A troubled couple and their blind daughter come to Italy to visit a 12th Century castle they've inherited. Soon they are plagued by unexplained noises, mysteriously broken objects, and the daughter's claims of an unknown nocturnal visitor to her bedroom. When the housekeeper and a local prostitute and are discovered savagely murdered in the castle's dungeon, John must unlock the castle's secret to save himself from jail and his family from the castle's secret inhabitant.Written by
D.A. Kellough <email@example.com>
When Susan reveals her breasts to seduce the creature, it is unknown if that is Crampton's actual nipples or if she was wearing nipple patches. See more »
Giorgio, the freak, could not remove his metal arm restraint without ripping his thumb off first, as the restraint was too small. But near the end of the film John easily put this restraint on his own arm, and earlier Giorgio put the same restraint over both arms of the prostitute. See more »
[Creature walks over to grope Susan's exposed breasts]
[Susan then stabs the creature in the shoulder]
[Creature then rips Susan's bra off while trying to chase her out]
Come on, Rebecca!
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Special thanks to H.P. Lovecraft, Andrea Barzini, Giovanni Natalucci, Michla Gisotti, Kimi Yamada, and the wonderful people of Giove, Italy. See more »
Unrated director's cut version includes more explicit sex and gore footage. See more »
I really didn't expect much when I picked this movie up, considering its pedigree (a Full Moon low-budget picture shot in Italy). What a pleasure then that this turned out much better than expected. Good use is made of the Italian locations, especially the castle, and Stuart Gordon uses many cool angles to keep things interesting. Reputation has him as an over-the-top-gore director, but this doesn't do him full justice. He is also good in building atmosphere, and this is "Castle Freak"'s biggest asset. The gore is relatively minimal, and instead of indulging us with gore, he goes for a dark and tragic atmosphere, convincingly combining a traumatized family and a mistreated, misunderstood monster in the "Frankenstein"-tradition. This means that despite reuniting the Gordon-Combs-Crampton triumvirate "Re-Animator"-Fans should beware: this one is played strictly as drama/tragedy with not a single laugh in sight. The screenplay is well-developed with convincing characters and reasonably good dialogue. Nothing that is Academy Award-material, but who'd expect that from a movie called "Castle Freak"? Acting is also spot on, especially Jeffrey Combs in a straight man role (for once). While it would go to far to call this a lost genre classic, it deserves to be seen by more people than probably did. If you're a genre fan, give "Castle Freak" a chance. It might just win you over, like it did with me.
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