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Quiz Show (1994)

A young lawyer, Richard Goodwin, investigates a potentially fixed game show. Charles Van Doren, a big time show winner, is under Goodwin's investigation.

Director:

Robert Redford

Writers:

Paul Attanasio (screenplay), Richard N. Goodwin (book)
Reviews
Popularity
4,745 ( 378)

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ON DISC
Nominated for 4 Oscars. Another 6 wins & 28 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Turturro ... Herbie Stempel
Rob Morrow ... Dick Goodwin
Ralph Fiennes ... Charles Van Doren
Paul Scofield ... Mark Van Doren
David Paymer ... Dan Enright
Hank Azaria ... Albert Freedman
Christopher McDonald ... Jack Barry
Johann Carlo ... Toby Stempel
Elizabeth Wilson ... Dorothy Van Doren
Allan Rich ... Robert Kintner
Mira Sorvino ... Sandra Goodwin
George Martin George Martin ... Chairman
Paul Guilfoyle ... Lishman
Griffin Dunne ... Account Guy
Michael Mantell ... Pennebaker
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Storyline

An idealistic young lawyer working for a Congressional subcommittee in the late 1950s discovers that TV quiz shows are being fixed. His investigation focuses on two contestants on the show "Twenty-One": Herbert Stempel, a brash working-class Jew from Queens, and Charles Van Doren, the patrician scion of one of America's leading literary families. Based on a true story. Written by Tim Horrigan <horrigan@hanover-crrel.army.mil>

Plot Summary | Add Synopsis

Taglines:

Fifty million people watched, but no one saw a thing.


Motion Picture Rating (MPAA)

Rated PG-13 for some strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

7 October 1994 (USA) See more »

Also Known As:

Kviz See more »

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Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend USA:

$757,714, 16 September 1994, Limited Release

Gross USA:

$24,822,619
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In the film, the last question that Charles Van Doren answers correctly to defeat Herbert Stempel is worth 11 points, about a Civil War general who placed Ulysses S Grant under arrest. In the real December 5th, 1956 episode of Twenty One, this was actually the very first question asked of Van Doren that night, and was worth 8 points. See more »

Goofs

In the beginning of the movie they have a question which is asked to the contestants, about Paul Revere's "Midnight Ride", which is a multiple part question. Two of the questions are inaccurate. 1) There is no evidence that the name of the horse is known. 2) The horse was not owned by John Larkin, but his John Larkin's father. See more »

Quotes

Dan Enright: How much do they pay instructors up at Columbia?
Charles Van Doren: Eighty-six dollars a week.
Dan Enright: Do you have any idea how much Bozo the Clown makes?
Charles Van Doren: Well... we, we can't all be Bozo the Clown.
See more »

Crazy Credits

NBC and Geritol were never implicated in the quiz show scandals. See more »

Alternate Versions

The network version of "Quiz Show" uses replacement footage in two places. They are:
  • In the scene where Dan is telling Herb that he has to take a dive, the line "Look, don't start believing your own bullshit, all right? You wouldn't know the name of Paul Revere's horse if he took a shit on your lawn!" is changed to "Look, don't start believing your own bull, all right? You wouldn't know the name of Paul Revere's horse if he took a nap on your lawn!"
  • When Herb is talking to Dan about getting a panel show, Herb's line "You get me that panel show, or I'm gonna bring you down with me, you lousy lyin' prick! You and Charles Van Fucking Doren!" is changed to "You get me that panel show, or I'm gonna bring you down with me, you lousy lyin' pig! You and Charles Van Friggin Doren!"
See more »

Connections

Featured in The 67th Annual Academy Awards (1995) See more »

Soundtracks

MACK THE KNIFE
Written by Kurt Weill, Bertolt Brecht and Marc Blitzstein
Performed by Bobby Darin
Courtesy of Atco Records
By Arrangement with Warner Special Products
See more »

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User Reviews

 
The End of Innocence
24 April 2004 | by jlacerraSee all my reviews

As a twelve year old growing up in Brooklyn, I did not even know the name of the show I was watching every week; to me it was just a vehicle to see if hero Charles Van Doren could hang in. He was handsome, articulate, witty, and all the girls thought him incredibly attractive (although their pre-teen minds did not yet understand sexuality). Growing up in a Jewish neighborhood as I did, Herb Stempel did not come off so nerdy as he looks now in retrospect. When it came out that everyone had cheated, us kids felt not only betrayed, but sleazily cheated personally. The girls felt somehow violated!

Here Redford turns in an understated masterpiece. He sets the stage and the standard, and gets fantastic performances from his actors:

John Turturro as Stempel is excellent, but a fine job by Johann Carlo as his principled wife, which may be overlooked in such company, is the rock upon which his family can really rely.

Ralph Fiennes, as the hapless Charles Van Doren, manages to get across his character's dilemma: a mere achiever in a family of ultra-achievers. In any other family he'd have been prime, as a Van Doren he would always be an also-ran.

Many have pointed out the great job of Paul Scofield as Mark Van Doren, Charles' father. He is the epitome of the WASP-intellectual padrone. And he has our sympathy when his son so sorely disappoints him and disgraces the family.

David Paymer is excellent and believable as Enright, the unsavory producer. He makes it almost seem disloyal not to cheat!

Bit parts are all little plums: Martin Scorsese as Martin Rittenhouse, the Geritol exec, smugly contemptuous of the public and the government. George Martin as the network president, clearly Jewish, and just as clearly a "Teflon Don" in his own world.

The scenes at the Van Doren estate are designed to convey investigator Goodwin's (Rob Morrow) culture shock and outsider status, and they represent the academic WASP world of the time accurately and wonderfully.

All in all, a great movie.


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