A psychology professor hires Lila to do tests, as she's hypersensitive in seeing into the past. She sees his old student and lover, who was murdered.
Director:
Writer:
Stars:
Photos and Videos
Cast verified as complete
| Eric Roberts | ... |
Dr. Ian Burton
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| Kari Wuhrer | ... |
Lila Reed
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| Ron Perlman | ... |
Detective Pantella
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| Paul Le Mat | ... |
Mitch Snyder
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| Claire Stansfield | ... |
Paula
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| Tracey Needham | ... |
Maryann
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| Kieran Mulroney | ... |
Denny Sando
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| Ed Begley Jr. | ... |
Earl Strauber
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Alisa Diane | ... |
Carrie Reiner
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| Jason Ross-Azikiwe | ... |
Detective Holmes
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| John Morrissey | ... |
Smoking Detective
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| Chuck Zito | ... |
Bartender
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Directed by
| Brian Grant | ||
Written by
| Doug Wallace | ... | () |
Produced by
| Mitchell G. Blumberg | ... | executive producer |
| Michael Mandaville | ... | line producer |
| John Morrissey | ... | producer |
| Kim Snyder | ... | executive producer |
Music by
| Arthur Kempel | ||
Cinematography by
| Ross Berryman | ||
Editing by
| John Lafferty | ||
Editorial Department
| Ron Payne | ... | apprentice film editor |
| Nicole Schubert | ... | assistant film editor |
| Jim J. Williams | ... | color timer (as Jim Williams) |
| Laura Yanovich | ... | apprentice film editor (as Laura Steiger) |
Casting By
| Annette Benson | ||
Production Design by
| Barry Robison | ||
Art Direction by
| Troy Myers | ||
Set Decoration by
| Troy Myers | ||
| John V. Barrile | ... | (uncredited) |
Costume Design by
| Marilyn Madsen | ... | (as Marilyn Madsen Brands) |
Makeup Department
| Peggy Hannaman | ... | hair stylist |
| James Higgins | ... | assistant makeup artist |
| Matthew Monzon | ... | assistant makeup artist |
| Ann Pala | ... | makeup artist |
Production Management
| Miles Christensen | ... | post-production supervisor |
| Michael Mandaville | ... | unit production manager |
Second Unit Director or Assistant Director
| Aaron Barsky | ... | first assistant director |
| Mark Ean | ... | first assistant director: second unit |
| Eddie Fickett | ... | second assistant director |
Art Department
| Michael P. Bacon | ... | storyboard artist |
| Mike R. Berman | ... | art swing |
| Thomas Cabell | ... | art swing |
| Jake Conroy | ... | art swing |
| Matthew Gilbert | ... | lead man |
| Alex Hampson | ... | assistant props |
| Michael Ivey | ... | art swing (as Mike Ivey) / swing gang |
| Kristie LaFontaine | ... | art swing |
| Karrin Ludeking-Berman | ... | art swing |
| Terence M. McGuire | ... | art swing |
| John Moore | ... | art swing |
| Ramon Rodgers | ... | art swing |
| Robert Smith | ... | property master |
| Anthony Sporango | ... | art swing |
| Ildiko Toth | ... | on-set dresser |
Sound Department
| Peter Cole | ... | re-recording mixer |
| William Freesh | ... | re-recording mixer |
| Ko Maruyama | ... | foley artist |
| Conner Moore | ... | adr recordist / foley recordist / re-recording mixer |
| Martin Moore | ... | foley artist |
| Howard Neiman | ... | post-production sound effects |
| Todd O. Russell | ... | boom operator (as Todd Russell) |
| Derek Sample | ... | sound effects editor |
| Neil Spritz | ... | sound mixer |
Special Effects by
| Beverley Hartigan | ... | special effects supervisor |
Visual Effects by
| Mary Stuart | ... | end titles & opticals |
Stunts
| Ed Anders | ... | stunts |
| Kirk Beebe | ... | stunts |
| BJ Davis | ... | stunt coordinator |
| Spice Williams-Crosby | ... | stunts (as Spice Williams) |
Camera and Electrical Department
| Ken Bazal | ... | camera loader |
| Erin-Bruce Cook | ... | first assistant camera |
| Stephan Dalyai | ... | electrician |
| Pavel Dygas | ... | dolly grip |
| Paul A. Edwards | ... | camera operator |
| Bill Essling | ... | grip |
| Adam Goldfine | ... | gaffer |
| Barry Gross | ... | grip |
| Ross Guidici | ... | best boy grip |
| Shantell Hall | ... | electrician |
| Anita Ingle | ... | still photographer |
| Greg Kidd | ... | first assistant camera |
| Vince Kustush | ... | grip |
| David J. Miller | ... | camera operator: second unit / director of photography: second unit |
| David O'Connel | ... | camera operator: second unit / director of photography: second unit |
| Andrew Parke | ... | first assistant camera: second unit (as Andy Park) |
| Robert Schierer | ... | second assistant camera |
| John Scott | ... | first assistant camera: second unit |
| Andre Sobczak | ... | key grip |
| Dale Sprawls | ... | electrician |
| Jeff Stewart | ... | grip |
| Ken Struck | ... | best boy electric |
| Holly May Walker | ... | electrician |
Casting Department
| Johnny Fontane | ... | extras casting (as Joe Guinan) |
| Rachel Oberstein | ... | casting assistant |
Costume and Wardrobe Department
| Maxine Heywood | ... | wardrobe assistant |
| Brenda Maben | ... | assistant costume designer |
Location Management
| Eric Fierstein | ... | location manager |
| Colin Malone | ... | assistant location manager |
Music Department
| Jeff Rona | ... | composer: additional music |
Script and Continuity Department
| Bridgette Kelley | ... | script supervisor |
Transportation Department
| Michael Burnette | ... | transportation coordinator |
| William R. Peck | ... | driver |
Additional Crew
| Todd Bird | ... | production assistant |
| Mark Damon | ... | production |
| Matthew R. Eyraud | ... | key production assistant |
| Brian Grant | ... | title designer |
| Susan Hart | ... | assistant: Mr. Mandaville |
| Phyllis Hsu | ... | production assistant |
| Abby Laspia | ... | assistant production coordinator |
| Christian J. Meoli | ... | assistant: Mr. Roberts |
| Todd Mesher | ... | title designer |
| Sandra Ann Miller | ... | production assistant (as Sandra Miller) |
| Joseph Moore | ... | craft service |
| Patrick Morrison | ... | portraits |
| Lawrence O'Flavahan | ... | production assistant |
| David 'Sharkey' Pruger | ... | production assistant (as David Pruger) |
| Nancie Kay Shuman | ... | assistant to producer |
| Erica Spano | ... | key production assistant |
| Dawn K. Thomas | ... | production coordinator |
Production Companies
Distributors
- Home Box Office (HBO) (1994) (United States) (tv)
- Columbia TriStar Home Entertainment (1995) (United States) (VHS)
- Deutscher Video Ring (1995) (Germany) (VHS)
- Teleargentina (1995) (Argentina) (VHS)
- Multicom Entertainment Group (2019) (World-wide)
- New Age Entertainment (1995) (United Kingdom) (VHS)
- Roadshow Entertainment (1996) (Australia) (VHS)
Special Effects
Other Companies
- Apricot Entertainment (production facilities)
- Austro Catering Services (catering)
- Centurion Security (security provided by)
- Chapman/Leonard Studio Equipment (grip and electrical equipment)
- Cinema Research (end titles)
- Cinema Research (opticals)
- Clancy's Sound Vibrations (post sound effects)
- Eclipse Design & Fabric (sets)
- Erektor (sets)
- Executive Security (security provided by)
- Film Finances (completion guarantor)
- Four Media Company (main title transfer)
- L.A. Mad Dogs (adr group)
- Magic Film and Video Works (negative cutting)
- Mobo Laser (laser effects)
- Near North Insurance Brokerage (insurance)
- New Age Casting (extra casting)
- Post Logic Studios (post-production facility)
- Post Master (sound transfers)
- Producers & Artists Services (payroll services)
- Ready Set Systems (sets)
- Robert Mintz Group (insurance)
- Transcom Productions (computers)
- Transcom Productions (production services)
Storyline
| Plot Summary |
Lila a college student discovers a latent ability to see into the past. When a professor hires her for some psychological tests she becomes the target of the killer of the woman she sees in her dreams.
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| Plot Keywords | |
| Taglines | He taught her how to see the past... now it may cost him his life. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Did You Know?
| Trivia | Originally premiered on Cinemax. See more » |
| Goofs | When Lila finds Maryann dead, you can see her chest making breathing movements. See more » |
| Movie Connections | Featured in We Kill for Love (2023). See more » |
| Soundtracks | It's Too Late See more » |
| Quotes |
Earl Strauber:
Do you have any Irish in you? Lila Reed: No. Earl Strauber: Would you like some? See more » |