In a seemingly Utopian world where population control is a priority, citizens play the lottery at local ATM machines. The more they withdraw from the public account, the more chances they have to win...
A modern revival of the classic science fiction horror anthology show The Outer Limits (1963). Episodes often have twist-endings and involve aliens. Sometimes, a story from one episode continues in a later episode.
Quinn Mallory, while working on an anti-gravity machine, accidentally creates a portal to a parallel universe. Eventually, his friends and an unwilling participant accidentally get stuck traveling among parallel worlds, trying to survive, and learning that sliding can lead to fatal results. Meanwhile, among many changes in their group, they try to rescue the multiverse from the Kromagg Dynasty.Written by
When the vortex is created (to enter) it is often shown sucking things into it (usually for plot purposes) yet it is also often shown blowing their hair, debris, etc. away before they jump/slide. See more »
[season two opening monologue]
What if you could travel to parallel worlds? The same year, the same Earth, only different dimensions. A world where the Russians rule America... or where your dreams of being superstar came true... or where San Francisco was a maximum-security prison. My friends and I found the gateway. Now the problem is... finding a way back home.
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The pilot episode end credits run over a TV screen showing The Spinning Tops singing 'Cry Like A Man'. See more »
The original Sliders, featuring O'Connell, Rhys-Davies, Lloyd and Derricks, had potential: a Quantum Leap that held up better from a hard sci-fi POV.
Sure, the alternate worlds differed along only a narrow spectrum (no worlds where Aristotle's corpus was lost at sea or where the Spanish were beaten back by the Aztecs and Mayans--in short, nothing compared to Poul Anderson's Time Patrol novels), but for TV, it was forgiveable. The show could have served a real allegorical purpose, like the original Star Trek episodes, smuggling in controversy in veiled, science-fiction form under the radars of network censors.
And maybe it tried, and maybe it would have tried harder, but either the writing so petered out that the original stars split or the stars bolted and the writers scrambled to patch together the vehicle that had been abandoned. Down goes Sabrina Lloyd, then John Rhys-Davies, then the star, Jerry O'Connell. By the time Cleavant Derricks' seniority finally grants him the dubious honor of doing the opening voiceover narration, the show's been utterly gutted.
Maybe there's something philosophical in the program's blandness: an episode on a world without aluminum doesn't use that lack for anything more than a plot complication amid a standard good-guys vs. bad-guys story. Maybe the message in these all-too-similar worlds is that no matter how wacky the axiomatic differences among quantum realities, it's all same-old, same-old.
Network TV should be relieved at that news.
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