An idealistic young lawyer working for a Congressional subcommittee in the late 1950s discovers that TV quiz shows are being fixed. His investigation focuses on two contestants on the show "Twenty-One": Herbert Stempel, a brash working-class Jew from Queens, and Charles Van Doren, the patrician scion of one of America's leading literary families. Based on a true story.Written by
Tim Horrigan <firstname.lastname@example.org>
When Enright and Freedman attempt to convince Van Doren to appear on 21, they ask him how much does he think Bozo the Clown makes. Bozo's first TV show was in 1949 on Los Angeles's KTTV. However, Bozo did not gain national prominence until Larry Harmon established Bozo shows in various markets. The first was in LA in 1959, with the New York show also starting that year. Since Van Doren's conversation would have occurred in 1956, Bozo was not yet well known among adults or a high grossing star. See more »
I'm happy that you've made the statement. But I cannot agree with most of my colleagues. See, I don't think an adult of your intelligence should be commended for simply, at long last, telling the truth.
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After years in exile, Dan Enright and Jack Barry returned to television with "The Joker's Wild". It made them millionaires. See more »
The network version of "Quiz Show" uses replacement footage in two places. They are:
In the scene where Dan is telling Herb that he has to take a dive, the line "Look, don't start believing your own bullshit, all right? You wouldn't know the name of Paul Revere's horse if he took a shit on your lawn!" is changed to "Look, don't start believing your own bull, all right? You wouldn't know the name of Paul Revere's horse if he took a nap on your lawn!"
When Herb is talking to Dan about getting a panel show, Herb's line "You get me that panel show, or I'm gonna bring you down with me, you lousy lyin' prick! You and Charles Van Fucking Doren!" is changed to "You get me that panel show, or I'm gonna bring you down with me, you lousy lyin' pig! You and Charles Van Friggin Doren!"
It would be pretty surprising if Quiz Show, Robert Redford's film about the 1950's quiz show scandals was anything short of excellent. The principal actors give phenomenal performances: Fiennes' Van Doren is usually unflappable and cold, but manages to allow vulnerability to surface at times, and Turturro's Stempel is a study in almost sociopathic and manic behavior. What allows both actors to transcend mere greatness is their ability to make the viewer both admire and detest their characters with something as subtle as a glance or body language. Morrow's character of the `whistle-blower' is there as the moral fiber; the outsider who looks upon the situation both with objectivity and as the devil's advocate.
Redford's direction is rich and well-paced. There were not any slow moments in the film, and he did not have to adhere to rapid-fire editing to achieve the momentum of the film. Perhaps the subject matter is a factor, but I have found that with the exception of `Ordinary People', the films I have seen under Redford's direction have been good in a technical respect but lean toward the maudlin. With Quiz Show, he does what should be done when telling a true story he does not resort to preaching, rather he directs with an objectivity that allows the viewer to come to their own conclusions.
Quiz Show is an excellent film that I highly recommend, especially to see the razor-sharp performances of Fiennes and Turturro.
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