South African church minister Steven Kumalo is summoned from his village to Johannesburg. There he finds that his son Absolom has been jailed in connection with a robbery in which a white man was killed. The father of the white man, James Jarvis, is a supporter of apartheid, the separation of the races which is the law of South Africa. When they encounter each other, both Kumalo and Jarvis come to unexpected realizations not only about their sons, but about the nature of their own humanity.Written by
Jim Beaver <firstname.lastname@example.org>
The first feature film shot on-location in post-Apartheid South Africa, after Nelson Mandela was elected President in 1994. Composer John Barry dedicated the score to Mandela in the end credits. See more »
What makes this film so good, is that it deals with the issues of Apartheid in a sensitive, and moving way. There is no overt message of hatred, but shows rather how lives both black and white are affected by division and hatred. The words of Jarvis's dead son are incredibly powerful, significant, even to this day. I grew up in Natal, and lived in Johannesburg, and experienced the evils of Apartheid. Yes, the film is in a way too soft in this regard, but this is not what the film is about. James Earl Jones's depiction of an African Cleric in this time period is amazingly accurate. I had tears in my eyes watching his performance. Harris too shines. This is a movie for today, and is as relevant now, as it was 50 years ago. Must see viewing.
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