In 1927, in Kingdom County, Vermont, a large dam is to be built, however, Noel Lord, a logger and cedar-oil harvester, won't give up his lifetime lease on land that will be flooded. The dam... See full summary »
Internationally acclaimed novelist Paul Auster ("New York Trilogy", "The Book of Illusions", "Man in the Dark") explores the art of writing in the darkly comical THE INNER LIFE OF MARTIN ... See full summary »
A man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no ... See full summary »
This musical is based on four short stories by Damon Runyon. In one tale, gambler Feet Samuels sells his body to science just as he realizes that Hortense loves him and that he would rather... See full summary »
Wayne Wang's follow-up movie to Smoke (1995) presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential humanity. Many of the same characters inhabiting Auggie Wren's Brooklyn Cigar Store in Smoke (1995) return here to expound on their philosophy of smoking, relationships, baseball, New York City, and Belgian Waffles. Most of all, this is a movie about living life, off-the-cuff.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Mel Gorham's performance of "Fever" was filmed three months after the film wrapped. At the film's wrap party, Gorham performed a rendition of "Fever" that so impressed the film's producers, they decided to add a scene with her performing the song. See more »
Dot bolts the store door to talk with Auggie, then leaves without unlocking it. See more »
Coffee and cigarettes. That's like the breakfast of champions.
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Situations Created in collaboration with THE ACTORS See more »
A companion piece to Smoke rather than a sequel, and as such it works well enough, but the fact that it's made mostly of outtakes and improvisations is easily detectable, and it feels far too disjointed, while still trying rather feebly for a coherent storyline, especially in the epilogue. However, the acting is good enough that many scenes shine through, some of the cameos feel forced but most of them are spot-on (brilliant appearances from Madonna, Roseanne and Jim Jarmusch especially) and it's enjoyable for fans of the original Smoke as well as Jarmusch fans, although all too often it feels like a Jarmusch carbon copy that doesn't have Jim's unique spark and vision.
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