Andrew Shepherd is approaching the end of his first term as President of the United States. He's a widower with a young daughter and has proved to be popular with the public. His election seems assured. That is until he meets Sydney Ellen Wade, a paid political activist working for an environmental lobby group. He's immediately smitten with her and after several amusing attempts, they finally manage to go on a date (which happens to be a State dinner for the visiting President of France). His relationship with Wade opens the door for his prime political opponent, Senator Bob Rumson, to launch an attack on the President's character, something he could not do in the previous election as Shepherd's wife had only recently died.Written by
When the President gets called to the Situation Room about the Libyan event while he's on his "date" with Sydney that "date" is the night after the State Dinner which is referenced as being on a Thursday night several times, making this day Friday. In the SitRoom the President and his advisers debate when they can bomb for the least amount of casualties and the President asks about the night shift. The JCS says they're on now. Friday is the Muslim holy day. In reality no one would have been working. See more »
Company logos change between versions. For example, on the laserdisc, the movie starts with a 20-second silent Columbia logo (before the Castle Rock logo), and the end credits crawl includes (after the title of the movie has gone offscreen) a line-art logo "Released by Columbia Pictures/A Sony Pictures Entertainment company" that crawls up and stops, over the end of the music. The 1999 WB DVD skips the opening logo, starting with the Castle Rock logo instead, and where the Columbia logo at the end should appear as the music ends, a still clouds-and-shield WB logo appears instead (Distributed by WB/A Warner Communications Company). The Columbia versions are probably truer to the original theatrical release. See also The Shawshank Redemption. See more »
Composed by Léo Delibes
Performed by Mady Mesplé and Danielle Millet
with Alain Lombard conducting The Paris Opéra-Comique Chorus & Orchestra
Courtesy of EMI Classics
under license from CEMA Special Markets See more »
I don't mean that as a slam. I like Pretty Woman a lot, too. But this movie is my "cure for all ills" movie. The one I throw in the DVD player on rainy Sunday afternoons and crack out my best junk food. And the political setting seems to give it more meat.
Michael Douglas is perfect. Annette Benning is perfect (and I would give anything to look as beautiful as she does in that blue dress at the State Dinner). Michael J. Fox, Martin Sheen, Anna Devoure Smith. People being passionate about each other and about important issues and about doing the right thing. Everything about this movie lifts me up when I'm feeling down.
I'm not a liberal, and I'm not a conservative - I fall somewhere in the middle. My beliefs in gun control to not include "(getting) the guns". But this movie is so good - that I can look past the occasional differences in political views. Those views are presented in a smart, thoughtful and constructive manner - and I appreciate them even though they are not my own.
I enjoy this movie for what it is - a sweet, smart, funny movie set in one of the most "romantic" settings in the world - The White House.
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