8.2/10
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556 user 145 critic

Casino (1995)

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A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.

Director:

Martin Scorsese

Writers:

Nicholas Pileggi (book), Nicholas Pileggi (screenplay) | 1 more credit »
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Popularity
832 ( 354)
Top Rated Movies #143 | Nominated for 1 Oscar. Another 3 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert De Niro ... Sam 'Ace' Rothstein
Sharon Stone ... Ginger McKenna
Joe Pesci ... Nicky Santoro
James Woods ... Lester Diamond
Don Rickles ... Billy Sherbert
Alan King ... Andy Stone
Kevin Pollak ... Phillip Green
L.Q. Jones ... Pat Webb
Dick Smothers ... Senator
Frank Vincent ... Frank Marino
John Bloom ... Don Ward
Pasquale Cajano ... Remo Gaggi
Melissa Prophet Melissa Prophet ... Jennifer Santoro
Bill Allison Bill Allison ... John Nance
Vinny Vella Vinny Vella ... Artie Piscano
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Storyline

This Martin Scorsese film depicts the Janus-like quality of Las Vegas--it has a glittering, glamorous face, as well as a brutal, cruel one. Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world. Seen through their eyes, each as a foil to the other, the details of mob involvement in the casinos of the 1970's and '80's are revealed. Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals. However, they each have a tragic flaw--Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis

Taglines:

No one stays at the top forever. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong brutal violence, pervasive strong language, drug use and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | France

Language:

English

Release Date:

22 November 1995 (USA) See more »

Also Known As:

Casino See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS-Stereo | DTS

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The mother of director Martin Scorsese features a whopping 9 times in her son's pictures. Next to that she also played parts in many other mob movies, one of them being "The Godfather Part III". In "Casino" she can be seen as the little old lady with big glasses in the grocery store who is shocked by the cursing. Martin Scorsese's sister also plays a part in "Casino". See more »

Goofs

When Ginger and the smarmy gambler finish playing the craps table, there are 3 very quick shots of him handing her chips. In the he first 2 shots, he is holding 2 chips, but in the third shot, he has 4 chips in his hand. See more »

Quotes

[first lines]
Ace Rothstein: [voice-over] When you love someone, you've gotta trust them. There's no other way. You've got to give them the key to everything that's yours. Otherwise, what's the point? And for a while, I believed, that's the kind of love I had.
[Ace's car explodes]
See more »

Crazy Credits

"This is a fictional story with fictional characters adapted from a true story." See more »

Alternate Versions

There are two network television versions: the original 3-hour theatrical cut minus objectionable footage, and a re-edited 140 minute version put together under sole supervision of original director Martin Scorsese. See more »

Connections

Referenced in Inside the Actors Studio: Martin Scorsese (2002) See more »

Soundtracks

Long Long While
Written by Mick Jagger & Keith Richards
Performed by The Rolling Stones
Published by ABKCO Music, Inc.
by Arrangement with ABKCO Records
See more »

Frequently Asked Questions

See more »

User Reviews

 
Very good but not without flaws
26 June 2005 | by BrandtSponsellerSee all my reviews

Casino is a very good film. If you're at all interested in gangster/mafia films, or if you're at all a fan of director/co-writer Martin Scorsese, novelist/co-writer Nicholas Pileggi, or actors Robert De Niro, Joe Pesci, Sharon Stone or James Woods, then Casino is without a doubt a must-see. I'm a huge De Niro fan, and I'm a fan of Scorsese and Woods as well. I certainly enjoyed the film.

But I don't think that Casino is at all a "perfect" film. An 8 out of 10 may seem high, but if you're familiar with my reviews, you'll know that it's not that high of a score from me--it's closer to average from me. There are plenty of flaws here, and I'm going to spend some time pointing them out, particularly since the film receives so many 10's.

Casino is based on the story of Frank "Lefty" Rosenthal and the Stardust casino in Las Vegas. The Rosenthal character is here named Sam "Ace" Rothstein and is played by De Niro. The hotel became the Tangiers for the film. The mob backs Rothstein but has to set up a false front while Rothstein "secretly" runs the hotel, because of his gambling charges back East. He falls in love with and marries former hooker/call-girl and current Vegas hustler Ginger McKenna (Stone), who remains in love with her pimp, Lester Diamond (Woods). Meanwhile, mob strong-arm Nicky Santoro (Pesci) heads out to Vegas to protect Rothstein, but eventually ends up running his own rackets and trying to effectively take over the town. Casino is the story of the relationship and political problems that this cast of characters and a number of associates run into. It's roughly a gradual road to destruction for everyone involved.

The film is unusual in many ways. The most prominent oddity is that a large chunk of it is told via alternated narration from the two main characters, Rothstein and Santoro. The aim was probably to include a lot more of Pileggi's book, in a more literal way, than would have been possible through more conventional means. It's remarkable that the narration works as well as it does, especially because a lot of it is given a rapid-fire delivery. For at least the first 15 minutes, there is barely a pause in the narrational dialogue.

One of the reasons it works is because of the style that Scorsese uses to accompany it in the opening. He employs a lot of fast cuts while presenting very stylized, documentary-like footage. The opening feels as much like an entertaining behind-the-scenes look at how the typical casino works as it feels like a fictional film about gangsters.

Eventually, the film evolves from almost 100% narration to almost no narration (although the narration never completely leaves the film). This happens so subtly that one hardly notices. Scorsese's directorial style likewise evolves from the fast-cut documentary approach to something more conventional.

This is all well and good, but on the other hand, the gradual evolution can only happen because the film is so long--it clocks in just a couple minutes shy of 3 hours. That's a bit too long for the story being told. By at least the halfway point, it starts to feel a bit draggy. All the material is necessary to the story, but it could have been tightened up a lot more.

Another unusual aspect is the score/soundtrack, which consists primarily of pop hits from a wide time span--30 years or more. While I like the songs--I've owned the CD since it came out and I listen to it often enough--and the songs can help set the mood for some scenes, they become a bit too incessant and overbearing for the story after awhile. It begins to approach the dreaded "mix tape" mentality, where the songs are just there because the director wanted to share some bitchin' tunes that he likes a lot. A bit of ebb and flow with the music, and music better correlated to the drama, would have worked even better.

Presumably, Scorsese was shooting for something like a sensory assault, since that's what you get in Vegas. The visuals are filled with neon lights, flashy clothes (I love Rothstein's suits), flashy people and such. The soundtrack is probably meant to match. But in that case, if I were directing, I think I would have went for a combination of commissioned music that incorporated a lot of casino sounds, or that mimicked a lot of casino sounds--the cacophonous electronic symphony of various machines constantly going through their modes--with schmaltzy show tunes, ala Liza, Jerry Vale, Tom Jones, Wayne Newton, etc.

That Scorsese was trying to give a Vegas-styled sensory assault is also supported by the audio-visual contrast between the Vegas scenes and the scenes in other locations, such as Kansas City. So I can understand the motivation, but I'm not sure the final result exactly worked.

Of course the performances are exceptional, even if everyone is playing to type, except for maybe Woods. The plot and characters are written and performed so that the viewer can see the disasters coming way before the characters can--and that's how it should be. For example, as a viewer, you know as soon as it starts that it's a bad idea for Rothstein to kowtow to McKenna to win her hand in marriage, but Rothstein is blind in love and he ends up paying for it. Everything unfolds almost a bit predictably in this respect, and another slight flaw is that we're shown the penultimate moment of the film right at the very beginning. It tends to make it feel even more stretched out, as you keep anticipating that scene.

But the slight flaws shouldn't stop anyone from seeing this film, and of course, quite a few viewers feel that there are no flaws at all.


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