Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Superman returns to Earth after spending five years in space examining his homeworld Krypton. But he finds things have changed while he was gone, and he must once again prove himself important to the world.
The Dark Knight of Gotham City confronts a dastardly duo: Two-Face and the Riddler. Formerly District Attorney Harvey Dent, Two-Face incorrectly believes Batman caused the courtroom accident which left him disfigured on one side; he has unleashed a reign of terror on the good people of Gotham. Edward Nygma, computer-genius and former employee of millionaire Bruce Wayne, is out to get the philanthropist; as The Riddler he perfects a device for draining information from all the brains in Gotham, including Bruce Wayne's knowledge of his other identity. Batman/Wayne is/are the love focus of Dr. Chase Meridan. Former circus acrobat Dick Grayson, his family killed by Two-Face, becomes Wayne's ward and Batman's new partner Robin the Boy Wonder.Written by
Ed Stephan <firstname.lastname@example.org>
It was rumored that Michael Keaton was asking for fifteen million dollars, and a share in the profits, to return to play Batman for the third time. This turned out to be false. See more »
Two-Face's plan to hold the circus hostage unless Batman gives himself up doesn't make a whole lot of sense. If Batman never revealed himself and if Robin hadn't been able to throw the bomb into the river everyone in the circus would have died including Two-Face's thugs who had not yet evacuated the building. Even if the thugs had begun evacuating (the way the scene is shot it is hard to tell) there is no way they ever would have been able to get clear of the blast radius in time and Two - Face himself even though had escaped through a trap door still would have been killed as the entire surface would have collapsed in on him. It's highly unlikely this was intended to be a suicide mission meaning that Two-Face and his entire gang hadn't thought things through all the way. See more »
It's true, Batman Forever is a silly, overblown, cartoonish riot of buffoonry. But so what? It's also awesome in it's own way, and inhabits a certain corner of the Batman culture, the side of things that is rooted in camp and unhinged wonderment. Now, there's an important and discernible difference between taking things far and taking things too far. That difference is delineated on one side by a willingness to be goofy, colorful and not take this superhero stuff too seriously. The other side of that of course is a disregard for limits, throwing every ridiculous line, costume and awkward scene into it you can imagine. I'm referring to Joel Schumacher's followup to this, Batman & Robin. Everything that is weird, wonderful and extravagant about Forever just revved up to much in Robin, resulting in a pisss poor typhoon of mania and over acting. Not to say that Forever doesn't have over acting. Ohhhh boy is there over acting. Between Tommy Lee Jones and Jim Carrey, the thing is liable to give you epilipsy. But it somehow works despite its madness, a lucky stroke that Robin couldn't have cared less about adhering to. Val Kilmer is the sedating antidote to Jones and Carrey, a remakably laid back Bats and a pretty solid casting choice, both as Brooding Bruce and Buttkicking Bats. Eternally broken up about the death of his patents, Bruce fights off Harvey Two Face Dent (Jones) in a garish, disarming Gotham City that resembles Mardi Gras in Dr. Seuss land. Jones's Two Face is so far over the top, so rabid that it's a wonder he didn't give himself a bloody heart attack in the first take. Anyone who's interested can read up on his performance, and how he pushed himself right to the heights of bombast in order to try and out-Carrey the Jim. Carrey, playing the Riddler, is a ball of twisted nerves himself, set loose on the wacky sets and basically given free reign to.. well.. go friggin nuts. It's one of his most physical performances too, prancing around like a loon in green spandex that leaves nothing to the imagination. Aaron Eckhart's Two Face may have had the edge for grit, but Jones has the rollicking clown version, and runs away to kookoo land with mannerisms that even call to mind The Joker in some scenes. The only thing I've seen him more hopped up in is Natural Born Killers, but hell man its hard to top his work in that. The story is all over the place, involving a nonsensical subplot with a mind control device, multiple elaborate set pieces, endless scenery chewing and the eventual arrival of Robin, played by Chris O'Donnell who is like the cinematic Buzz Killington. Michael Gough and Pat Hingle dutifully tag along as Alfred and Commissioner Gordon, both looking tired at this point. Debi Mazar and Drew Barrymore have amusing dual cameos as Two Face's twin vixens, and Nicole Kidman does the slinky love interest shtick for Bruce as a sexy psychologist. Watch for an uncredited Ed Begley Jr. Too. There's no denying the silliness, but one has to admit that the achievement in costume, production design and artistry are clear off the charts with this one, and visually it should be a legend in the franchise. Say what you will about it, I love the thing.
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