As Michael and Robert, a gay couple in New York, prepare for Robert's departure for a two-year work assignment in Africa, Michael must face Robert's true motives for leaving while dealing ... See full summary »
Tony Award-winning actor and playwright Harvey Fierstein re-creates his role as the unsinkable Arnold Beckoff in this film adaptation of the smash Broadway play TORCH SONG TRILOGY. A very ... See full summary »
In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in ... See full summary »
T. Wendy McMillan
A comprehensive documentary of the history of gays and lesbians in cinema, from negative to positive reflections of gay characters and the troubles of actors and actresses.Written by
R. John Berggren <firstname.lastname@example.org>
Actor Michael Ontkean not only declined to be interviewed for the documentary, but also attempted to prevent clips from his film Making Love (1982) from being shown in it. He was unsuccessful. See more »
There is this constant desire on the part of the studios to make characters likable.
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The Celluloid Closet is a documentary that examines Hollywood and homosexuality, and how gays and lesbians have been portrayed in films.. It actually all began in 1895, with Thomas Edison's film of two men dancing together!
Beginning in the 1930's, filmmakers, because of the strict production code in place at the time, constantly inserted gay and lesbian themes and storylines, and the earliest gay male character was always the `sissy', and lesbians could only be used if they were presented as dangerous predators. In viewing the film clips, some scenes from certain films are more overt than others, especially in non-gay or lesbian themed films. For example, Jane Russell, in Gentlemen Prefer Blondes, sings in a room of half-naked man, none of whom pay any attention to her. A less overt example features a scene from Red River in which Montgomery Clift and another actor discuss their pistols after removing them from their holsters. Numerous writers, directors, and actors, including Gore Vidal, Susie Bright, John Schlesinger, Tom Hanks, and Susan Sarandon, all comment on their roles in this aspect of film history. This is an important and always interesting documentary that should be seen by everyone, no matter their sexual orientation.
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