A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
Based on the true story of the ill-fated 13th Apollo mission bound for the moon. Astronauts Lovell, Haise and Swigert were scheduled to fly Apollo 14, but are moved up to 13. It's 1970, and The US has already achieved their lunar landing goal, so there's little interest in this "routine" flight.. until that is, things go very wrong, and prospects of a safe return fade.Written by
Notwithstanding that this movie used dramatic license to make a better story, a few points should be clarified, particularly concerning the portrayals of Astronaut Fred Haise and the Grumman Corporation: Fred Haise was considered one of the best and brightest of his group (1966); the scenes where he gives Jack Swigert a dirty look in the Simulator, blames Swigert for the Accident, and nearly screws up the course correction maneuver are not supported by any historical account available to this contributor. Grumman Corporation Personnel worked as hard as anyone else on the team to bring the Apollo 13 Crew home safely; the display of "no can do" attitude shown in the movie is not supported by any historical account available to this contributor. This movie also neglects the contributions of Astronaut Charlie Duke; by the time of the Accident, he was no longer contagious but still feeling unwell. He got out of his sick bed to help devise new Lunar Module Procedures, just as Kenneth Mattingly is shown doing for the Command Module - in fact, Duke helped devise the course correction maneuver in the Lunar Module Simulator. See more »
Forget Armageddon and the laughable Pitch Black. Never mind Lost In Space and Mission to Mars. Even the great Men In Black is dismissable here. THIS is a space movie.
Probably one of the most significant things about Apollo 13 is the fact that it managed to be such a strikingly realistic film despite the abundance of well-known Hollywood actors. Tom Hanks, of course, can convincingly act any part in the world, and his role in Apollo 13 is no exception. All of the actors involved seemed to have been given parts that they were born to play, because they were so successful in the roles. The true events of the historic Apollo 13 mission are amazingly re-created here, and the results are spectacular.
Not only is this film wonderfully acted, it also presents a nearly flawless portrayal of the time period, even down to the slide rulers that were used to do calculations. The audience is literally taken back in time to the 1960's, and all of these universally exciting events are brought back to life, and this is one of the things that makes this movie so special. So many films try to do this, and the vast majority of them fail miserably, so it just feels so good to occasionally see it done right.
Another thing that was used in the perfect amount in Apollo 13 was the special effects. I am entirely against excessive special effects, because if they aren't justified in being in the film, they can sometimes ruin the film by themselves (remember The Perfect Storm?). The special effects in Apollo 13, however, served the film very well. Of course, the most significant special effect in the film, aside from the space scenes, was the zero gravity, which was done flawlessly. I'm just glad that they decided to go up in one of those Zero-G planes for these scenes, rather than have the actors drift lazily around and act as if they are in zero gravity, because that would have taken a lot away from the film.
Apollo 13 has an excellent story made even better by the fact that it is true, it has great acting, skillful direction, and plenty of tasteful humor. It is not only a highly entertaining film, but is also educational, which should please parents (as if they need any more pleasing than seeing their younger years brought back to life on the silver screen). Definite must-see, Apollo 13 is a contemporary classic.
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