- Nominated for 1 BAFTA Film Award. Another 7 wins & 8 nominations.
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Cast verified as complete
Emma Thompson | ... |
Dora Carrington
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Jonathan Pryce | ... |
Lytton Strachey
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Steven Waddington | ... |
Ralph Partridge
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Samuel West | ... |
Gerald Brenan
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Rufus Sewell | ... |
Mark Gertler
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Penelope Wilton | ... |
Lady Ottoline Morrell
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Janet McTeer | ... |
Vanessa Bell
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Peter Blythe | ... |
Phillip Morrell
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Jeremy Northam | ... |
Beacus Penrose
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Alex Kingston | ... |
Frances Partridge
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Sebastian Harcombe | ... |
Roger Senhouse
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Richard Clifford | ... |
Clive Bell
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David Ryall | ... |
Mayor
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Stephen Boxer | ... |
Military Rep
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Annabel Mullion | ... |
Mary Hutchinson
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Gary Turner | ... |
Duncan Grant
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Georgiana Dacombe | ... |
Marjorie Gertler
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Helen Blatch | ... |
Nurse
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Neville Phillips | ... |
Court Usher
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Christopher Birch | ... |
Dr. Starkey Smith
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Daniel Betts | ... |
Porter
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Simon Bye | ... |
Fly Driver
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Marzio Idoni | ... |
Gondolier
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Rest of cast listed alphabetically: | |||
Mark Chapman | ... |
Johnny Boy (uncredited)
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Eva Gray | ... |
Dancer (uncredited)
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Directed by
Christopher Hampton |
Written by
Christopher Hampton | ... | () |
Michael Holroyd | ... | (book) |
Produced by
Francis Boespflug | ... | executive producer |
Philippe Carcassonne | ... | executive producer |
John McGrath | ... | producer |
Ronald Shedlo | ... | producer |
Chris Thompson | ... | associate producer |
Fabienne Vonier | ... | executive producer |
Music by
Michael Nyman |
Cinematography by
Denis Lenoir |
Editing by
George Akers |
Editorial Department
James Marsh | ... | first assistant editor |
Bridgette Williams | ... | cutting room trainee (as Bridgette Corbett) |
Paul Ensby | ... | color timer (uncredited) |
Production Design by
Caroline Amies |
Art Direction by
Frank Walsh |
Costume Design by
Penny Rose |
Makeup Department
Christine Beveridge | ... | hair stylist (as Chrissie Beveridge) / makeup artist (as Chrissie Beveridge) |
Elaine Davis | ... | hair stylist / makeup artist |
Norma Webb | ... | hair stylist / makeup artist |
Production Management
Rosanna Roditi | ... | production manager: Italy |
Chloe Sizer | ... | post-production supervisor |
Second Unit Director or Assistant Director
William Booker | ... | third assistant director |
Guido Cerasuolo | ... | second assistant director: Italy |
Tim Lewis | ... | second assistant director |
Guy Travers | ... | first assistant director |
Art Department
Peter Adams | ... | construction run-around |
Brian Aldridge | ... | dressing props |
Lee Betts | ... | painter |
Dennis Bosher | ... | draughtsman |
Roger Bowles | ... | draughtsman |
Alan Chesters | ... | construction manager |
Leigh Chesters | ... | trainee carpenter |
Susanna Codognato | ... | art department: Italy |
Ciaran Donnelly | ... | carpenter |
Judy Ducker | ... | production buyer |
Martin Duffy | ... | chargehand carpenter |
Peter Duffy | ... | carpenter |
Brian Eke | ... | carpenter |
Christopher Evans | ... | decorative artist |
Davide Fadda | ... | art department laborer: Italy |
Nick Ferguson | ... | pastiche artist |
Jim Foran | ... | construction supervisor |
Barry Gibbs | ... | property master |
Jane Gifford | ... | pastiche artist |
Claire Grainger | ... | design assistant |
Fred Gray | ... | pastiche artist |
David Gruar | ... | stagehand |
Michael Gunner | ... | chargehand painter |
Rebecca Holmes | ... | design assistant |
Simon Hutchings | ... | painter |
Gary Ixer | ... | stand-by propman |
Matt James | ... | painter |
Malcolm Keen | ... | painter |
David Ned Kelly | ... | stand-by carpenter |
J.A. Lenman | ... | painter |
David Mears | ... | painter |
Martin O'Connor | ... | props run-around |
Graham Osten-Lee | ... | carpenter |
Darryl Patterson | ... | storeman |
Brian Rielly | ... | painter |
Nicky Risso-Gill | ... | draughtsman |
Raffaele Scarpa | ... | art department laborer: Italy |
Andy Semple | ... | assistant art director (as Andrew Semple) |
Bob Sherwood | ... | stand-by props |
Mike Sotheran | ... | painter |
Jim Stanes | ... | graphic artist |
Alison Stewart-Richardson | ... | design assistant |
Warren Stickley | ... | dressing props |
Terry Weaver | ... | painter |
Michael Webb | ... | stagehand |
Darryl Paterson | ... | props storeman (uncredited) |
Sound Department
Jason Adams | ... | assistant sound editor |
Ed Colyer | ... | foley mixer (as Edward Colyer) |
Felicity Cottrell | ... | foley artist |
Graham Daniel | ... | re-recording mixer |
Sarah Ellis | ... | assistant sound editor |
Peter Lindsay | ... | sound mixer |
Dennis McTaggart | ... | sound editor |
Ray Merrin | ... | re-recording mixer |
Mervyn Moore | ... | boom operator |
Zivi Ronen | ... | sound room trainee |
Jupiter Sen | ... | adr editor / foley editor |
Jason Swanscott | ... | foley artist |
Ted Swanscott | ... | adr mixer |
Camera and Electrical Department
Bill Beenham | ... | rigger |
Regis Benedettelli | ... | labourer grip: Italy |
Flavio Bertini | ... | generator operator: Italy |
Stefano Biscaro | ... | grip: Italy |
Neil Carr | ... | chargehand rigger |
Luca Casagrande | ... | labourer electrician: Italy |
Tommaso Dabala | ... | electrician: Italy |
Martin Evans | ... | best boy |
Kevin Fraser | ... | grip |
Jill Furmanovsky | ... | still photographer |
Dario Gardi | ... | electrician: Italy |
Darren Gatrell | ... | electrician |
Fred Harris | ... | camera operator / grip |
Pam Hegerty | ... | rigger |
Pascal Lagriffoul | ... | focus puller |
Luis Lazo | ... | still photographer |
Reg Lockwood | ... | rigger |
David Morani | ... | gaffer |
Tim Murphy | ... | rigger |
Peter Robertson | ... | steadicam operator |
Xandy Sahla | ... | assistant camera (as Alex Sahla) |
Virginie Saint-Martin | ... | clapper loader (as Virginie St. Martin) |
Michael Seymour | ... | rigger |
Steven Spud Slater | ... | rigger |
Michele Turchetto | ... | grip: Italy |
Al Watson | ... | generator operator |
Paul Wells | ... | electrician |
Andrea Chiozzotto | ... | electrician: Venice (uncredited) |
Costume and Wardrobe Department
Jill Avery | ... | wardrobe mistress |
Kirsten Hecktermann | ... | assistant costume designer |
Loredana Nicolao | ... | seamstress: Italy |
Adrian Simmons | ... | wardrobe master |
Location Management
Nick Daubeny | ... | location manager |
Mark Somner | ... | location assistant |
Ron Watkins | ... | location liaison (as Ronnie Watkins) |
Music Department
Richard Clews | ... | French horn |
Jamie Talbot | ... | alto saxophone |
Stuart Brooks | ... | musician: trumpet (uncredited) |
Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
Penny Eyles | ... | script supervisor |
Transportation Department
Mike Beaven | ... | unit driver |
Jed Bray | ... | unit driver |
Dave Carpenter | ... | makeup bus driver |
Tom Daly | ... | driver: honeywagon |
Alfio Galli | ... | transport: Italy |
Fred Harris | ... | truck driver |
Enyo Mortty | ... | unit driver |
Gary Palmer | ... | dining bus driver |
Tony Redman | ... | unit driver |
Sid Romain | ... | driver: minibus |
Brett Walker | ... | motorhome driver |
Simon Walker | ... | motorhome driver |
Tony Walker | ... | driver: construction department |
Ian Weatherly | ... | wardrobe driver |
Ian Young | ... | roadtrain driver |
Additional Crew
Patricia Barr | ... | unit nurse |
Tor Belfrage | ... | assistant: Mr. Hampton |
Tim Bricknell | ... | production runner |
Furio Buranella | ... | craft service: Italy |
John Clifford | ... | stand-in: Mr. Pryce |
Michelle Davies | ... | floor runner |
Dominique De Langes | ... | production assistant: Italy |
Daniela Foà | ... | crowd marshall: Italy |
John L. Hargreaves | ... | production consultant |
William Hobbs | ... | fight arranger |
Stuart Hopps | ... | choreographer |
Bobbie Johnson | ... | production accountant |
Deborah Leakey | ... | assistant accountant |
Annie Livings | ... | stand-in: Miss Thompson |
Tamara Morris | ... | caterer |
Richard Moxon | ... | legal advisor |
Tori Parry | ... | production coordinator |
Albert G. Ruben | ... | insurance |
Ann Runeckles | ... | assistant: Mr. Shedlo |
Chloe Sizer | ... | assistant: Mr. McGrath |
Reshad D. Somauroo | ... | production trainee |
Fabio Vianello | ... | production runner: Italy |
Mark Waddell | ... | film grading |
Joan Washington | ... | dialogue coach |
Tony Tucker | ... | marine coordinator (uncredited) |
Thanks
Frank Bloom | ... | special thanks |
Susie Brown | ... | special thanks |
Joanna Carrington | ... | special thanks |
Harvey Edgington | ... | special thanks |
Teresa Grimes | ... | special thanks |
Philippe Hartmann | ... | special thanks |
Roger Heath | ... | special thanks |
Jane Hill | ... | special thanks |
Janet Ibbotson | ... | special thanks |
Phil Joanou | ... | special thanks |
Barry Krost | ... | special thanks |
Mike Newell | ... | special thanks |
Aline Perry | ... | special thanks |
Bill Stephens | ... | special thanks |
Stewart Till | ... | special thanks |
Production Companies
- Polygram Filmed Entertainment (presents)
- Freeway Films (production)
- Cinéa (in association with)
- Orsans Productions (in association with)
- StudioCanal (in association with)
- Euston Films (in association with)
- European Co-production Fund (with the assistance of)
Distributors
- PolyGram Film International (1995) (United Kingdom) (theatrical)
- Pan Européenne Distribution (1995) (France) (theatrical)
- Cineplex Odeon Films (1995) (Canada) (theatrical) (Québec)
- Gramercy Pictures (I) (1995) (United States) (theatrical)
- Ascot Elite Entertainment Group (1995) (Switzerland) (theatrical)
- Becker Entertainment (1995) (Australia) (theatrical)
- Ciné Libre (1995) (Belgium) (theatrical)
- Elliniki Kinimatografiki Enosi (ELKE) (1995) (Greece) (theatrical)
- Italian International Film (1995) (Italy) (theatrical)
- SF Studio (1995) (Norway) (theatrical)
- Scotia International Filmverleih (1995) (Germany) (theatrical)
- Sogepaq Distribución (1995) (Spain) (theatrical)
- Svensk Filmindustri (SF) (1995) (Sweden) (theatrical)
- Transmundo Films (1995) (Argentina) (theatrical)
- Transmundo Home Video (THV) (Argentina) (VHS)
- Victor Company of Japan (JVC) (1996) (Japan) (theatrical)
- Vitória Filmes (1996) (Portugal) (theatrical)
- Home Video Hellas (HVH) (1996) (Greece) (VHS)
- MGM Home Entertainment (2001) (Canada) (DVD)
- MGM Home Entertainment (2001) (United States) (DVD)
- Flashstar Home Vídeo (2002) (Brazil) (DVD)
- Wild Bunch Distribution (2003) (France) (DVD)
- Lumière Home Entertainment (2012) (Netherlands) (DVD)
- KSM (2013) (Germany) (DVD)
- Flashstar Home Vídeo (Brazil) (VHS)
Special Effects
Other Companies
- Shepperton Studios (movie studio)
- Abbey Road Studios (score recorded and mixed at)
- Cannes Film Festival (festival)
- Dolby Laboratories (in selected theatres)
- Film & Photo Design (titles)
- Film Finances (completion guarantor)
- Fothergill & Lunn Casting (casting)
- Lee Lighting (grip and lighting equipment)
- Marriott Harrison (legal advisor)
- McDonald and Rutter (publicity consultants)
- National Portrait Gallery (special thanks)
- Rollins Hudig Hall (insurance)
- Sapex Scripts (post-production services)
- Set Meals (catering)
- Tate Gallery (special thanks)
- The British Library (special thanks)
- The Cliveden National Trust (special thanks)
- The Courtauld Institute of Art (special thanks)
- The Herbert Press Ltd. (special thanks)
- The London Borough of Camden (special thanks)
- The London Borough of Greenwich (special thanks)
- The London Borough of Hounslow (special thanks)
- The National Sound Archives, London (special thanks)
- The National Trust Winkworth Arboretum (special thanks)
- The North Yorkshire Moors Railway (special thanks)
- The Yorkshire National Trust (special thanks)
- Uffington White Horse, Buscot & Coleshill Estate Office, National Trust (special thanks)
Storyline
Plot Summary |
The story of the relationship between painter Dora Carrington (Dame Emma Thompson) and author Lytton Strachey (Jonathan Pryce) in a World War I England of cottages and countryside. Although platonic due to Strachey's homosexuality, the relationship was nevertheless a deep and complicated one. When Carrington did develop a more physical relationship with soldier Ralph Partridge (Steven Waddington), Strachey was able to welcome him as a friend, although Partridge remained somewhat uneasy, not so much with Strachey's sexual orientation as with the fact that he was a conscientious objector. Written by Jeremy Perkins {J-26} |
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Taglines | She had many lovers but only one love. See more » |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | During the press tour for the movie, Dame Emma Thompson told reporters how she enjoyed doing nude scenes, particularly since she was not a standard Hollywood "hard-body". See more » |
Movie Connections | Featured in Emma Thompson om 'Carrington' (1995). See more » |
Soundtracks | Adagio from 'String Quintet in C Major', D. 956, op. post. 163 See more » |
Quotes |
Dora Carrington:
[voice-over, a letter]
My dearest Lytton, There is a great deal to say, and I feel very incompetent to write it today. You see, I knew there was nothing really to hope for from you, well, ever since the beginning. All these years, I have known all along that my life with you was limited. Lytton, you're the only person who I ever had an all-absorbing passion for. I shall never have another. I couldn't, now. I had one of the most self-abasing loves that a person can have. It's too much of a strain to be quite alone here, waiting to see you, or craning my nose and eyes out of the top window at 44, Gordon Square to see if you were coming down the street. Ralph said you were nervous lest I'd feel I have some sort of claim on you, and that all your friends wondered how you could have stood me so long, as I didn't understand a word of literature. That was wrong. For nobody, I think, could have loved the Ballards, Donne, and Macaulay's Essays and, best of all, Lytton's Essays, as much as I. You never knew, or never will know, the very big and devastating love I had for you. How I adored every hair, every curl of your beard. Just thinking of you now makes me cry so I can't see this paper. Once you said to me - that Wednesday afternoon in the sitting room - you loved me as a friend. Could you tell it to me again. Yours, Carrington. Lytton Strachey: [voice-over, his written reply] My dearest and best, Do you know how difficult I find it to express my feelings, either in letters or talk ? Do you really want me to tell you that I love you as a friend ? But of course that is absurd. And you do know very well that I love you as something more than a friend, you angelic creature, whose goodness has made me happy for years. Your letter made me cry. I feel a poor, old, miserable creature. If there was a chance that your decision meant that I should somehow or other lose you, I don't think I could bear it. You and Ralph and our life at Tidmarsh are what I care for most in the world. See more » |