wilson
Michael Wincott ... Conway Twill
Eugene Byrd ... Johnny 'The Kid' Pickett
John Hurt ... John Scholfield
Robert Mitchum ... John Dickinson
Iggy Pop ... Salvatore 'Sally' Jenko
Gabriel Byrne ... Charlie Dickinson
Jared Harris ... Benmont Tench
Mili Avital ... Thel Russell
Jimmie Ray Weeks ... Marvin, Older Marshal
Mark Bringelson ... Lee, Younger Marshal
John North ... Mr. Olafsen
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Storyline

Dead Man is the story of a young man's journey, both physically and spiritually, into very unfamiliar terrain. William Blake travels to the extreme western frontiers of America sometime in the 2nd half of the 19th century. Lost and badly wounded, he encounters a very odd, outcast Native American, named "Nobody", who believes Blake is actually the dead English poet of the same name. The story, with Nobody's help, leads William Blake through situations that are in turn comical and violent. Contrary to his nature, circumstances transform Blake into a hunted outlaw, a killer, and a man whose physical existence is slowly slipping away. Thrown into a world that is cruel and chaotic, his eyes are opened to the fragility that defines the realm of the living. It is as though he passes through the surface of a mirror, and emerges into a previously-unknown world that exists on the other side. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

No one can survive becoming a legend. See more »

Genres:

Drama | Fantasy | Western

Motion Picture Rating (MPAA)

Rated R for moments of strong violence, a graphic sex scene and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA | Germany | Japan

Language:

English | Cree

Release Date:

10 May 1996 (USA) See more »

Also Known As:

Jim Jarmusch's Dead Man See more »

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Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend:

DEM 645,423 (Germany), 10 January 1996, Limited Release

Opening Weekend USA:

$104,649, 12 May 1996, Limited Release

Gross USA:

$1,037,847
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby | Dolby SR

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The character Thel is also taken from a William Blake poem called "The Book of Thel". See more »

Goofs

Blake buys a half-empty bottle in the bar. Minutes later, when he offers Thel a drink outside, the bottle is filled almost to the neck. See more »

Quotes

[first lines]
Train Fireman: Look out the window. And doesn't this remind you of when you were in the boat, and then later than night, you were lying, looking up at the ceiling, and the water in your head was not dissimilar from the landscape, and you think to yourself, "Why is it that the landscape is moving, but the boat is still?"
See more »

Crazy Credits

This Film is Dedicated to the Memory of Dick Peiffer and Paul D. O'Brien See more »

Connections

Referenced in L.A. Without a Map (1998) See more »

Soundtracks

Billy Boy
Played in the saloon
See more »

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User Reviews

 
An illuminating existential cautionary tale
22 April 2007 | by tetractysSee all my reviews

First of all, you have to be a Jarmusch fan. If you walk comfortably through that door, you'll find he does a bang-up job with this existential Western. So does Johnny Depp, who plays the lead--a lost unemployed accountant in the old west who happens to be named William Blake. Gary Farmer, the Indian from Ghost Dog and The Score, calls himself Nobody because he doesn't like his given name that means "one who talks much and says nothing." Nobody serves as William Blake's savior, doctor, guide and boatman "across the river." Neil Young wrote and performed the score. Blake's nemesis is played by Lance Henriksen as a terse cannibalistic bounty hunter. Delightful cameos include Robert Mitchum, Crispin Glover, Gabriel Byrne, John Heard and others.

Symbolism abounds--there are shooting stars, down-shots of a hellish factory where Blake wanders looking for a way out, mines and factories of "white-man's metal," plenty of dead animals, including a small doe that Depp lies down with after decorating his face with its blood.

But the movie doesn't fall into the trap of making white men the fall guys for everything wrong with the world in which Blake and Nobody try to make a living. Nobody mistreats Blake's bullet wound and is arguably responsible for his ultimate predicament. Nobody isn't worldly, despite having seen Europe in his youth. He believes the same white people were in every town he visited. The northwest tribe visited at the end were petty people who obviously thought Blake and Nobody were not worth their attention, evidenced by Nobody's imprecations to "walk proud" to the mortally-wounded Blake, and his nervousness at what might happen if he didn't. And of course, there is Nobody's innocent belief that the hapless accountant is the historical poet and artist.

Held together with Young's musical score--mixed a tad loud for my taste--and the deterioration of the finances and health of William Blake, Dead Man is more than a picaresque, but the overall theme is elusive. Motifs are another story, and are liberally sprinkled throughout. Perhaps that's the point, ultimately--in the face of death, nothing else matters, and all the symbols and themes add up to nothing, driving the story from existential to nihilistic. Personal friendship, religion, wealth, work, technology, tribe, humanity, God, love--all mean nothing or are actively detrimental. For a movie named "Dead Man," that's not an unreasonable interpretation.

Depp is an ideal actor to portray the reluctant gunslinger, and his personality does more to hold the film together than any other single factor. The camera loves him, and his ability to portray a variety of responses to his predicaments, from confusion, surprise and anger to amusement, disappointment and ultimately resignation is the heart of this thoroughly enjoyable film.


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