While the arrival of wealthy gentlemen sends her marriage-minded mother into a frenzy, willful and opinionated Elizabeth Bennet matches wits with haughty Mr. Darcy.
After Lydia is married, she and Wickham come to Longbourn for a visit before joining Wickham's new regiment in the North. She is as silly as ever and very proud of her success in catching Wickham, ...
Angry and upset over his rejection, Darcy decides to defend himself. He waylays her on her morning walk, hands her a letter and leaves. The contents leave Elizabeth reeling. Darcy indeed had good ...
The following day, the Bingleys and Georgiana (Darcy's sister) arrive at Pemberley. Soon after, they call upon Elizabeth, who is staying nearby at the inn in Lambton. The visit is a success: ...
North and South is a four part adaptation of Elizabeth Gaskell's love story of Margaret Hale, a middle class southerner who is forced to move to the northern town of Milton.
Stars:
Daniela Denby-Ashe,
Richard Armitage,
Tim Pigott-Smith
Emma Woodhouse (Romola Garai) seems to be perfectly content, to have a loving father for whom she cares, friends, and a home. But Emma has a terrible habit, matchmaking. She cannot resist ... See full summary »
Stars:
Romola Garai,
Michael Gambon,
Jonny Lee Miller
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Director:
Joe Wright
Stars:
Keira Knightley,
Matthew Macfadyen,
Brenda Blethyn
Rich Mr. Dashwood dies, leaving his second wife and her three daughters poor by the rules of inheritance. The two eldest daughters are the title opposites.
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
Anne was in love with Frederick, who was rejected by her snobby parents 8 years ago. They've now hit hard times and rent out their mansion to his brother-in-law. He returns a Royal Navy captain. Will he remember Anne?
Jane Austen's classic novel about the prejudice that occurred between the 19th century classes and the pride which would keep lovers apart.Written by
John Sacksteder <jsackste@bellsouth.net>
In an interview fifteen years after the making of this series, screenwriter Andrew Davies said that at the moment that Darcy sees Elizabeth muddy and flushed from walking to Netherfield to see Jane, Davies wrote in the screenplay the stage direction that "this is the moment when Darcy suddenly realizes that he fancies Elizabeth very much and to his surprise he finds that he's got an erection." He said that he wrote this to make people laugh but also "for Colin to choose this as the moment when he's just got to act, being tremendously turned on." See more »
Goofs
In the marriage proposal scene the clock on the mantel doesn't change time. It remains at 6:16 throughout the scene. See more »
This adaptation of the Jane Austen novel is really incredible. Set design and costumes are very believable and the acting is practically perfect for most of characters.
A few comments on costume: one of the most believable aspects of the details put into this miniseries has to do with the costumes. Elizabeth and Jane are both adorned simple enough to convey a Christian background and some decor and modesty, as they would have properly been dressed during this time, yet the costumers could have expanded their wardrobe as you see many times in American films (the 1999 version of Emma comes to mind here, particularly) and yet at the time, the women would *not* have had 10 different ensembles to wear at special events. I honestly admired the holding back of their wardrobes to a few gowns rather than having gone overboard as you often see! The women who were of higher stature were properly attired in their jewels and every costume fit the character and situation beautifully. This and the musical score are two of the biggest highlights, I felt.
I would also like to give props to Jennifer Ehle and Colin Firth who were cast wonderfully. Jennifer was able to convey a sort of devilish satire and quick wit which I thought suited her exceedingly well and accentuated the wit Austen was trying to get across in the novel. Firth held back and it suited his character. He shows a quiet power, a feeling of disdain and complexity in his acting that worked well for the first half of the miniseries and then turned this into admiration and openness later as the story develops. By the time he declares his undying love to Elizabeth you get the impression he is ready to burst open and you breathe a huge sigh of relief for him, yet the energy continues to pulse. Its a great thing to watch..
I would recommend this miniseries to anyone, especially those not yet familiar with Austen. This specific miniseries is so well done many people I have watched it with have sparked incredible interests in the intrigues of Austen's works. Good job BBC!
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This adaptation of the Jane Austen novel is really incredible. Set design and costumes are very believable and the acting is practically perfect for most of characters.
A few comments on costume: one of the most believable aspects of the details put into this miniseries has to do with the costumes. Elizabeth and Jane are both adorned simple enough to convey a Christian background and some decor and modesty, as they would have properly been dressed during this time, yet the costumers could have expanded their wardrobe as you see many times in American films (the 1999 version of Emma comes to mind here, particularly) and yet at the time, the women would *not* have had 10 different ensembles to wear at special events. I honestly admired the holding back of their wardrobes to a few gowns rather than having gone overboard as you often see! The women who were of higher stature were properly attired in their jewels and every costume fit the character and situation beautifully. This and the musical score are two of the biggest highlights, I felt.
I would also like to give props to Jennifer Ehle and Colin Firth who were cast wonderfully. Jennifer was able to convey a sort of devilish satire and quick wit which I thought suited her exceedingly well and accentuated the wit Austen was trying to get across in the novel. Firth held back and it suited his character. He shows a quiet power, a feeling of disdain and complexity in his acting that worked well for the first half of the miniseries and then turned this into admiration and openness later as the story develops. By the time he declares his undying love to Elizabeth you get the impression he is ready to burst open and you breathe a huge sigh of relief for him, yet the energy continues to pulse. Its a great thing to watch..
I would recommend this miniseries to anyone, especially those not yet familiar with Austen. This specific miniseries is so well done many people I have watched it with have sparked incredible interests in the intrigues of Austen's works. Good job BBC!