| Cast overview, first billed only: | |||
| Irène Jacob | ... | Valentine | |
| Jean-Louis Trintignant | ... | Le juge Joseph Kern | |
| Frédérique Feder | ... | Karin | |
| Jean-Pierre Lorit | ... | Auguste | |
| Samuel Le Bihan | ... | Le photographe (Photographer) (as Samuel Lebihan) | |
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Marion Stalens | ... | Le Vétérinaire (Veterinary surgeon) |
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Teco Celio | ... | Le barman (Barman) |
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Bernard Escalon | ... | Le disquaire (Record dealer) |
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Jean Schlegel | ... | Le voisin (Neighbour) |
| Elzbieta Jasinska | ... | La femme (Woman) | |
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Paul Vermeulen | ... | L'ami de Karin (Karen's friend) |
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Jean-Marie Daunas | ... | Le gardien du théâtre (Theatre manager) |
| Roland Carey | ... | Le trafiquant (Drug dealer) | |
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Brigitte Raul | ||
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Leo Ramseyer | ||
Valentine is a young model living in Geneva. Because of a dog she ran over, she meets a retired judge who spies his neighbours' phone calls, not for money but to feed his cynicism. The film is the story of relationships between some human beings, Valentine and the judge, but also other people who may not be aware of the relationship they have with Valentine or/and the old judge. Redemption, forgiveness and compassion... Written by Yepok
The final part of Kieslowski's trilogy based on the colors of the French flag finds the director at peace with the metaphysical and transcendent nature of the cinematic image. In Red, imagery is paramount, as well as the obvious but clever color coding. However, rather than adhering to empty aesthetic contrivances based on the 'cinema du look', Kieslowski's Red is a multi-layered, densely plotted meditation on the nature of fate and love. In Red, love and fate are intertwined but complex notions, dictated as much by the whims of human beings as the invisible parallel associations that seems to pass us by. You sense Red is really an allegory, a reenactment of Prospero's omnipresent gestures in The Tempest, yet it is more than its story appears. Red demands countless viewings, and in each viewing something new is discovered that weaves itself into the already immaculately plotted structure.
Although Red stands alone as a masterwork from Kieslowski, it's best viewed as part of the trilogy. Elements of Blue and White are referenced in Red, which knowing viewers will enjoy.