Eat Drink Man Woman (1994)

A senior chef lives with his three grown daughters; the middle one finds her future plans affected by unexpected events and the life changes of the other household members.

Director:

Ang Lee

Writers:

Ang Lee, James Schamus

Stars:

Sihung Lung, Kuei-Mei Yang, Yu-Wen Wang

Nominated for 1 Oscar. Another 5 wins & 13 nominations.

Cast

Cast overview, first billed only:
Sihung Lung	...	Chu
Yu-Wen Wang	...	Jia-Ning
Chien-Lien Wu	...	Jia-Chien
Kuei-Mei Yang	...	Jia-Jen
Sylvia Chang	...	Jin-Rong
Winston Chao	...	Li Kai
Chao-jung Chen	...	Guo Lun
Chit-Man Chan	...	Raymond
Yu Chen	...	Rachel
Ah-Lei Gua	...	Madame Liang (as Ya-Lei Kuei)
Chi-Der Hong	...	Class Leader
Gin-Ming Hsu	...	Coach Chai
Huel-Yi Lin	...	Sister Chang
Shih-Jay Lin	...	Chief's Son
Chin-Cheng Lu	...	Ming-Dao

Storyline

Senior Master Chef Chu lives in a large house in Taipei with his three unmarried daughters, Jia-Jen, a chemistry teacher converted to Christianity, Jia-Chien, an airline executive, and Jia-Ning, a student who also works in a fast food restaurant. Life in the house revolves around the ritual of an elaborate dinner each Sunday, and the love lives of all the family members.

---

Plot Keywords:

chef | chinese food | cooking | father daughter relationship | daughter | 

---

Taglines:

A comedy to arouse your appetite.

---

Genres:

Comedy | Drama | Romance

---

Certificate:

Not Rated

Details

Country:

Taiwan USA

Language:

Mandarin French

Release Date:

3 August 1994 (USA)

Also Known As:

Eat Drink Man Woman

Filming Locations:

Chiang Kai-shek Memorial Hall Park, Taipei City, Taiwan

Box Office

Gross USA:

$7,294,403

Company Credits

Production Co:

Ang Lee Productions,Central Motion Pictures,Good Machine

Technical Specs

Runtime:

124 min

Sound Mix:

Dolby Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Ranked number 54 non-English-speaking film in the critics' poll conducted by the BBC in 2018.

---

Goofs

When Madame Liang arrives by cab at her house together with her daughter and her grandchild, it is heavily raining, however, right in front of the taxi the road is wet, but there are no rain drops visible, in particular not in the puddle right in font of the cab.

---

Quotes

Jia-Jen: [after an errant volleyball interrupts a boring lecture] Who will return the ball?
Class: I'll go!
Jia-Jen: Very well, then I'll do it.

---

Connections

Featured in Siskel & Ebert: Color of Night/Andre/Killing Zoe/A Man in Uniform/Eat Drink Man Woman (1994)

---

Soundtracks

COFFEE HOUSE ROMANCE
Vocal by Anthony Yiu-Ming Wong (as Anthony Wong)
Lyrics by Hiu-Yeung Chung
Music by Anthony Yiu-Ming Wong (as Anthony Wong)
Arrangement by Tak-Choi Choi
Courtesy of Music Factory

User Reviews

Ang Lee's cinematic banquet

Ang Lee has turned what might have been merely an extended Taiwanese soap opera into a wise and warm exploration of family relationships, love and friendship, against the backdrop of a traditional society adapting to the modern world. Fascinating in themselves, the food preparation sequences serve as a metaphor for the skill required to transform bare existence into a rich life (and perhaps also as a metaphor for film making, where similar care and deftness are required).

The film focuses on the strained relations between master chef Chu (Sihung Lung) and his three unmarried daughters, and on the relationships of all four in love and at work. These relationships run the gamut from first love to love the second time around; from those based almost solely on sex to those based on none. (Some of the most touching scenes are those between Chu and his older colleague Wen (Jui Wang.))

Via the various workplaces Lee subtly shows us the changing face of Taiwanese society. Despite her father's profession, and seemingly with his approval, his youngest daughter works in a fast-food outlet; the eldest has converted to Christianity, and teaches science to boys, who treat her with a mixture of traditional deference and western-style insolence; the middle daughter is a successful airline executive, but only because time-honoured attitudes debarred her, as a woman, from following in her father's footsteps as a cook.

Unlike the classic Hollywood film, there is little out-and-out conflict in this movie, which seems to be based more on the Chinese philosophical concept of Yin and Yang, mutually dependent opposites. But whatever its underlying cinematic rationale, it is a masterpiece.