6.4/10
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88 user 67 critic

The Addiction (1995)

Not Rated | | Horror | 6 October 1995 (USA)
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0:36 | Trailer
A New York philosophy grad student turns into a vampire after getting bitten by one, and then tries to come to terms with her new lifestyle and frequent craving for human blood.

Director:

Abel Ferrara
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5 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Lili Taylor ... Kathleen Conklin
Christopher Walken ... Peina
Annabella Sciorra ... Casanova
Edie Falco ... Jean
Paul Calderon ... Professor
Fredro Starr ... Black
Kathryn Erbe ... Anthropology Student
Michael Imperioli ... Missionary
Jamal Simmons Jamal Simmons ... Black's Friend (as Jamel 'RedRum' Simmons)
Robert W. Castle ... Narrator / Priest (as Father Robert Castle)
Michael A. Fella Michael A. Fella ... Cop (as Michael Fella)
Louis Katz Louis Katz ... Doctor (as Dr. Louis A. Katz)
Leroy Johnson Leroy Johnson ... Homeless Victim
Fred Williams Fred Williams ... Homeless Victim
Avron Coleman Avron Coleman ... Cellist
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Storyline

Kathleen Conklin, a doctoral student in philosophy, finds herself with a new perspective on the nature of evil and humanity after being bitten by a vampire in New York City.... Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis

Taglines:

The dark is their sunlight. What makes them different is what keeps them alive.

Genres:

Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Argentina

Language:

English

Release Date:

6 October 1995 (USA) See more »

Also Known As:

Adicción See more »

Filming Locations:

New York City, New York, USA See more »

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Box Office

Gross USA:

$302,393
See more on IMDbPro »

Company Credits

Production Co:

Fast Films,Guild,October Films See more »
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Technical Specs

Runtime:

Sound Mix:

Dolby (as Dolby Surround)| Dolby SR

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Shot in 20 days. See more »

Quotes

[Kathleen Conklin and Jean are discussing the concept of war criminals]
Kathleen Conklin: It was the whole country. They were all guilty. How can you single out one man?
Jean: Well, you can't jail a whole country, you know. They needed a scapegoat. He was the unlucky one who got caught.
Kathleen Conklin: No, I don't think luck had anything to do with it. I mean, how did he get over there? Who put the gun in his hand? They say that he was guilty of killing women and babies. How many bombs were dropped that did the exact same thing? How ...
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Connections

Referenced in A Short Film About the Long Career of Abel Ferrara (2004) See more »

Soundtracks

Ngu Ngon
Traditional
Performed by Dean Thudman
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User Reviews

 
Exceptional low-budget philosophical horror film.
22 August 2002 | by capkronosSee all my reviews

Abel Ferrara's moody, allegorical vampire tale makes fascinating and pointed statements on sin and redemption, spirituality and the nature of good (there's precious little of it) and evil (no one is safe from it). And unfortunately, but not surprisingly, it was relatively ignored in America.

Lili Taylor gives a brooding, glib and haunting central performance as Kathleen Conklin, a New York University grad student who is pulled into an alley and bitten by a seductive female vampire (Annabella Sciorra), from which she emerges uncontrollably drawn into a world of violence and insatiable cravings for human blood. Ferrara's irredeemable urban hell landscape is more immediate and frightening than a million Transylvanias and by contrasting Taylor's "addiction" to the horrors of the past (war atrocities, the Holocaust) and present (heroine, AIDS), the film has more bite and impact than any fang-bearing, gore or special effects could even attempt to muster up. Nicolas St. John's intriguing philosophical screenplay and Ken Kelsch's gorgeous black and white photography (creating a world solely of light and dark, which is a key element in the plot), are not to be overlooked either.

Call it pretentious for the philosophy references (Sarte, Nietzche...) if you want, but this highly intelligent and disturbing low-budgeter is one of the most accomplished and well-thought out horror films I've ever seen. Don't let over-hyped, attention hogging Hollywood productions like BRAM STOKER'S Dracula or INTERVIEW WITH A VAMPIRE keep you from seeing it.


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