Dead Man (1995)

On the run after murdering a man, accountant William Blake encounters a strange Native American man named Nobody who prepares him for his journey into the spiritual world.

Director:

Jim Jarmusch

Writer:

Jim Jarmusch

Stars:

Johnny Depp, Gary Farmer, Crispin Glover

5 wins & 14 nominations.

Cast

Cast overview, first billed only:
Johnny Depp	...	William Blake
Gary Farmer	...	Nobody
Crispin Glover	...	Train Fireman
Lance Henriksen	...	Cole Wilson
Michael Wincott	...	Conway Twill
Eugene Byrd	...	Johnny 'The Kid' Pickett
John Hurt	...	John Scholfield
Robert Mitchum	...	John Dickinson
Iggy Pop	...	Salvatore 'Sally' Jenko
Gabriel Byrne	...	Charlie Dickinson
Jared Harris	...	Benmont Tench
Mili Avital	...	Thel Russell
Jimmie Ray Weeks	...	Marvin, Older Marshal
Mark Bringelson	...	Lee, Younger Marshal
John North	...	Mr. Olafsen

Storyline

In the late-1800s, the meek accountant from Cleveland, William Blake, spends the last of his already meagre savings to get to the frontier community of Machine where a job awaits him. Eager to make a fresh start, Blake arrives at his destination, only to discover that the position no longer exists. Gravely wounded and on the run from a relentless trio of bounty hunters after a deadly shoot-out, William flees the inhospitable industrial town and has a chance encounter with the enigmatic Native American spirit-guide named "Nobody", who believes Blake is the reincarnation of the visionary English poet, William Blake. Now, before the endless American wilderness, the two companions embark on a peril-laden odyssey of mysticism, transformation, and spirituality, until William crosses over into the spirit world. What lies on the other side?

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Plot Keywords:

revisionist western | neo noir | arthouse | wanted poster | shot with an arrow | 

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Taglines:

No one can survive becoming a legend.

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Genres:

Adventure | Drama | Fantasy | Western

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Motion Picture Rating (MPAA)

Rated R for moments of strong violence, a graphic sex scene and some language

Details

Official Sites:

Official Facebook Official site

Country:

USA Germany Japan

Language:

English Cree

Release Date:

10 May 1996 (USA)

Also Known As:

Jim Jarmusch's Dead Man

Filming Locations:

Hoover Dam, Arizona-Nevada Border, USA

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$104,649, 12 May 1996

Gross USA:

$1,037,847

Cumulative Worldwide Gross:

$1,037,847

Company Credits

Production Co:

Pandora Filmproduktion, JVC Entertainment Networks, Newmarket Capital Group

Technical Specs

Runtime:

121 min

Sound Mix:

Dolby Dolby SR

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The lines "The vision of Christ that thou dost see / Is my vision's greatest enemy" that Nobody says to the trading post missionary are from William Blake's "The Everlasting Gospel".

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Goofs

When William and Nobody are riding horses, William's jacket is hanging off his shoulders, in the next shot, his arms are in the sleeves, and a few shots later, his jacket is once again on his shoulders.

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Quotes

[first lines]
Train Fireman: Look out the window. And doesn't this remind you of when you were in the boat, and then later than night, you were lying, looking up at the ceiling, and the water in your head was not dissimilar from the landscape, and you think to yourself, "Why is it that the landscape is moving, but the boat is still?"

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Crazy Credits

This Film is Dedicated to the Memory of Dick Peiffer and Paul D. O'Brien

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Connections

Referenced in Us 2 (2014)

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Soundtracks

Billy Boy
Played in the saloon

User Reviews

Effortlessly cool and self-styled western

Dead Man is a unique piece of film. As this is my first taste of Jim Jarmusch, I had no idea of what to expect, but even if I had; I reckon that this film wouldn't have conformed to them. Dead Man is a surreal and trippy western that peels itself away from the staples of the genre and succeeds in creating something truly one-off and self-styled. Lead by a score written by Neil Young, Dead Man is continually satisfying and powerful; and you get the impression that every scene has been fully thought through, and is perfectly realised as the auteur intended. For this reason, Dead Man captivates it's viewer from the moment it starts until the moment it ends, and as it descends into full blown trippy weirdness, you can do nothing but stare in admiration of this strange gem of cult cinema. The plot is thin on the ground and it largely lacks meaning, but it doesn't matter because Dead Man is a purely aesthetic experience. Still, it follows William Blake (Johnny Depp), an accountant from Cleveland that arrives in a town to take a job offer, only to find that the vacancy has already been filled…

Dead Man is filmed in very stark black and white, which only adds to the surrealism of the story. Had this film have been done in colour, it would not have captured the same atmosphere that the black and white gives it; and so this decision was an inspired one indeed. One staple of the western genre that Jarmusch is keen to retain is the use of close-ups. The director spends a lot of time caressing Depp's facial features with his camera and, at times, even focuses on his lead actor when the action doesn't concern him. Aside from keeping in with the western tradition, this also allows Jarmusch to keep the focus on the main character, which keeps the viewer focused on his plight. For this film, Jarmusch has put together a cast of B-movie icons that will have B-movie fans foaming at the mouth. Crispin Glover, Robert Mitchum, Billy Bob Thornton, Lance Henriksen, Gabriel Byrne, John Hurt, Alfred Molina and even Iggy Pop feature and it's great to see so many faces in the same movie. The cast is, of course, lead by a man who is perhaps today's best actor; Johnny Depp. Depp's name on a credit list speaks for itself, and I don't need to tell you that his performance is great; nor do I need to point out the effortless cool that this movie exudes, largely thanks to the great man's presence. My only advice is see it...see it now.