A demonic force has chosen Freddy Krueger as its portal to the real world. Can Heather Langenkamp play the part of Nancy one last time and trap the evil trying to enter our world?A demonic force has chosen Freddy Krueger as its portal to the real world. Can Heather Langenkamp play the part of Nancy one last time and trap the evil trying to enter our world?A demonic force has chosen Freddy Krueger as its portal to the real world. Can Heather Langenkamp play the part of Nancy one last time and trap the evil trying to enter our world?
- Awards
- 3 wins & 7 nominations total
Jf Davis
- Freddy's Hand Double
- (as Jeffrey John Davis)
Featured reviews
The original 'A Nightmare on Elm Street' is still to me one of the scariest and best horror films there is, as well as a truly great film in its own right and introduced us to one of the genre's most iconic villains in Freddy Krueger. It is always difficult to do a sequel that lives up to a film as good as 'A Nightmare on Elm Street' let alone one to be on the same level.
After the 'A Nightmare on Elm Street' series showed signs of severe fatigue, that it was suggestive of the series being completely dead, original director Wes Craven makes a welcome return and brings new, fresh life to the series. 'New Nightmare' may not be as good as the original, none of the follow-ups are (though two of the previous sequels, the third and fourth, were good), but it is the best of the follow-ups since the third and is one of the best in the series.
'New Nightmare' has its faults. Its biggest one is the ending, it is just ridiculous and jars tonally with the rest of the film, which took a darker and more serious direction (perhaps more so than the original). Count me in as another person who didn't care for Freddy's look here, it looks rather goofy and doesn't do Robert Englund's creepy performance and the way Freddy's written justice.
Heather Langenkamp also seemed a bit bland and seemed rather anaemic for a character written more dramatically than previously.
On the other hand, 'New Nightmare' looks very atmosphere and made with a good deal of style and slickness. The production design has a suitably nightmarish look and the special effects are great and perhaps superior to the original's. The music score is haunting.
The writing may lack the one-liners seen before, but the more serious direction the dialogue took was appreciated after the fifth and sixth films did such a poor job with the one-liners and comedy. The dialogue isn't mind-blowing but it flows decently and intrigues at least. The semi-documentary-style adopted for some of the film is very interesting, making for one of the most original ideas of the follow-ups and the series overall too, while still delivering on the shocks, suspense and creepiness.
Despite the goofy look for Freddy, Englund is very creepy and even with not much screen time he burns long in the memory.
In summary, one of the series' better entries and worth staying awake for. 7/10 Bethany Cox
After the 'A Nightmare on Elm Street' series showed signs of severe fatigue, that it was suggestive of the series being completely dead, original director Wes Craven makes a welcome return and brings new, fresh life to the series. 'New Nightmare' may not be as good as the original, none of the follow-ups are (though two of the previous sequels, the third and fourth, were good), but it is the best of the follow-ups since the third and is one of the best in the series.
'New Nightmare' has its faults. Its biggest one is the ending, it is just ridiculous and jars tonally with the rest of the film, which took a darker and more serious direction (perhaps more so than the original). Count me in as another person who didn't care for Freddy's look here, it looks rather goofy and doesn't do Robert Englund's creepy performance and the way Freddy's written justice.
Heather Langenkamp also seemed a bit bland and seemed rather anaemic for a character written more dramatically than previously.
On the other hand, 'New Nightmare' looks very atmosphere and made with a good deal of style and slickness. The production design has a suitably nightmarish look and the special effects are great and perhaps superior to the original's. The music score is haunting.
The writing may lack the one-liners seen before, but the more serious direction the dialogue took was appreciated after the fifth and sixth films did such a poor job with the one-liners and comedy. The dialogue isn't mind-blowing but it flows decently and intrigues at least. The semi-documentary-style adopted for some of the film is very interesting, making for one of the most original ideas of the follow-ups and the series overall too, while still delivering on the shocks, suspense and creepiness.
Despite the goofy look for Freddy, Englund is very creepy and even with not much screen time he burns long in the memory.
In summary, one of the series' better entries and worth staying awake for. 7/10 Bethany Cox
Freddy Krueger began as a very scary character who scared the hell out of everyone. As the movies went on, Freddy lost his edge and looked liked a bad stand up comic with horrible one liners.
Freddy seemed dead with the sixth film of the series, but Wes Craven brought him back from his rut and made him someone to fear again. This of course helps prove my theory that a good Nightmare on Elm Street movie cannot be made without Craven.
Two things make this film so good. One, the story is original. The Nightmare movies just kept repeating themselves, with Freddy coming back and going after the people who stopped him before. This rime around, we see Freddy trying to break into the real world, outside the movies. Very original. Two, the movie is not filled with constant gore. This shows how good the movie because any movie filled with gore obviously has a pathetic story and is not worth watching. This movie is and is one of Freddy's best yet.
Freddy seemed dead with the sixth film of the series, but Wes Craven brought him back from his rut and made him someone to fear again. This of course helps prove my theory that a good Nightmare on Elm Street movie cannot be made without Craven.
Two things make this film so good. One, the story is original. The Nightmare movies just kept repeating themselves, with Freddy coming back and going after the people who stopped him before. This rime around, we see Freddy trying to break into the real world, outside the movies. Very original. Two, the movie is not filled with constant gore. This shows how good the movie because any movie filled with gore obviously has a pathetic story and is not worth watching. This movie is and is one of Freddy's best yet.
'A Nightmare on Elm Street' was a scary, gory 80s horror movie. Its sequels were awful. Only two of them were watchable, the third and forth. But still, they never even came close to the original. This is when that changes. 'New Nightmare' introduces a new Freddy. One which is darker, scarier and not the joke that the old one was. This is the only sequel that should have been done in the first place. In my opinion, its even better than the original because it's much darker and special effects are way better.
It's a bit rare to find good acting in a horror movie, but here's not the case. Acting was amazing. Heather Langenkamp and Robert Englund gave an awesome performance. The kid was surprisingly believable and the rest of the cast was great too.
Watch this movie straight after watching the first. If you have to watch a sequel, see the third and forth, but this is the one you should immediately go for. I give it a strong 10/10
It's a bit rare to find good acting in a horror movie, but here's not the case. Acting was amazing. Heather Langenkamp and Robert Englund gave an awesome performance. The kid was surprisingly believable and the rest of the cast was great too.
Watch this movie straight after watching the first. If you have to watch a sequel, see the third and forth, but this is the one you should immediately go for. I give it a strong 10/10
The actress Heather Langencamp lives in Los Angeles with her husband Chase Porter (David Newsom), who is secretly working in a mechanical hand for the next movie of Freddy Kruger, and their son Dylan (Miko Hughes). During an earthquake, Heather has a dreadful nightmare where Chase's partners die; in the morning she is invited to be the guest of a talk show about the tenth anniversary of "A Nightmare on Elm Street" with the presence of Robert Englund. Later the executive of New Line Cinema Robert Shaye invites her to perform Nancy Thompson again in the latest project of Wes Craven based on his own nightmares, but she turns the invitation down. Heater is being disturbed by a man that calls her in the telephone and sends creepy letters to her. When Dylan has nightmares with a man with claw and tells that he is protected by his T-Rex toy showing symptoms of schizophrenia, and Chase dies in a car accident, Heather becomes paranoid with Freddy Krueger. The reactions of Robert Englund and Wes Craven indicate to her that something is going wrong. Further she discovers that Freddy is an entity that does exist and is an ancient demon trying to use her weakness as the gateway to the real world. Heater needs to face the evil Freddy Kruger to protect her beloved son.
"New Nightmare" is an original approach to bring Freddy Krueger back after his death in "Freddy's Dead: The Final Nightmare". The story blends reality with fiction and transforms Freddy Krueger in a millenary evil entity that tries to reach the real world through the actress Heather Langencamp, giving a survivorship to this character. My vote is seven.
Title (Brazil): "A Hora do Pesadelo 7 – O Novo Pesadelo – O Retorno de Freddy Krueger" ("The Hour of the Nightmare 7 – The New Nightmare – The Return of Freddy Krueger")
"New Nightmare" is an original approach to bring Freddy Krueger back after his death in "Freddy's Dead: The Final Nightmare". The story blends reality with fiction and transforms Freddy Krueger in a millenary evil entity that tries to reach the real world through the actress Heather Langencamp, giving a survivorship to this character. My vote is seven.
Title (Brazil): "A Hora do Pesadelo 7 – O Novo Pesadelo – O Retorno de Freddy Krueger" ("The Hour of the Nightmare 7 – The New Nightmare – The Return of Freddy Krueger")
Wes Craven's New Nightmare (1994)
*** 1/2 (out of 4)
Intense, smart and still underrated seventh film in the series delivers exactly what the title says and that's something new. This time out the people involved with the making of the original A NIGHTMARE ON ELM STREET are starting to experience strange dreams. Wes Craven appears ready to join the series again and has started writing a script but star Heather Langenkamp begins to fear that some type of Freddy is actually after all of them. This isn't the first film to deal with a horror director being haunted by his creation as Lucio Fulci did this type of thing with CAT IN THE BRAIN but there's world of difference between the two films. This one here is an incredibly smart and extremely intense venture into ones fears and how like can sometimes imitate art. It's sad to think that this film will soon be twenty years old and yet it's still never gotten the credit that it deserves. As a behind-the-scenes look at Hollywood the film works extremely well but it also works as a straight horror film. I think Craven's screenplay is so well written that we never have trouble believing what's going on. It's a pretty interesting idea to have those making movies become haunting by the fake thing they created. Not only do we get Craven and Langenkamp but we also have New Line head-man Robert Shaye and Freddy himself Robert Englund being haunted by the fake monster. Everyone acts themselves very well with Langenkamp turning in her third venture in the series and without question her best performance. She handles everything extremely well and comes off very good as the concerned mother who must eventually take on Freddy to protect her son. Englund has a lot of fun in the parts of himself but he really goes all out when it's time to play Freddy. A few other cast members from the first film make brief appearances here but John Saxon gets a very good role and does a great job with it. It's always great seeing him in anything. I think the greatest thing the movie does is get Freddy away from the one-liners and jokes and returns him to the scares of the original film. The entire look of Freddy's face, glove and clothes were changed here and I think they were all done for the better. The bulked up creation is a lot creepier here and he's able to be that menace of terror once again. Craven's direction is top-notch from start to finish with some of his best work appearing in some very disturbing scenes. One involves a freeway sequence and another is a re-enactment of one of the death scenes from the original movie. The film depends a lot on "real life" emotions and these work extremely well and add to the drama of what the characters are going through. It's a real shame that this film isn't given more credit as it did come before SCREAM and really was the first of the decade to go for that "smart" horror film.
*** 1/2 (out of 4)
Intense, smart and still underrated seventh film in the series delivers exactly what the title says and that's something new. This time out the people involved with the making of the original A NIGHTMARE ON ELM STREET are starting to experience strange dreams. Wes Craven appears ready to join the series again and has started writing a script but star Heather Langenkamp begins to fear that some type of Freddy is actually after all of them. This isn't the first film to deal with a horror director being haunted by his creation as Lucio Fulci did this type of thing with CAT IN THE BRAIN but there's world of difference between the two films. This one here is an incredibly smart and extremely intense venture into ones fears and how like can sometimes imitate art. It's sad to think that this film will soon be twenty years old and yet it's still never gotten the credit that it deserves. As a behind-the-scenes look at Hollywood the film works extremely well but it also works as a straight horror film. I think Craven's screenplay is so well written that we never have trouble believing what's going on. It's a pretty interesting idea to have those making movies become haunting by the fake thing they created. Not only do we get Craven and Langenkamp but we also have New Line head-man Robert Shaye and Freddy himself Robert Englund being haunted by the fake monster. Everyone acts themselves very well with Langenkamp turning in her third venture in the series and without question her best performance. She handles everything extremely well and comes off very good as the concerned mother who must eventually take on Freddy to protect her son. Englund has a lot of fun in the parts of himself but he really goes all out when it's time to play Freddy. A few other cast members from the first film make brief appearances here but John Saxon gets a very good role and does a great job with it. It's always great seeing him in anything. I think the greatest thing the movie does is get Freddy away from the one-liners and jokes and returns him to the scares of the original film. The entire look of Freddy's face, glove and clothes were changed here and I think they were all done for the better. The bulked up creation is a lot creepier here and he's able to be that menace of terror once again. Craven's direction is top-notch from start to finish with some of his best work appearing in some very disturbing scenes. One involves a freeway sequence and another is a re-enactment of one of the death scenes from the original movie. The film depends a lot on "real life" emotions and these work extremely well and add to the drama of what the characters are going through. It's a real shame that this film isn't given more credit as it did come before SCREAM and really was the first of the decade to go for that "smart" horror film.
Did you know
- TriviaIn this film, Freddy is depicted much closer to what Wes Craven had originally intended for the character, much more menacing, much less comical, with an updated attire and appearance. However in 2015, before his death, he would admit he regretted changing his appearance and said: "If it ain't broke, don't fix it." Which was why he kept Ghostface's mask the same in every Scream movie.
- GoofsWhen Julie punches out the head nurse, she is knocked out cold onto the floor. The second nurse runs out the door screaming, afraid of the syringe. Somehow, the head nurse ends up outside the door trying to get inside.
- Quotes
Heather Langenkamp: Every kid knows who Freddy is. He's like Santa Claus... or King Kong or...
- Crazy creditsFreddy Krueger was included in the end credits as 'Himself'.
- SoundtracksLosing My Religion
Written by Bill Berry, Peter Buck, Mike Mills & Michael Stipe
Courtesy of Night Garden Music
- How long is New Nightmare?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- La última pesadilla
- Filming locations
- Gothic Avenue / San Fernando Mission Boulevard, USA(Heather drives to Wes' house)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $18,090,181
- Opening weekend US & Canada
- $6,667,118
- Oct 16, 1994
- Gross worldwide
- $19,721,741
- Runtime1 hour 52 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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