When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.Written by
The movie that Lance is watching when Vincent arrives with overdosed Mia is The Three Stooges short, Brideless Groom (1947). Quentin Tarantino is an avid Three Stooges fan, but couldn't get the rights from Comedy III to show them in the movie. So while a Three Stooges film appears on-screen ("Brideless Groom" is public domain), the Three Stooges themselves do not. Emil Sitka, the frequent Three Stooges co-star, who does appear on-screen, is credited as "Hold hands you lovebirds". See more »
(at around 1h 35 mins) The amount of blood on Butch's t-shirt differs in the pawn shop. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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In the opening credits, the music changes as if it were on the radio just as the credit for "Music Supervisor" appears on the screen. See more »
A Special Collector's Edition has been released on video in the Spring of 1996. This edition includes a supplementary 11-minute section that features director Quentin Tarantino introducing two never-before-seen scenes, not included in the original theatrical release. The two scenes are as follows:
Vincent Vega and Mia Wallace's first encounter in her apartment is longer. Before leaving to have dinner to the Jackrabbit Slim's, Mia interviews Vincent while shooting with a hand-held video camera. Mia asks Vincent if he's related to folk singer Suzanne Vega and then proceeds with a series of trivia-like questions on his personal preferences ("Brady Bunch or the Partridge Family?") and asks him if he's an "Elvis man or a Beatles man". This explains a later comment ("An Elvis man should love this") that Mia makes in the theatrical version.
The taxi ride and conversation between Butch and driver Esmarelda are longer and there's additional dialogue where Butch explains his feelings about being a boxer and killing his opponent Floyd.
One of the Best Film's I've Seen In A LONG Time... and still is
Quentin Tarantino's Pulp Fiction is a terrific film. It also gets better with each viewing, especially if one of those happens to be on a big theatrical screen where all of the BIG compositions get bigger and more detailed. How much else is there to talk about it after all these years? It's filled with dynamite, sudden and always interesting action, great and naturally clever dialogue, and memorable characters. Also, the acting is always something to behold as by turns straightforward, over the top, subtle, and just downright menacing and spot-on. The directing is one of the strongest that we've seen from Tarantino, as he makes his choices in pacing with shots in unconventional ways but never in a way that would be distracting. And writing, already noted, has been copied by many, and only equaled by a select few.
The dance sequence. Samuel L. Jackson's superlative monologuing. It has loyalty among low lifes, and many other odd characters that are all bad and not one is a villain or hero. And somehow even after years of parody and terrible rip-offs, it holds its own and- as one can say after seeing it at a midnight screening- holds its audience as much as it had the countless times before they saw it (or if they are, the first time). The first time you're surprised, the second time you look for the clues or other ambiguity, and then the third time you laugh you head off. The fourth time... I'll leave to you.
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