Wong Fei-Hung (Jackie Chan) is a mischievous, yet righteous young man, but after a series of incidents, his frustrated father has him disciplined by Beggar So (Siu Tin Yuen), a Master of drunken martial arts.
Chien Fu (Jackie Chan) is a boy who is used as a janitor at his kung fu school. Fu can't fight and is always getting bullied by the teachers and pupils. One day, an old man helps Fu train ... See full summary »
Jackie is hired to help the UN find Nazi gold hidden in Sahara. He's accompanied from Spain by 2 (later 3) cute women. As there are others wanting the gold, lots of kung fu fighting and comedy follows.
Dragon is now transferred to be the police head of Sai Wan district, and has to contend with a gangster kingpin, anti-Manchu revolutionaries, some runaway pirates, Manchu Loyalists and a corrupt Police Superintendent.
Returning home with his father after a shopping expedition, Wong Fei-Hong is unwittingly caught up in the battle between foreigners who wish to export ancient Chinese artifacts and loyalists who don't want the pieces to leave the country. Fei-Hong has learned a style of fighting called "Drunken Boxing", which makes him a dangerous person to cross. Unfortunately, his father is opposed to his engaging in any kind of fighting, let alone drunken boxing. Consequently, Fei-Hong not only has to fight against the foreigners, but he must overcome his father's antagonism as well.Written by
Murray Chapman <firstname.lastname@example.org>
Miramax Films' North American theatrical distribution, Drunken Master II was cut the least. A scene in which Wong drunkenly sings at a café was re-cut slightly, making use of a few alternate takes not seen in the original Cantonese version. In addition, a thirty-five-second cut was made to the concluding scene of the movie which showed Wong blinded and mentally crippled as a result of drinking industrial alcohol during the movie's ultimate fight. Played for laughs, the scene was considered to be in bad taste by Miramax Films. See more »
After being set on fire by Fei-hung, foreman Henry is played by director Chia-Liang Liu in disguise. See more »
This film is all the more fantastic because it is, however loosely, based on fact. Chan is in one of his finest roles as Chinese hero Wong Fei Hung, fighting foreigners who wish to take artefacts out of China during the Ching dynasty.
An appreciation of turn-of-the-century China does help, but even without it, the film remains incredibly entertaining. The kung-fu choreography is interwoven with a well-written story which should instil pride in any Chinese moviegoer.
Even Chan's acting is excellent, as the young Wong Fei Hung who develops his "drunken boxing" style - a type of kung-fu which is aided by the consumption of alcohol. However, his father forbids his son's drinking, fearing that he will not know when to stop. His stepmother is encouraging, hoping to put her stepson on the map in the local community. The rapport between the characters is superb and realistically acted by the players. The martial arts' choreography here is among the best in any film.
Of Chan's movies set in an earlier time period, Jui Kuen II must rank as his best. An excellent example of the genre.
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