19-year-old Billy Lynn is brought home for a victory tour after a harrowing Iraq battle. Through flashbacks, the film shows what really happened to his squad - contrasting the realities of war with America's perceptions.
The Driver is carrying an East Asian child who has been chosen for a strange rite. He must drive him through a dark night in the city to get to a monk's house, while eluding several U.S. ... See full summary »
Senior Master Chef Chu lives in a large house in Taipei with his three unmarried daughters, Jia-Jen, a chemistry teacher converted to Christianity, Jia-Chien, an airline executive, and Jia-Ning, a student who also works in a fast food restaurant. Life in the house revolves around the ritual of an elaborate dinner each Sunday, and the love lives of all the family members.Written by
The opening sequence - in which a Sunday lunch is lovingly prepared - took over a week to film. See more »
When Madame Liang arrives by cab at her house together with her daughter and her grandchild, it is heavily raining, however, right in front of the taxi the road is wet, but there are no rain drops visible, in particular not in the puddle right in font of the cab. See more »
Raising daughters is like cooking a meal. You lose your appetite by the time you're finished.
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This movie is a visually sumptuous confection served up by Ang Lee as a follow-up to The Wedding Banquet.
While some people may be put off that the film is in Mandarin with subtitles (and the DVD does not have a dubbing option), the film is so strong visually that you forget about the subtitles and just admire the thoroughly delightful story.
I found the film's theme very interesting...that life constantly surprises, especially if one opens themselves up to life's possibilities.
Nothing in this film plays out like you expect it to. It is the single common thread between the multiple story lines. If this film has a flaw it is that too many of the changes happen too suddenly, without an examination of the processes that led to the sudden developments.
The food scenes in this film are to die for. In this case, as opposed to being a primarily carnal sensual experience as it is in films like "Chocolat" and "Like Water For Chocolate," food also takes on a rhythmic intensity and meter here. There is amazing energy and balance displayed in the preparation and presentation of the meal. Sort of like Feng Shui for the tummy.
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