Young Queen Margot finds herself trapped in an arranged marriage amidst a religious war between Catholics and Protestants. She hopes to escape with a new lover, but finds herself imprisoned by her powerful and ruthless family.
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The night of August 24, 1572, is known as the Massacre of St. Bartholomew. In France a religious war is raging. In order to impose peace a forced wedding is arranged between Margot de Valois, sister of the immature Catholic King Charles IX, and the Hugenot King Henri of Navarre. Catherine of Medici maintains her behind-the-scenes power by ordering assaults, poisonings, and instigations to incest.Written by
Oliver 'Asana' Duex <firstname.lastname@example.org>
The scene between Margot and La Mole, where they stand outdoors wrapped in nothing but a red cloak, was included for the American release even though it had not appeared in the original cut. The American distributors had insisted on the relationship between the two characters being more substantial (the romance was to become the focal point for the American marketing campaign). See more »
In the scene where La Mole and Coconnas are being dragged, alive, from a cart full of dead people at a mass burial site, you can clearly see a 'dead body' in the background blink its eyes. See more »
Though this film is not very faithful to history or to Dumas' unhistorical novel, it is compelling and very dark fiction. The Byzantine complexity of the French religious wars is simplified into a story of a country manipulated by ruthless, superstitous and inept matriarch Catherine de Medici. The royal family appear as puppets guided to achieve the mother's goals. There are flaws in this repressive system, which cannot overpower the human virtues of courage, love, loyalty and friendship. In the end, and in history, the Medicis are triumphant....but the seeds of the House of Bourbon are sown.
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