On the run after murdering a man, accountant William Blake encounters a strange aboriginal American man named Nobody who prepares him for his journey into the spiritual world.
In the late-1800s, the meek accountant from Cleveland, William Blake, spends the last of his already meagre savings to get to the frontier community of Machine where a job awaits him. Eager to make a fresh start, Blake arrives at his destination, only to discover that the position no longer exists. Gravely wounded and on the run from a relentless trio of bounty hunters after a deadly shoot-out, William flees the inhospitable industrial town and has a chance encounter with the enigmatic Native American spirit-guide named "Nobody", who believes Blake is the reincarnation of the visionary English poet, William Blake. Now, before the endless American wilderness, the two companions embark on a peril-laden odyssey of mysticism, transformation, and spirituality, until William crosses over into the spirit world. What lies on the other side?Written by
Nick Riganas
Neil Young recorded the soundtrack by improvising (mostly on his electric guitar, with some acoustic guitar, piano, and organ) as he watched the newly edited movie alone in a recording studio. See more »
Goofs
While the three bounty hunters are waiting in the office, Conway asks Johnny for tobacco, then dismissively says that Johnny isn't even old enough to smoke. There would have been no laws governing tobacco use by minors at the time this movie was set, and persons as young as nine or ten might have smoked or chewed tobacco without raising much comment other than that tobacco was considered a bad habit in the young. The thought that Johnny was too young to smoke should not have even crossed Conway's mind. (It is also possible that Conway was simply commenting on how extremely young Johnny is in general--that he's too young even to have picked up such a habit.) See more »
Quotes
[first lines]
Train Fireman:
Look out the window. And doesn't this remind you of when you were in the boat, and then later than night, you were lying, looking up at the ceiling, and the water in your head was not dissimilar from the landscape, and you think to yourself, "Why is it that the landscape is moving, but the boat is still?"
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Crazy Credits
At the end of the credits, "Whahappan?" appears just before the soundtrack information. See more »
Jim Jarmusch is one of my favorite directors, and Dead Man is probably the greatest work he has ever done. Very rarely does a film come alive with a sense of poetry. The only other film I can compare it to would be Wim Wenders' Wings Of Desire. The film moves like a dream, floating and spinning around you. Neil Young's electric score churns like a ghost train and pushes the film farther. There isn't one performance that is wrong, nor is there ever a false moment. From start to finish this film pulls you into it's dream land, and carries you along on clouds until the finish.
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Jim Jarmusch is one of my favorite directors, and Dead Man is probably the greatest work he has ever done. Very rarely does a film come alive with a sense of poetry. The only other film I can compare it to would be Wim Wenders' Wings Of Desire. The film moves like a dream, floating and spinning around you. Neil Young's electric score churns like a ghost train and pushes the film farther. There isn't one performance that is wrong, nor is there ever a false moment. From start to finish this film pulls you into it's dream land, and carries you along on clouds until the finish.