Max Walker, an officer for a security agency that regulates time travel, must fend for his life against a shady politician who's intent on changing the past to control the future.
When the ability to travel through time is perfected, a new type of law enforcement agency is formed. It's called Time Enforcement Commission or TEC. A cop, Max Walker, is assigned to the group. On the day he was chosen, some men attack him and kill his wife. Ten years later Max is still grieving but has become a good agent for the TEC. He tracks down a former co-worker who went into the past to make money. Max brings him back for sentencing but not after telling Max that Senator McComb, the man in charge of TEC, sent him. Max has his eye on McComb.Written by
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Agent Walker always runs or is in fast motion (such as falling) when entering/exiting time. Senator McComb walks when entering/exiting time. This signifies that one has plenty of "time" and the other doesn't. See more »
Goofs
The characters repeatedly state that "the same matter cannot occupy the same space" when time traveling, which means that time travelers cannot physically touch past versions of themselves without suffering fatal consequences. The problem with this logic is that this would not result in matter "occupying the same space", because it is physically impossible for this to actually happen. When two people touch each other, they are not occupying the same space - they are just very close to each other. But no matter how close two people can get, the atoms that make up their physical bodies will never occupy the same space as one another. See more »
Quotes
Irish Cop:
Poor bastard. Tomorrow might have been a brighter day.
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Alternate Versions
The 2009 Warner Bros. DVD release plasters the Largo Entertainment logo with an Intermedia logo. The Largo logo after the end credits is also deleted and creates an abrupt end with the closing credit music. See more »
This is pretty run-of-the-mill as far as sci-fi goes, and Van-Damme's acting wasn't any better than it was in his other films - contrary to popular opinion - but Peter Hyams' competent direction keeps the thing moving forward at a brisk pace, and Ron Silver makes for a wicked baddie that rivals his work in Blue Steel. If only the action were more exciting. Most of it consists of Walker staying in one position shooting at another guy, and vice-versa until somebody goes down for good. The shootouts lack energy and a sense of life for the most part. The fight scenes are......okay, but nothing that can compete with what I've seen in other actioners from that era. Oh yeah, and what was up with the villain's death scene? That was some frighteningly terrible CGI. I guess they were trying to rival the liquid metal effects in T2 and failed miserably. In fact, the entire finale was way too dark, like pitch black. I remember catching the finale on TV back in the day and noticed it was excessively dark then, too, but Blu-ray doesn't seem to have corrected the problem. Well, flaws aside, this is still one of Van Damme's better films, with some amusing moments here and there.
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This is pretty run-of-the-mill as far as sci-fi goes, and Van-Damme's acting wasn't any better than it was in his other films - contrary to popular opinion - but Peter Hyams' competent direction keeps the thing moving forward at a brisk pace, and Ron Silver makes for a wicked baddie that rivals his work in Blue Steel. If only the action were more exciting. Most of it consists of Walker staying in one position shooting at another guy, and vice-versa until somebody goes down for good. The shootouts lack energy and a sense of life for the most part. The fight scenes are......okay, but nothing that can compete with what I've seen in other actioners from that era. Oh yeah, and what was up with the villain's death scene? That was some frighteningly terrible CGI. I guess they were trying to rival the liquid metal effects in T2 and failed miserably. In fact, the entire finale was way too dark, like pitch black. I remember catching the finale on TV back in the day and noticed it was excessively dark then, too, but Blu-ray doesn't seem to have corrected the problem. Well, flaws aside, this is still one of Van Damme's better films, with some amusing moments here and there.