Directed by
| John Schlesinger | ||
Writing Credits
| Malcolm Bradbury | ... | (screenplay) |
| Stella Gibbons | ... | (novel) |
Cast (in credits order) verified as complete
Produced by
| Richard Broke | ... | executive producer: BBC Television |
| Alison Gilby | ... | producer |
| Joanna Gueritz | ... | associate producer |
| Antony Root | ... | executive producer: Thames Television |
Music by
| Robert Lockhart | ||
Cinematography by
| Chris Seager | ... | director of photography |
Editing by
| Mark Day | ||
Casting By
| Noel Davis | ||
Production Design by
| Malcolm Thornton | ||
Art Direction by
| Jim Holloway | ||
Costume Design by
| Amy Roberts | ||
Makeup Department
| Anita Burger | ... | makeup artist |
| Carmel Jackson | ... | makeup artist |
| Dorka Nieradzik | ... | hair designer / makeup designer |
Second Unit Director or Assistant Director
| Alex Hester | ... | third assistant director |
| Paul Judges | ... | first assistant director |
| David Reid | ... | second assistant director |
| Beni Turkson | ... | second assistant director |
Art Department
| Peter Bower | ... | construction manager |
| Bob Cummins | ... | graphic designer |
| Noel Deegan | ... | stand-by props |
| Catherine Holmes | ... | design assistant |
| Gerry Kelly | ... | stand-by painter |
| Brian Larkin | ... | graphic designer |
| Maura Laverty | ... | production buyer |
| Laurie Miller | ... | property master |
| Stuart Newton | ... | dressing props |
| Brian Pincham | ... | stand-by props |
| Joe Sheehan | ... | stand-by carpenter |
| Lee Turnham | ... | dressing props / stand-by props |
Sound Department
| John Bateman | ... | adr mixer / foley mixer |
| Paula Boram | ... | foley artist |
| Julian Dodwell | ... | sound effects editor |
| Allan Fowlie | ... | sound editor |
| Jim Greenhorn | ... | sound recordist |
| Maike Helmers | ... | dialogue editor |
| Jenny Lee Wright | ... | foley artist |
| Robin O'Donoghue | ... | re-recording mixer |
| Debbie Pragnell | ... | sound editor |
| Joanne Stephens-Smith | ... | boom operator |
Visual Effects by
| Mike Kelt | ... | visual effects |
| Jeremy King | ... | visual effects |
Camera and Electrical Department
| Catherine Brandish | ... | clapper loader |
| Keith Broome | ... | focus puller |
| Dave Mason | ... | gaffer |
| Barrie More | ... | best boy |
| Peter Muncey | ... | grip |
| Micky Patten | ... | key grip (as Mickey Patten) |
| Steve Phillips | ... | grip |
| Alf Tramontin | ... | steadicam operator |
| Jan Pester | ... | steadicam operator (uncredited) |
Costume and Wardrobe Department
| Dan Grace | ... | wardrobe master |
| William McPhail | ... | costume supervisor |
Location Management
| Tim Stevenson | ... | location manager |
Music Department
| Chris Dibble | ... | music recording engineer |
| Simon Haram | ... | musician: soprano saxophone |
| Robert Lockhart | ... | music arranger |
| Steve Parr | ... | music recording engineer |
| Mark Berrow | ... | musician: violin (uncredited) |
| Skaila Kanga | ... | musician: harp (uncredited) |
Script and Continuity Department
| Elinor Day | ... | script editor |
| Carol Gardner | ... | script supervisor |
Additional Crew
| Eleanor Fazan | ... | choreographer |
| Linda James | ... | dialogue coach |
| Maurice Scanlon | ... | finance assistant |
| Heather Siverns | ... | production secretary |
| Victor Glynn | ... | studio executive: Pearson (uncredited) |
