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Apollo 13 (1995)

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0:57 | Trailer
NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.

Director:

Ron Howard

Writers:

Jim Lovell (book), Jeffrey Kluger (book) | 2 more credits »
Reviews
Popularity
963 ( 27)
Won 2 Oscars. Another 26 wins & 58 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tom Hanks ... Jim Lovell
Bill Paxton ... Fred Haise
Kevin Bacon ... Jack Swigert
Gary Sinise ... Ken Mattingly
Ed Harris ... Gene Kranz
Kathleen Quinlan ... Marilyn Lovell
Mary Kate Schellhardt ... Barbara Lovell
Emily Ann Lloyd Emily Ann Lloyd ... Susan Lovell
Miko Hughes ... Jeffrey Lovell
Max Elliott Slade ... Jay Lovell
Jean Speegle Howard ... Blanch Lovell
Tracy Reiner ... Mary Haise
David Andrews ... Pete Conrad
Michele Little ... Jane Conrad (as Michelle Little)
Chris Ellis ... Deke Slayton
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Storyline

Based on the true story of the ill-fated 13th Apollo mission bound for the moon. Astronauts Lovell, Haise and Swigert were scheduled to fly Apollo 14, but are moved up to 13. It's 1970, and The US has already achieved their lunar landing goal, so there's little interest in this "routine" flight.. until that is, things go very wrong, and prospects of a safe return fade. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

Failure is not an option. See more »


Motion Picture Rating (MPAA)

Rated PG for language and emotional intensity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

30 June 1995 (USA) See more »

Also Known As:

Apollo 13: The IMAX Experience See more »

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Box Office

Budget:

$52,000,000 (estimated)

Opening Weekend USA:

$25,353,380, 2 July 1995

Gross USA:

$173,837,933

Cumulative Worldwide Gross:

$355,237,933
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (IMAX Version)

Sound Mix:

DTS-Stereo | DTS | IMAX 6-Track (IMAX version)| Dolby SR | DTS (DTS: X)

Color:

Color (DeLuxe)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Features Kathleen Quinlan's only Oscar nominated performance. See more »

Goofs

At the launch you can see that the main F1 engines of the first stage are not covered in the thermal blankets that they were wrapped in to protect them from the heat during their firing. See more »

Quotes

John Aaron, EECOM Arthur: Ken, glad you're here. You know what's going on?
Ken Mattingly: Uh, John's brought me up to speed. What do we have left in the batteries?
John Aaron, EECOM Arthur: We don't really know.
Ken Mattingly: Well, we gotta get started on some shortcuts for power-up.
John Aaron, EECOM Arthur: Yeah. You know how short?
Ken Mattingly: Well, it's all in the sequencing, John. If we can skip what we don't absolutely need and turn things on in the right order, maybe...
John Aaron, EECOM Arthur: I agree.
Ken Mattingly: You started on a procedure?
John Aaron, EECOM Arthur: Well, the engineers have tried, but, I mean, it's your ship. We gotta get you in there.
Ken Mattingly: Okay. Frank...
[...]
See more »

Alternate Versions

The film's IMAX 70mm release presented the film open-matte, at an aspect ratio of 1.66:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters, during its initial run and on earlier home video releases, before the 10th Anniversary DVD. See more »

Connections

Referenced in The Amazing Race: Houston, We Have an Elephant (2005) See more »

Soundtracks

I Can See For Miles
Written by Pete Townshend (as Peter Townshend)
Performed by The Who
Courtesy of MCA Records
See more »

Frequently Asked Questions

See more »

User Reviews

 
Great Movie
2 August 2004 | by Bill-181See all my reviews

My first job as an engineering graduate in 1960 was with NASA. I was fortunate enough to have been a Project Engineer on the Apollo Program, and I am familiar with the technical aspects of the program. But this movie was not as much about the technical aspects of the program as it was about a thrilling, real-life drama that just happened to take place during a glorious time and a once-in-a-lifetime project. Despite all of the little technical errors, Ron Howard and his crew have put together a superb film, one that deserved the 9 Academy Award nominations which it received. I wish that present-day film-makers would concentrate on happy situations, like this one, instead of the constant barrage of drivel to which we, the movie-going public, are made subject. Long live NASA and long live courage!!


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