Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
The Dark Knight of Gotham City confronts a dastardly duo: Two-Face and the Riddler. Formerly District Attorney Harvey Dent, Two-Face incorrectly believes Batman caused the courtroom accident which left him disfigured on one side; he has unleashed a reign of terror on the good people of Gotham. Edward Nygma, computer-genius and former employee of millionaire Bruce Wayne, is out to get the philanthropist; as The Riddler he perfects a device for draining information from all the brains in Gotham, including Bruce Wayne's knowledge of his other identity. Batman/Wayne is/are the love focus of Dr. Chase Meridan. Former circus acrobat Dick Grayson, his family killed by Two-Face, becomes Wayne's ward and Batman's new partner Robin the Boy Wonder.Written by
Ed Stephan <email@example.com>
Joel Schumacher said in an interview about Val Kilmer "Val did me two great favors when I wanted him to be Batman, he said yes. Then he created a situation which allowed me not to have him play Batman again, they were both happy, happy instances for which I will always be grateful". See more »
When Dick Grayson is doing his laundry he is seen wringing the water out of his clothes, but when he picks up the mop to clean up, the floor is dry. See more »
While the Batman franchise has been much maligned in recent years due to the disappointing performance of the last live-action film, Forever was second in quality only to the first Bat-film. It added color back into a Gotham that had gotten way too claustrophobic, and brought the tone back to something resembling the comics. Jim Carrey is a scene-stealer and dead on as The Riddler, and Val Kilmer is the perfect Bruce Wayne and Batman. Tommy Lee Jones does a great turn as Two-Face, unfortunately he isn't given enough to do and therefore comes across too cartoony, minus the angst of the character in the comics. One other big complaint is the new score - gone are Danny Elfman's orchestrations. Elliot Goldenthal's music would have been fine if not for his predecessor. Most people tend to lump this one in the 'lousy' section, it seems, but it was one of the biggest movies of '95 and a very faithful adaption overall. Now if they'd only release the director's cut
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