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Carrington (1995)

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The platonic relationship between artist Dora Carrington and writer Lytton Strachey in the early 20th century.
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Nominated for 1 BAFTA Film Award. Another 7 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Emma Thompson ... Dora Carrington
Jonathan Pryce ... Lytton Strachey
Steven Waddington ... Ralph Partridge
Samuel West ... Gerald Brenan
Rufus Sewell ... Mark Gertler
Penelope Wilton ... Lady Ottoline Morrell
Janet McTeer ... Vanessa Bell
Peter Blythe ... Phillip Morrell
Jeremy Northam ... Beacus Penrose
Alex Kingston ... Frances Partridge
Sebastian Harcombe Sebastian Harcombe ... Roger Senhouse
Richard Clifford ... Clive Bell
David Ryall ... Mayor
Stephen Boxer ... Military Rep
Annabel Mullion ... Mary Hutchinson
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Storyline

The story of the relationship between painter Dora Carrington and author Lytton Strachey in a World War One England of cottages and countryside. Although platonic due to Strachey's homosexuality, the relationship was nevertheless a deep and complicated one. When Carrington did develop a more physical relationship with soldier Ralph Partridge, Strachey was able to welcome him as a friend, although Partridge remained somewhat uneasy, not so much with Strachey's sexual orientation as with the fact that he was a conscientious objector. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Plot Keywords:

writer | gay | rape | f rated | england | See All (307) »

Taglines:

She had many lovers but only one love.


Motion Picture Rating (MPAA)

Rated R for strong sexuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | France

Language:

English

Release Date:

10 November 1995 (USA) See more »

Also Known As:

A festőnő szerelmei See more »

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Box Office

Gross USA:

$3,242,342
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby | Dolby SR

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

'Christopher Hampton' finally got to direct the script he'd been sitting on since 1976, but only because original helmer Mike Newell opted to direct Donnie Brasco (1997) instead. See more »

Quotes

Dora Carrington: If only I wasn't so - plural. Especially when people seem to want me so - conclusively.
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Soundtracks

Adagio from 'String Quintet in C Major', D. 956, op. post. 163
Composed by Franz Schubert
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User Reviews

 
Brilliant Drama, about love and suffering
31 December 1999 | by pendrell-2See all my reviews

This is possibly the best character study made in their last ten years. Taken from a biography of Lytton. This tells an emotionally complete tale of Dora Carrington and her love for Lytton. There is great drama here right from the start. Lytton is a homosexual writer who fancys young men. Dora is a painter who does not want to sleep with her "friend", because she believes its just for the physical (Which the film later shows to be true). Initially Dora is put off by Lytton (as is the viewer) but later as she says to him, She is burdened by one of the most self abasing loves for him. He also in turn loves her. But as he states they can do nothing about sleeping together. This is the contrast which is kept up throughout the whole film. All of Carringtons lovers physically love her body, and one of them even loves her (in a selfish way). But Lytton and Carrington love each other without sex, and their love is the strongest. As with the best Drama's, the character development never stops the whole way through. Each character is so well drawn and acted (Special credit must go to Emma Thompson and Jonathon Pryce, although the rest of the cast is also good) that you know how they are feeling even when it is not directly said or implemented. there is spoken and unspoken conflict in every scene. The two main characters are already in conflict while being in love. She loves him and he loves her but he is only attracted by men. Great drama manages to have conflict in every scene, and this one does. Great music from Micheal Nyman manages to capture the sentiments of this film especially well. So many more things could be said about the excellent narrative structure and lovely cinematography. But to be safe I will simply keep with my opening line. See Carrington. It does not pander to the audiences or ever become exploitational. It is a rare movie where the climax to the film is so fitting that you really can feel the emotion involved in these final frames. This is a film not to be missed.


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