6.4/10
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85 user 52 critic

The Addiction (1995)

Not Rated | | Horror | 6 October 1995 (USA)
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0:36 | Trailer
A New York philosophy grad student turns into a vampire after getting bitten by one, and then tries to come to terms with her new lifestyle and frequent craving for human blood.

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5 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Kathleen Conklin
... Peina
... Casanova
... Jean
... Professor
... Black
... Anthropology Student
... Missionary
Jamal Simmons ... Black's Friend (as Jamel 'RedRum' Simmons)
Robert W. Castle ... Narrator / Priest (as Father Robert Castle)
Michael A. Fella ... Cop (as Michael Fella)
Louis Katz ... Doctor (as Dr. Louis A. Katz)
Leroy Johnson ... Homeless Victim
Fred Williams ... Homeless Victim
Avron Coleman ... Cellist
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Storyline

Kathleen Conklin, a doctoral student in philosophy, finds herself with a new perspective on the nature of evil and humanity after being bitten by a vampire in New York City.... Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis

Taglines:

The dark is their sunlight. What makes them different is what keeps them alive.

Genres:

Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

Release Date:

6 October 1995 (USA)  »

Also Known As:

Adicción  »

Filming Locations:

 »

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Box Office

Gross USA:

$302,393
See more on IMDbPro »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

(as Dolby Surround)|

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Film critic Peter Bradshaw of The Guardian placed the film at #1 in his top ten films of all time (as submitted for the 2002 Sight & Sound Poll) See more »

Quotes

Casanova: Seventh Circle, huh? Dante described it perfectly. Bleeding trees waiting for Judgment Day, where we can all hang ourselves from our own branches. It's not that easy... "Doctor." To find rest takes a real genius. It's all a matter of discernment. Now, R.C. Sproul said we're not sinners because we sin, but we sin because we are sinners. In more accessible terms, we're not evil because of the evil we do, but we do evil because we *are* evil. Yeah. Now what choices do such people have? It's not ...
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Connections

Referenced in A Short Film About the Long Career of Abel Ferrara (2004) See more »

Soundtracks

I Wanna Get High
Written by B-Real (as Freese) / Larry Muggerud (as Muggerud)
Performed by Cypress Hill
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User Reviews

Vampire genre film, but really an excellent look at sin and redemption
16 March 2002 | by See all my reviews

In the sister film to the Funeral philosophy student Kathleen Conklin is dragged into an alley and bitten by Casanova and left to bleed. Despite hospital care she begins to change and have strange desires. With her desires controlling her turns to Peina for help.

A sister film in that both film share a crew, a writer and some of the cast. The genres are very different but the themes are the same – religion and redemption. The vampire thing isn't played like it usually is – stakes through the heart etc, these are mentioned but not laboured. Instead the story is about the origins of sin and the extent it controls us and how we can be redeemed. It cleverly uses the vampire myth as an allegory for wider human evil – `We are not sinners because we sin, we sin because we are sinners. We aren't evil because we do evil, we do evil because we are evil'.

At times it gets a little heavy – the ending in particular takes some interpretation and the message can be easily misunderstood. However ignoring the message this also stands up as a great vampire film – the party which turns into a massacre is as good (if not better) then the nightclub opening of Blade, and much more meaningful to boot. Ferrara is a master director who has never followed the money to blockbusters – here he is in total control of his themes and the film rarely loses focus. His clever use of music is also good – a blend of all styles. The theme song feels like it's going to be a 1980's romantic comedy, but this blends straight into hip-hop and others to create a mix that never feels strange – in fact a baseline seems to run under the whole film like a heartbeat.

Lili Taylor is on top form as Conklin and commands attention the whole time. Walken and Sciorra are both good but have less screen time than in the Funeral, however here, as there, they have key lines of dialogue that carry tremendous weight. Sopranos co-stars Falco and Imperioli are both good but are no more than bit players. The real stars are Ferrara and writer Nicolas St John, who wrote this and The Funeral after the death of his son.

Overall this is a great film that serves up more for thought than for action. To this end it won't please those expecting a Blade style vampire film but to fans of Ferrara used to his themes this will be very enjoyable.


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