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South African church minister Steven Kumalo is summoned from his village to Johannesburg. There he finds that his son Absolom has been jailed in connection with a robbery in which a white man was killed. The father of the white man, James Jarvis, is a supporter of apartheid, the separation of the races which is the law of South Africa. When they encounter each other, both Kumalo and Jarvis come to unexpected realizations not only about their sons, but about the nature of their own humanity.Written by
Jim Beaver <email@example.com>
I could not believe as I read other reviewers of this movie that they thought it "irrelevant"! The struggle for equality, peace and love is NEVER irrelevant. This was a movie that by any standards is brillant and moving. James Earl Jones does a magnificent job of playing the main character with dignity and restraint. He makes you suffer with him as a result. A drama coach I once had told me, don't you cry, let them cry. He does both through his amazing minimalist acting. He doesn't waste himself on meaningless gestures & histronics, he lets you see the suffering of his soul. Equally brillant is Richard Harris as the father of the son killed by Jones' son. These two men are brought together in the worst of circumstances and that is when the true character of the man is revealed. Despite all his racist comments earlier in the movie, he overcomes his own self-hate (translated to Africans) to see the bigger picture that his own son knew all along. Someone once said, you cannot hate anything in someone else, unless it reflects something you hate within yourself. Through the pain & death of his son, he transcends his own sense of self-loathing. He sees with the eyes of love that people are just people, no matter what color their skin is. A movie that communicates that is never irrelevant or unimportant.
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