Patty Vare falls off a horse and is found unconscious by preparatory school student John Baker. He takes her to his dormitory. As he quickly discovers, she is hiding from something. For ... See full summary »
A day in the life of the employees of Empire Records. Except this is a day where everything comes to a head for a number of them facing personal crises - can they pull through together? And... See full summary »
In this study of Generation X manners, Lelaina, the valedictorian of her college class, camcords her friends in a mock documentary of posteducation life. Troy is her best friend, a perpetually unemployed musical slacker. Vickie is a manager at the Gap who worries about the results of an AIDS test, while Sammy has problems grappling with his sexuality. When Lelaina meets Michael, an earnest video executive who takes her homemade video to his MTV-like station, she must decide what she values--the materialism of yuppie Michael or the philosophical musings of Troy.Written by
Rick Gregory <firstname.lastname@example.org>
Ethan Hawke was at this point unhappy with the direction his career was taking; the actor recalled that his career was in a lull after the buzz from Dead Poets Society (1989) had faded. Winona Ryder was a fan of his work and stipulated in her contract that her involvement in the film was dependent on Hawke starring opposite her. She chose Hawke after seeing him in A Midnight Clear (1992). See more »
Troy takes his guitar off twice before going on a break at the club. See more »
I really do have difficulty with the short shrift this film seems to get. Admittedly, Ethan Hawke's appaling "I'm nuthin'" doesn't really do the film any favours but that asides, Reality Bites always has me in tears. The basic storyline, centering on a love that both people know exist but due to circumstance and fear has not manifested is so universal, and so well done. The 'my life is falling apart' endless phone calls to the psychic 0900 number part is so tragi-comedic, and the entire movie is full of continuous great scenes. Admittedly, being a single 25 year old white male who originally saw the film a few years back, I was probably caught at the optimal time for it to have an emotional impact, but I find myself going back to it again and again. Winona has never been better, and Janeane Garofalo is stunning as the low self-esteem serial one night stander with the AIDS paranoia and over-full shag book. Also, great cameos from the Soul Asylum geezer and Evan Dando's stunning turn during the end credits add to the film. Overall a stunning film, admittedly which will probably only be appreciated by a relatively narrow demographic.
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