In order to foil an extortion plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.
Following the events of The Matrix (1999), Neo and the rebel leaders estimate they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. Neo must decide how he can save Trinity from a dark fate in his dreams.
Bomber terrorist's elevator plan backfires, so he rigs a bomb to a LA city bus. The stipulation is: once armed, the bus must stay above 50 mph to keep from exploding. Also if LAPD Officer tries to unload any passengers off, Payne will detonate it. Joe Morton co-stars as Jack's superior, and Jeff Daniels supports Jack helping him try to defuse the bomb.Written by
The elevator shaft set was built with four fully-functioning elevators, and was five stories high. See more »
As Jack and Harry rush onto the roof, a third arm and gun are briefly visible to the right. This is the arm of a third SWAT team member who has otherwise been completely deleted from the scene and who, as far as the viewer is concerned, isn't there. See more »
Hey, this area's restricted.
Oh, hi. Yeah, I know. They called me down here. Some of this wiring got screwed up.
Nobody called it down to me. I'm going to have to see a work order.
Yeah, just a second. There you are.
[stabs workman in the ear with a screwdriver]
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TV versions shown on the USA Network after 9/11/2001 edit out a line from the scene where Jack and Annie discuss the bombers' motives. Sandra Bullock's line "Did we blow up his country or something?" is cut and the dialogue proceeds to Keanu Reeves' next line. See more »
Speed is one of my favorite action movies of all time, just a notch below contemporaries like Terminator 2 and Die Hard. The premise is so simple that it's almost a parody of movie pitches (Homer Simpson's line was "I saw this movie about a bus that had to SPEED around a city, keeping its SPEED over fifty, and if its SPEED dropped, it would explode! I think it was called 'The Bus That Couldn't Slow Down'."). Fortunately this film came to be much better than the sum of its parts, and it's deservedly remembered as one of the most entertaining films of the 90s.
What distinguishes Speed is its humanity, due in no small part to the character of Annie (Sandra Bullock). The best example of this is the moment when Annie, while driving the bus, thinks she has struck a baby stroller. She becomes so distraught that she lets go of the steering wheel, never mind the fact that she is in charge of driving a bomb-laden bus through the L.A. suburbs. It's one of several moments that draw us into the film by helping us identify with the characters, and it's all the more elegant for its simplicity. This movie isn't complex, but it doesn't claim to be.
There is a certain irony that Speed succeeds so well on a human level, since Jan de Bont is not generally considered an "actor's director". He started as a cinematographer, and even when he talks about directing he discusses technical aspects and seldom mentions working with actors. Nowhere was this more evident than Speed 2, which pretty much killed his directorial career. Given that, it's all the more remarkable what he pulled off in the original Speed, as everything seemed to come together for him.
The overall performances really serve this picture well. Keanu is at his best (which is to say, mediocre), Sandra launched a career based on this movie, and Dennis Hopper did a wonderful job as the sardonic villain. Plus he has one of my favorite bad-guy lines of all time (Traven: "You're crazy." Payne: "Poor people are crazy, Jack. I'm eccentric.").
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